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The Whiteby Deborah Larsen
Synopses & Reviews
“I was born a white at sea on the way to the New World . . . But I was taken by those whom we called Indians. Nearly speechless for a time, I was beset by terrors.”
This is the voice of Mary Jemison, who, in 1758, at the age of sixteen, was taken by a Shawnee raiding party from her home near what would become Gettysburg, Pennsylvania. In this intimate reimagining of her life story, Mary endures the brutal scalpings of her parents and siblings and is given to two Seneca sisters who treat her as their own—a symbolic replacement for the brother they lost to the white colonists. Renamed Two-Falling-Voices, she gradually becomes integrated into her new family, learning to assist with the hunt and to cultivate corn. She marries a Delaware warrior, raises a family in her adoptive culture, becomes friends with two former slaves, and eventually, remarkably, fulfills her lifelong dream “to own land bordered by sky, as my mother and father had once purchased woods and fields which were dappled with changing light.”
A testament to the resilience of the human mind and spirit, The White is a cut-crystal narrative of Marys life among the Seneca, lit by flashes of her own voice and revealing her curious, open heart. From the novels bloody opening to its arresting conclusion—by her own choice Mary does not return to white society—Deborah Larsen never flinches from the violence and the splendor that marked the settling of the New World.
A fast-paced, riveting novel based on the true story of Mary Jemison, who in 1758, at 16, was taken by a Shawnee raiding party from her home in Pennsylvania. A testament to the resilience of the human mind and spirit, "The White" is a cut-crystal narrative of Mary's life among the Seneca, lit by flashes of her voice, and revealing her curious, open heart.
About the Author
Deborah Larsen grew up in St. Paul, Minnesota, and currently lives with her husband in Gettysburg, Pennsylvania. Her collection of poetry, Stitching Porcelain, was published in 1991, and her poems and short stories have appeared in The Nation, The Yale Review, The Quarterly, Oxford Magazine, and The New Yorker, among other publications. She has been a Wallace Stegner Fellow at Stanford and a Wallace Stevens Fellow at Yale. She teaches creative writing at Gettysburg College, where she holds the Merle S. Boyer Chair.
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