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R. Crumb: The Complete Record Cover Collectionby R Crumb
Synopses & Reviews
BIOGRAPHY ] POPULAR CULTURE ] comic art-->
R. Crumb's illustrations have appeared on the covers of albums by Big Brother and the Holding Company, on bootlegged T-shirts, and in several underground newspapers. He is, however, first and foremost, known as the father of underground comics and for work that paved the way for both satirical comics and autobiographical work in the comics medium.
He has been compared favorably to Brueghel, demonized as a misogynist, defended by feminists, and portrayed as the subject of Crumb, an award-winning documentary film. Having created such iconic characters as Mr. Natural, Fritz the Cat, and even himself as part of his cartoon universe, R. Crumb (b. 1943) is firmly established as one of the most significant, controversial, and technically gifted cartoonists of the second half of the twentieth century.
R. Crumb: Conversations collects interviews that span the late 1960s to the beginning of the twenty-first century. In these Crumb proves to be iconoclastic, opinionated, and--despite his celebrity--impervious to the commercial moods of the public.
Crumb appears alternately as neurotic, witty, acerbic, gentlemanly, cruel, verbose, and reticent. His persona in comics form (as an unattractive, continually nervous, lecherous, obsessive man) is both confirmed and challenged by the person who emerges from these interviews.
Gathered here are interviews and profiles that extend over the various periods and events in his life and work, including his early days as a countercultural figure in San Francisco, his verging on a nervous breakdown after the release of the X-rated film Fritz the Cat, his editing the groundbreaking comics anthology Weirdo, his move to France in the 1990s, and the resurgence of his popularity when Crumb was released.
D. K. Holm lives in Portland, Oregon. He is the author of Pocket Essentials: Robert Crumb. His work has been published in the New York Times Book Review, Creative Screenwriting, and Film Quarterly.
A landmark work that pays splendid homage to a forgotten era of seminal American music.
Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album . It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as , and , Crumb's opus also features more recent covers done for CDs. is a must-have for any lover of graphics and old-time music.
About the Author
Born in Philadelphia, R. Crumb is the author of numerous comic works and one of the pioneers of underground comics. His books include Kafka, The Complete Crumb Comics (17 volumes), The R. Crumb Sketchbook (10 volumes), R. Crumb Draws the Blues, The Book of Mr. Natural, The Book of Genesis Illustrated by R. Crumb, and many more. He lives in the south of France with his wife, the artist Aline Kominsky-Crumb.
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