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In Oceania: Visions, Artifacts, Histories

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In Oceania: Visions, Artifacts, Histories Cover

 

Synopses & Reviews

Publisher Comments:

In this collection of essays, Nicholas Thomas, a leading theorist of historical anthropology, explores the historicization of cultural encounters in the region referred to as Oceania. Basing his claims on wide-ranging historical and ethnographic research and building on his celebrated studies of exchange and colonialism in the Pacific, Thomas describes how outsiders and islanders alike have constructed indigenous cultures over the last two hundred years.

In Oceania documents and analyzes the "rhetorical artifacts" of explorers, missionaries, fiction and travel writers, and the people of the Pacific themselves to illustrate how Oceanic identities have been represented over time. Not content with conventional methods of anthropology or history, Thomas draws on postcolonial theory and literary analysis in extraordinarily wide-ranging analyses of texts, visual images, and historical processes. He demonstrates how cultures of the Pacific Islands have dealt with colonialist ventures, modernity, and the debate about the recuperation of histories and traditions. The picture Thomas paints of Oceania, however, is not one of a group of societies stripped of meaning, but one that shows how the interactions between indigenous cultures and European influences have created entirely new identities.

Synopsis:

A collection of essays by a major anthropologist on the interplay between historical and anthropological ways of knowing, colonial representations, and debates about tradition and identity. Thomas’s introduction discusses the relations of historic

Synopsis:

Australian scholar Nicholas Thomas documents and analyzes "rhetorical artifacts" of explorers, missionaries, fiction and travel writers, and the people of the Pacific themselves to demonstrate how Oceanic identities have been represented over time. The picture Thomas paints of Oceania shows that interactions between indigenous cultures and European influences created entirely new Oceanic identities. 62 illustrations. 304 pp.

Description:

Includes bibliographical references (p. [245]-259) and index.

About the Author

Nicholas Thomas is Professor of Anthropology, Goldsmiths College, University of London. He is the author of numerous books, including Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific.

Product Details

ISBN:
9780822319986
Author:
Thomas, Nicholas
Publisher:
Duke University Press
Author:
Thomas
Location:
Durham, NC :
Subject:
History
Subject:
Ethnology
Subject:
Anthropology - Cultural
Subject:
Archaeology
Subject:
Australia & Oceania
Subject:
Oceania
Subject:
Antiquities
Subject:
Material culture
Subject:
Oceania Antiquities.
Subject:
Australia & New Zealand - General
Subject:
Oceania History.
Subject:
Ethnology -- Oceania.
Subject:
World History-Australia and New Zealand
Copyright:
Edition Description:
Trade Paper
Series Volume:
v. 37
Publication Date:
19971031
Binding:
TRADE PAPER
Language:
English
Illustrations:
62 illustrations
Pages:
288
Dimensions:
9.18x5.96x.82 in. 1.06 lbs.

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Related Subjects

History and Social Science » Anthropology » Australia
History and Social Science » Anthropology » Cultural Anthropology
History and Social Science » Anthropology » General
History and Social Science » Archaeology » General
History and Social Science » World History » Australia and New Zealand
Science and Mathematics » Mathematics » General
Science and Mathematics » Mathematics » Topology
Science and Mathematics » Physics » Fluid Mechanics

In Oceania: Visions, Artifacts, Histories Sale Trade Paper
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Product details 288 pages Duke University Press - English 9780822319986 Reviews:
"Synopsis" by ,
A collection of essays by a major anthropologist on the interplay between historical and anthropological ways of knowing, colonial representations, and debates about tradition and identity. Thomas’s introduction discusses the relations of historic
"Synopsis" by , Australian scholar Nicholas Thomas documents and analyzes "rhetorical artifacts" of explorers, missionaries, fiction and travel writers, and the people of the Pacific themselves to demonstrate how Oceanic identities have been represented over time. The picture Thomas paints of Oceania shows that interactions between indigenous cultures and European influences created entirely new Oceanic identities. 62 illustrations. 304 pp.
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