A Visit from the Goon Squad

2011 Pulitzer Prize Winner

2010 National Book Critic's Circle Award for Fiction

2010 New York Times Ten Best Books

Jennifer Egan's spellbinding interlocking narratives circle the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each others pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.

We first meet Sasha in her mid-thirties, on her therapists couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then as a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We plunge into the hidden yearnings and disappointments of her uncle, an art historian stuck in a dead marriage, who travels to Naples to extract Sasha from the city's demimonde and experiences an epiphany of his own while staring at a sculpture of Orpheus and Eurydice in the Museo Nazionale. We meet Bennie Salazar at the melancholy nadir of his adult life — divorced, struggling to connect with his nine-year-old son, listening to a washed-up band in the basement of a suburban house — and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco's punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang — who thrived and who faltered — and we encounter Lou Kline, Bennie's catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou's far-flung sexual conquests and meteoric rise and fall.

A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to PowerPoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both — and escape the merciless progress of time — in the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers.

"Readers will be pleased to discover that the star-crossed marriage of lucid prose and expertly deployed postmodern switcheroos that helped shoot Egan to the top of the genre-bending new school is alive in well in this graceful yet wild novel. We begin in contemporaryish New York with kleptomaniac Sasha and her boss, rising music producer Bennie Salazar, before flashing back, with Bennie, to the glory days of Bay Area punk rock, and eventually forward, with Sasha, to a settled life. By then, Egan has accrued tertiary characters, like Scotty Hausmann, Bennie's one-time bandmate who all but dropped out of society, and Alex, who goes on a date with Sasha and later witnesses the future of the music industry. Egan's overarching concerns are about how rebellion ages, influence corrupts, habits turn to addictions, and lifelong friendships fluctuate and turn. Or as one character asks, 'How did I go from being a rock star to being a fat fuck no one cares about?' Egan answers the question elegantly, though not straight on, as this powerful novel chronicles how and why we change, even as the song stays the same. (June)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

“It may be the smartest book you can get your hands on this summer.” The Los Angeles Times

"Jennifer Egan is a rare bird: an experimental writer with a deep commitment to character, whose fiction is at once intellectually stimulating and moving....It’s a tricky book, but in the best way. When I got to the end, I wanted to start from the top again immediately, both to revisit the characters and to understand better how the pieces fit together. Like a masterful album, this one demands a replay.” The San Francisco Chronicle

"For all its postmodern flourishes, Goon Squad is as traditional as a Dickens novel....Her aim is not so much to explode traditional storytelling as to explore how it responds to the pressures and opportunities of the digital age." Newsweek

"Clever. Edgy. Groundbreaking....For all of its cool, languid, arched-eyebrow sophistication — that’s the part that will make you think ‘Didion’ — and for all of the glitteringly gorgeous sentences that flit through its pages like exotic fish — that’s the DeLillo part — the novel is actually a sturdy, robust, old-fashioned affair. It features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human.” The Chicago Tribune

"Well-defined characters and an engaging narrative....Readers will enjoy seeing the disparate elements of this novel come full circle.” Library Journal

"Egan is a writer of cunning subtlety, embedding within the risky endeavors of seductively complicated characters a curious bending of time....a hilarious melancholy, enrapturing, unnerving, and piercingly beautiful mosaic of a novel.” Booklist

"Poignant....A nice reminder that even in the age of Kindles and Facebook, ambitious fiction is still one of the best tools available to help us understand the rapidly changing world....Her startling, apocalyptic take on the near future is all the more chilling for its utter plausibility, and brings the realization that Egan was up to much more here than just trying to reinvent the novel's format. You’ll want to recommend it to all your Facebook friends." Associated Press

From one of today's boldest writers comes a sly, surprising, and exhilarating novel about time, survival, and the electrifying sparks ignited at the seams of our lives by colliding destinies.

Jennifer Egan's spellbinding new work circles Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs.

Bennie and Sasha never discover each others pasts, but the reader does, in intimate detail, along with the secret lives of a host of other people whose paths intersect with theirs in the San Francisco 1970s music scene, the demimonde of Naples, New York at many points along the way from the pre-Internet nineties to a postwar future, and on a catastrophic safari into the heart of Africa. We meet Lou, Bennie's charismatic, careless mentor; Scotty, the young musician who slipped off the grid; the uncle facing a failed marriage who goes in search of seventeen-year-old Sasha when she disappears into Italy; and the therapist on whose couch she dissects darker compulsions.

A Visit from the Goon Squad is a book about time, survival, and the electrifying sparks ignited at the seams of our lives by colliding destinies. Sly, surprising, exhilarating work from one of our boldest writers.

Jennifer Egan was born in Chicago, where her paternal grandfather was a police commander and bodyguard for President Truman during his visits to that city. She was raised in San Francisco and studied at the University of Pennsylvania and St. John's College, Cambridge, in England. In those student years she did a lot of traveling, often with a backpack: China, the former USSR, Japan, much of Europe, and those travels became the basis for her first novel, The Invisible Circus, and her story collection, Emerald City. She came to New York in 1987 and worked an array of wacky jobs while learning to write: catering at the World Trade Center; joining the word processing pool at a midtown law firm; serving as the private secretary for the Countess of Romanones, an OSS spy-turned-Spanish countess (by marriage), who wrote a series of bestsellers about her spying experiences and famous friends.

Egan has published short stories in many magazines, including The New Yorker, Harper's, Granta and McSweeney's. Her first novel, The Invisible Circus, came out in 1995 and was released as a movie starring Cameron Diaz in 2001. Her second novel, Look at Me, was a National Book Award Finalist in 2001, and her third, The Keep, was a national bestseller. Also a journalist, Egan has written many cover stories for The New York Times Magazine on topics ranging from young fashion models to the secret online lives of closeted gay teens. Her 2002 cover story on homeless children received the Carroll Kowal Journalism Award, and her 2008 story on bipolar children won an Outstanding Media Award from the National Alliance on Mental Illness. She lives in Brooklyn with her husband and two sons.