The Ziegfeld Follies, Florenz Ziegfeld's stage spectacular, promised the best performers, the most lavish sets, and the most ravishing girls. At fourteen, Doris Eaton Travis became one of these prized beauties.

Over the past century, Doris has performed for presidents and princesses, entertained Gershwin, Lindbergh, and Astaire, starred in silent and talking pictures, bantered with Babe Ruth, offended Henry Ford, outlived six siblings, written a newspaper column, hosted a television show, earned a Phi Beta Kappa degree in history, raised turkeys, and raced horses. Doris has lived through it all with utmost grace and strength of character—and never missed a step.

While Today, The Tonight Show, CNN, Rosie O'Donnell, 20/20 and the New York Times have all showcased Doris, journalist and artist Lauren Redniss tells Doris's singular story in an utterly original way. Weaving archival imagery with compelling prose, Redniss has created a narrative landscape that is as surreal and delightful as it is rich with meaning.

Immensely fun, seductive, inspiring, and wise (much like its star attraction, Doris Eaton Travis), Century Girl is an innovation in storytelling. It can be read as a graphic narrative or a historical tapestry, or simply relished for its stunning visual effect.

"Similar in approach to a graphic novel, this biography-in-collage tackles the life of Ziegfeld Follies star Doris Eaton. Each page offers a wild mix of illustrations, doodles, photos and memorabilia from Eaton's archives, accompanied by handwritten text outlining her fascinating life, which comes across like something out of the musical Gypsy. Born in 1904 to a theatre-crazed Virginia family, Eaton was cast in New York's famous Follies at age 14, appeared in numerous silent films, worked for years as a dance instructor and earned her college degree at age 88. New York Times contributor Redniss's surrealist scrapbook approach is striking and unique, captivating readers by twining simple, evocative text with a stunning array of images, splaying words at all angles across the page; though this slows reading, the forced pace gives readers more opportunity to appreciate the book's charms. A worthy experiment in the genre, the visual approach takes precedence over a considered analysis of Eaton's life and career, but interview material with the vivacious showgirl survivor grounds the story. Appropriately, it's an elaborate (and, in the case of the forthcoming limited edition, pricey) spectacle heavy on opulent ocular flash, lighter on substance, and perfect for fans of the Follies." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

The Ziegfeld Follies, Florenz Ziegfeld's stage spectacular, promised the best performers, the most lavish sets, and the most ravishing girls. Doris Eaton Travis was one of these prized beauties-and, at 14, was chosen as the youngest chorus girl in the Follies. "Mine eyes are yet dim with the luminous beauty of a girl named Doris," one Chicago reviewer wrote. Today, at the age of 102, Eaton is the last living Ziegfeld girl. Over the past century, she has performed for presidents and princesses, entertained Gershwin, Lindbergh, and Astaire, starred in silent and talking pictures, bantered with Babe Ruth, offended Henry Ford, outlived six siblings, written a newspaper column, hosted a television show, earned a Phi Beta Kappa degree in history, raised turkeys, and raced horses. Century Girl is a visual tour of this extraordinary woman's journey through the ages.

Lauren Redniss graduated from Brown University and received her MFA from the School of Visual Arts. She is a frequent contributor to the Op-Ed page of the New York Times, which nominated her work for the Pulitzer Prize. She teaches at the Parsons School of Design and lives in New York City.