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eBook editions

Paradiso Diaspora

by John Yau

Paradiso Diaspora Cover

 

Synopses & Reviews

Publisher Comments:

As the anagram of its title suggests, the poems, prose, lyrics, and memoir in John Ya‛s new collection focus on an inescapable duality. It is the duality of living in both painted gardens and in the shadows of historic events that sweep one along. Yau explores the language of telling, of biography, auto and otherwise, of landscapes that are simultaneously imaginary and real, of ways to enter and leave“the kingdom of poetry” This is a book of displacements and unpredictable associations, of“last confession” and“coming attractions” at once haunted and haunting.

Review:

"The 46 poems of Yau's new collection take up the themes and procedures of his previous work — absurdist narration, visual art (Yau is a prolific art critic), the workings and failings of language — and also delve more intimately into meditations about and in the voice of Yau's daughter: 'my name is Cerise Tzara Aschheim Yau/ I am your daughter/ I have been here a little over a month/ crying shitting eating sleepless restless.' Using the collage techniques Yau (Borrowed Love Poems, 2002) mastered in the 1980s (derived, in part, from his mentor John Ashbery), these associative fables, fragmentary lyrics and stepped meditations attempt to deconstruct conventional language and put it back together with a surreal, often humorous slant. Pop culture references ('Is this really your final answer'), the conventions of other art forms ('Not only is the first shot of half-clothed women...') and surrealist setups ('...I am a duck, a tall duck, but a duck nevertheless') launch these poems toward unlikely conclusions. Though Yau has covered much of this territory in previous books, there are many fresh and remarkable moments, especially where Yau touches on the process of writing: 'Don't write poems/ about yourself.// Don't call attention/ to your revelations// or make confessions/.../ ...don't excavate/ your mother's grief.' (July)" Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

As the anagram of its title suggests, the poems, prose, and memoir in Yau's new collection focus on an inescapable duality. High school & older.

About the Author

John Yau is the author of over thirty books of poetry, fiction, and criticism, including Borrowed Love Poems, Hawaiian Cowboys, and The United States of Jasper Johns. The recipient of numerous awards, including being named a Chevalier in the Order of Arts and Letters by France, Yau teaches at the Mason Gross School of the Arts at Rutgers University.

Product Details

ISBN:
9780143037156
Author:
Yau, John
Publisher:
Penguin (Non-Classics)
Subject:
American - General
Subject:
Single Author / American
Copyright:
Edition Description:
Mass Market
Series:
Poets, Penguin
Publication Date:
20060627
Binding:
Paperback
Grade Level:
from 12
Language:
English
Pages:
112
Dimensions:
8.94x6.16x.34 in. .37 lbs.
Age Level:
from 18

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Paradiso Diaspora Used Trade Paper
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$8.95 In Stock
Product details 112 pages Penguin Books - English 9780143037156 Reviews:
"Publishers Weekly Review" by , "The 46 poems of Yau's new collection take up the themes and procedures of his previous work — absurdist narration, visual art (Yau is a prolific art critic), the workings and failings of language — and also delve more intimately into meditations about and in the voice of Yau's daughter: 'my name is Cerise Tzara Aschheim Yau/ I am your daughter/ I have been here a little over a month/ crying shitting eating sleepless restless.' Using the collage techniques Yau (Borrowed Love Poems, 2002) mastered in the 1980s (derived, in part, from his mentor John Ashbery), these associative fables, fragmentary lyrics and stepped meditations attempt to deconstruct conventional language and put it back together with a surreal, often humorous slant. Pop culture references ('Is this really your final answer'), the conventions of other art forms ('Not only is the first shot of half-clothed women...') and surrealist setups ('...I am a duck, a tall duck, but a duck nevertheless') launch these poems toward unlikely conclusions. Though Yau has covered much of this territory in previous books, there are many fresh and remarkable moments, especially where Yau touches on the process of writing: 'Don't write poems/ about yourself.// Don't call attention/ to your revelations// or make confessions/.../ ...don't excavate/ your mother's grief.' (July)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , As the anagram of its title suggests, the poems, prose, and memoir in Yau's new collection focus on an inescapable duality. High school & older.

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