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We Need to Talk about Kevinby Lionel Shriver
Shriver sent the manuscript of We Need to Talk about Kevin to her agent just after 9/11. Her agent found the book thoroughly distasteful and suggested an extensive rewrite. Shriver eventually found a new agent and published the book to great success. Twelve years later, We Need to Talk about Kevin continues to be a timely and necessary examination of evil in our society and what happens when that evil is under your own roof. It's a compelling and grim read that has a train-wreck quality to it; you can't seem to look away from the characters. Are they despicable, or well-meaning people floundering in a situation beyond their control?
Synopses & Reviews
A stunning examination of how tragedy affects a town, a marriage, and a family, for readers of Rosellen Brown's Before and After and Jane Hamilton's A Map of the World.
That neither nature nor nurture bears exclusive responsibility for a child's character is self-evident. But such generalizations provide cold comfort when it's your own son who's just opened fire on his fellow students and whose class photograph — with its unseemly grin — is blown up on the national news.
The question of who's to blame for teenage atrocity tortures our narrator, Eva Khatchadourian. Two years ago, her son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York.
Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault?
We Need to Talk About Kevin offers no pat explanations for why so many white, well-to-do adolescents — whether in Pearl, Paducah, Springfield, or Littleton — have gone nihilistically off the rails while growing up in suburban comfort. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy — the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.
"A number of fictional attempts have been made to portray what might lead a teenager to kill a number of schoolmates or teachers, Columbine style, but Shriver's is the most triumphantly accomplished by far....It's a harrowing, psychologically astute, sometimes even darkly humorous novel." Publishers Weekly
"[W]hile Shriver attacks the phenomenon [of teenaged killers] with unflagging gusto (she heavily researched the real-life school murders of the late 1990s), she isn't preoccupied with figuring out what motivates these young men, nor does she ruminate on how a vapid American society creates adolescent monsters. Thank God for that — what we get instead is a much more interesting, thoughtful, and surprisingly credible, thriller....While the plot — that a woman's uneasy confusion about motherhood could create a killer — is over-the-top...the grandiosity of it allows Shriver ample room to explore Eva's deepest, darkest feelings about her son. It's only when Eva has lost everything that she can admit her ugliest thoughts." Suzy Hansen, Salon.com
"In crisply crafted sentences that cut to the bone of her feelings about motherhood, career, family, and what it is about American culture that produces child killers, Shriver yanks the reader back and forth between blame and empathy, retribution and forgiveness." Deborah Donovan, Booklist (Starred Review)
"[A] slow, magnetic descent into hell that is as fascinating as it is disturbing....And despite an unsympathetic portrait of Kevin, when at the novel's end Eva declares she loves her son, you not only believe her but you understand why." Cleveland Plain Dealer
"The timely topic...is sure to guarantee lots of attention, but the compelling writing is what will keep readers engaged....Through Eva's voice, Shriver offers a complex look at the factors that go into a parent-child relationship and at what point, if any, a parent can decide if a child is a hopeless case." Library Journal
"Powerful [and] harrowing." Entertainment Weekly
"Ms. Shriver takes a calculated risk...but the gamble pays off as she strikes a tone of compelling intimacy." Wall Street Journal
"Furiously imagined." Seattle Times
"Impossible to put down." Boston Globe
"An underground feminist hit." New York Observer
The gripping international bestseller about motherhood gone awry
Eva never really wanted to be a mother — and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklyn. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
About the Author
Lionel Shriver's novels include the New York Times bestseller The Post-Birthday Worldand the international bestseller We Need to Talk About Kevin, which won the 2005 Orange Prize and has now sold over a million copies worldwide. Earlier books include Double Fault, A Perfectly Good Family, and Checker and the Derailleurs. Her novels have been translated into twenty-five languages. Her journalism has appeared in the Guardian, the New York Times, the Wall Street Journal, and many other publications. She lives in London.
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