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Other titles in the Oxford History of Art series:
Imperial Rome and Christian Triumph: The Art of the Roman Empire Ad 100-450 (Oxford History of Art)
Synopses & Reviews
This stimulating book offers an exciting new approach to the twin themes of the arts of the Roman Empire and the rise of Christian art. Beginning in the second century, with its rich revival of ancient learning and artistic practices, and ending in the fifth with Christian narrative and liturgical cycles and the pilgrimage arts, this book explores the art of the Roman Empire by tackling two inter-related periods of internal transformation: the 'Second Sophistic' (c. ad 100-300), and the era of late antiquity (c. ad 250-450). For the first time, these two themes are treated together, throwing a more penetrating light on the radical change undergone by the empire in becoming a Christian imperium. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, Elsner presents a fresh and challenging account of a rich cultural crucible in which many developments of later European art had their origins.
Explores the art of the Roman Empire from the 'Second Sophist' to the era of late antiquity and the rise of Christianity and discusses vases, murals, statues, and masonry in relation to such issues as power, death, society, acculturation, and religion. In the OXFORD HISTORY OF ART series.
Includes bibliographical references (p. 278-281) and index.
About the Author
Ja's Elsner is Lecturer in the History of Art at the Courtauld Institute, London.
Table of Contents
Chapter 1. Introduction
Part I: Images and Power:
Chapter 2. A Visual Culture
Chapter 3. Art and Imperial Power
Part II: Images and Society:
Chapter 4. Art and Social Life
Chapter 5. Centre and Periphery
Chapter 6. Art and Death
Part III: Images and Transformation:
Chapter 7. Art and the Past: Antiquarian Eclecticism
Chapter 8. Art and Religion
Epilogue: Chapter 9. Art and Culture: Cost, Value, and the Discourse of Art
Afterword: Some Futures of Christian Art
List of Illustrations
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