At the End of a Dull Day

Giorgio Pellegrini, the hero of The Goodbye Kiss, has been living an “honest” life for eleven years. But that’s about to change. His lawyer has been deceiving him and now Giorgio is forced into service as an unwilling errand boy for an organized crime syndicate. At one time, Giorgio wouldn’t have thought twice about robbing, kidnapping and killing in order to get what he wanted, but these days he realizes he’s too old in the tooth to face his enemies head-on. To return to his peaceful life as a successful businessman he’s going to have to find another way to shake off the mob. Fortunately, Giorgio’s circumstances may have changed, but deep down he’s still the ruthless killer he used to be.

"Recovering criminal Giorgio Pellegrini (who also appears in Carlotto's The Goodbye Kiss) can't seem to avoid trouble. In addition to owning and operating La Nena — a refined restaurant in Italy's Veneto region frequented by power players and other high-end clientele — he runs a top-secret prostitution ring with a woman who's not his wife. And when his lawyer, politician Sante Brianese, betrays him with a two million euro investment gone awry in Dubai, the former terrorist vows revenge and resumes his penchant for killing. One act of greed, deceit, or violence leads to another, as Pellegrini's ruthlessness grows more desperate. His narration allows gruesome glimpses into an unscrupulous psyche, alludes to the machinations of Italian politics, and reveals his penchant for kinky sex — although scenes are handled tastefully. In fact, Carlotto provides readers with just enough details to move this complex story along and, with a hint of irony, repeats the book's title throughout the text. This first English-language edition may be readers' first introduction to Carlotto, even though he wrote 1994's The Fugitive, a nonfiction account of the author's 1976 arrest and trial for a murder he didn't commit. (May)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.

"Massimo Carlotto has a history as riveting as any novel." Chicago Tribune

“Carlotto is the reigning king of Mediterranean noir.” The Boston Phoenix

“The best living Italian crime writer.” Il Manifesto