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9 Remote Warehouse Music- Classical

Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time

by

Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time Cover

 

Synopses & Reviews

Publisher Comments:

A snakeful of critical venom aimed at the composers and the classics of nineteenth- and twentieth-century music. Who wrote advanced cat music? What commonplace theme is very much like ? Which composer is a scoundrel and a giftless bastard? What opera would His Satanic Majesty turn out? Whose name suggests fierce whiskers stained with vodka? And finally, what third movement begins with a dog howling at midnight, then imitates the regurgitations of the less-refined or lower-middle-class type of water-closet cistern, and ends with the cello reproducing the screech of an ungreased wheelbarrow? For the answers to these and other questions, readers need only consult the "Invecticon" at the back of this inspired book and then turn to the full passage, in all its vituperation. Among the eminent reviewers are George Bernard Shaw, Virgil Thomson, Hans von Bülow, Friedrich Nietzsche, Eduard Hanslick, Olin Downes, Deems Taylor, Paul Rosenfeld, and Oscar Wilde. Itself a classic, this collection of nasty barbs about composers and their works, culled mostly from contemporaneous newspapers and magazines, makes for hilarious reading and belongs on the shelf of everyone who loves--or hates --classical music. With a new foreword by Peter Schickele ("").

Book News Annotation:

An anthology of critical assaults on well-known composers and their works written by the late Nicolas Slonimsky—writer, lexicographer, pianist, composer, conductor, teacher, and in his own words, "legendary...musicologist of manifold endeavors [and] failed wunderkind." It also includes his "Invecticon," an index to the nasty words and phrases found in the book. This is a reprint of the 1953 edition with a new foreword by Peter Schickele who describes the collection as "funny and instructive."
Annotation c. Book News, Inc., Portland, OR (booknews.com)

Synopsis:

"A supermarket tabloid of classical music criticism."--From the new foreword by Peter Schickele.

Synopsis:

A snakeful of critical venom aimed at the composers and the classics of 19th- and 20th-century music, this collection of nasty barbs culled mostly from newspapers and magazines makes for hilarious reading and belongs on the shelf of everyone who loves---or hates--classical music.

About the Author

Nicolas Slonimsky, pianist, composer, conductor, author, lexicographer, jingle writer, and parent who spoke Latin to his daughter, died in 1996 at the age of 100.

Product Details

ISBN:
9780393320091
Foreword:
Schickele, Peter
Author:
Schickele, Peter
Author:
Slonimsky, Nicolas
Publisher:
W. W. Norton & Company
Location:
New York
Subject:
Reference
Subject:
History & Criticism *
Subject:
Classical
Subject:
Appreciation
Subject:
Composition
Subject:
Composers
Subject:
Musical criticism
Subject:
History & Criticism - General
Subject:
Genres & Styles - Classical
Subject:
Music - Classical
Series Volume:
104-887.
Publication Date:
20000831
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
336
Dimensions:
8.40x5.54x.89 in. .65 lbs.

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Related Subjects

Arts and Entertainment » Humor » General
Arts and Entertainment » Music » Genres and Styles » Classical
Arts and Entertainment » Music » Genres and Styles » Classical » General
Arts and Entertainment » Music » History and Criticism
Arts and Entertainment » Music » Instruction and Study » Music Appreciation
History and Social Science » Politics » General
Science and Mathematics » Biology » Zoology » Ichthyology

Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time New Trade Paper
0 stars - 0 reviews
$21.95 In Stock
Product details 336 pages W. W. Norton & Company - English 9780393320091 Reviews:
"Synopsis" by , "A supermarket tabloid of classical music criticism."--From the new foreword by Peter Schickele.
"Synopsis" by , A snakeful of critical venom aimed at the composers and the classics of 19th- and 20th-century music, this collection of nasty barbs culled mostly from newspapers and magazines makes for hilarious reading and belongs on the shelf of everyone who loves---or hates--classical music.
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