The Bones of The Earth is a book about landmarks, but of the oldest kind—sticks and stones. For millennia this is all there was: sticks and stones, dirt and trees, animals and people, the sky by day and night. The Lord spoke through burning bushes, through lightning and oaks. Trees and rocks and water were holy. They are commodities today and that is part of our disquiet. Howard Mansfield explores the loss of cultural memory, asking: What is the past? How do we construct that past? Is it possible to preserve the past as a vital force for the future? He writes eloquently on the land and time, on how to be a tourist of the near-at-hand, and on the forces that try to topple us. From the author of In the Memory House and The Same Ax, Twice comes The Bones of The Earth, a stunning call for reinventing our view of the future.

"In these measured and moving laments for bygone forms of New England life, historical essayist Mansfield (Skylark; Cosmopolis) traces the loss of local landmarks and customs in an age of increased urbanization. He opens with an account of the ceremonial rite that originated as a marketing ploy of the Boston Post, which offered towns a cane made of African ebony with a gold-plated head for the town's oldest male citizen. He next takes a wry look at the mythology surrounding the 'Washington Elm' that once stood in Cambridge, Mass., and goes on to explore, with a local expert, the beautiful stonework of New Hampshire's granite bridges. In perhaps his strongest and most anthropological essay, Mansfield delves into the rules that cemeteries insist on in order to constrain the excesses of mourners' grief, while taking time to reflect on the contemporary ritual of roadside shrines (the flowers and messages of mourning that mark the sites of fatal accidents). The most personal and sentimental essay in the collection celebrates the life of a late friend, a hunter-trapper turned naturalist named John Kulish, whose death represents for Mansfield the passing of a world of intimate knowledge of wildlife. Carefully researched and exuding unassuming integrity, this collection will have special appeal for New Englanders who share the author's mournful approach to modernity. Agent, Christina Ward." Publishers Weekly (Copyright 2004 Reed Business Information, Inc.)

Mansfield explores the loss of cultural memory, asking: What is the past? How can the past be constructed? Is it possible to preserve the past as a vital force for the future?