Mama Lola : a Vodou Priestess in Brooklyn Updated and Expanded Edition ((Rev)01 Edition)

"Mama Lola is about extraordinary people living ordinary lives. It is also about courage--that of the manbo and the scholar, both taking chances, both succeeding in the end. Karen McCarthy Brown offers a contemporary classic for those who seek Haiti. I am grateful."--Patrick Bellegarde-Smith, Ph.D., Haitian houngan asogwe

"Karen McCarthy Brown's book on a Vodou priestess and her family is the first to successfully restore the real meaning of the religion as lived by Haitians. For once, all of Vodou's language and metaphysics unfold before our eyes--decoded, analyzed, and explicated not solely from a scientific or objectivist perspective but from the standpoint of a real hermeneutics, allowing the reader to comprehend those values with deep universal import that are found in the Haitian religion."--Laennec Hurbon, Directeur de Recherches, Centre Nationale de la Recherche Scientifique, Paris

"Karen McCarthy Brown's Mama Lola is a recognized masterpiece of fieldwork, feminism, and moral interpretation. It changed many lives. To read it is to want to twirl the author, head-to-head, curtsying together at the four cardinal points. This is a Vodou way of saluting a great mentor. She enriches us all with her beautiful hisory of a remarkable woman and the luminous spirits that she serves. Liv sa, se pa betiz!--'this book does not fool around!'"--Robert Farris Thompson, Colonel John Trumbull Professor of the History of Art, Yale University

PRAISE FOR THE ORIGINAL EDITION

"I know of no other work about Vodou that can teach the uninitiated so fully what it means to know: how unassuming, contingent and matter-of-fact real konesans (understanding) must be."--Joan Dayan, Women's Review of Books

"This volume is superb: a poignant account of a Haitian migrant to New York and how she appropriates and reworks her family knowledge of healing and ritual... Gently informed by her own life and by women's anthropology, Brown offers a sympathetic and vivid portrait of the lives of a group of women."--Roland Littlewood, Political and Social Science

"Novelistic chapters, beautifully written, are alternated with a narrative of the present, including descriptions of the members of the Vodou pantheon and how Alourdes serves them. . . . She has written a life story that is full of feeling."--Constance Casey, Los Angeles Times

"Brown's ethnographic short stories vividly capture the complicated personal history that is summed up in Mama Lola's full name and they also dramatize the larger social processes at work in Haiti's recent history... Mama Lola provides an engaging, detailed, and sympathetic account of the world of Haitian Vodou. Brown has used a variety of interesting, and even daring, techniques to make that world come alive."--Eugene V. Gallagher, Journal of the American Academy of Religion

"Karen McCarthy Brown's book on a Vodou priestess and her family is the first to successfully restore the real meaning of the religion as lived by Haitians. For once, all of Vodou's language and metaphysics unfold before our eyes--decoded, analyzed, and explicated not solely from a scientific or objectivist perspective but from the standpoint of a real hermeneutics, allowing the reader to comprehend those values with deep universal import that are found in the Haitian religion."--Laennec Hurbon, Directeur de Recherches, Centre Nationale de la Recherche Scientifique, Paris

"Mama Lola is an insightful venture into the heart of a misunderstood religious system in which women have great claim to moral authority. Mama Lola's and Karen McCarthy Brown's diverse perspectives and individual utterances fuse in a powerful articulation of feminist intervention, cultural understanding, and spiritual democracy. This spendid book successfully merges the oftentimes dissonant voices of Western and Diasporic feminism. This is scholarship at its best."--Claudine Michel, Editor, Journal of Haitian Studies

Karen McCarthy Brown's classic book shatters stereotypes of Vodou by offering an intimate portrait of African-based religion in everyday life. She explores the importance of women's religious practices along with related themes of family and of social change. Weaving several of her own voices--analytic, descriptive, and personal--with the voices of her subjects in alternate chapters of traditional ethnography and ethnographic fiction, Brown presents herself as a character in Mama Lola's world and allows the reader to evaluate her interactions there. Startlingly original, Brown's work endures as an important experiment in ethnography as a social art form rooted in human relationships. A new preface, epilogue, bibliography, and a collection of family photographs tell the story of the effect of the book's publication on Mama Lola's life.

Includes bibliographical references and index.

Karen McCarthy Brown is Professor of Anthropology of Religion at The Caspersen School of Graduate Studies and The Theological School of Drew University.

Preface to the 2001 Edition

Preface to the First Edition

Introduction

1. Joseph Binbin Mauvant

2. Azaka

3. Raise That Woman's Petticoat

4. Ogou

5. The Baka Made from Jealousy

6. Kouzinn

7. Dreams and Promises

8. Ezili

9. Sojème, Sojème

10. Danbala

11. Plenty Confidence

12. Gede

Afterword

Glossary of Haitian Creole Terms

Bibliography

Index

What is new in this edition? Preface to the 2001 Edition; Afterword; more substantial Bibliography; and 21 photographs of Mama Lola and her family (no photographs were printed in the first edition)