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The Idiot (Bantam Classic)

by

The Idiot (Bantam Classic) Cover

 

Synopses & Reviews

Publisher Comments:

"My intention is to portray a truly beautiful soul." — Dostoevsky

Despite the harsh circumstances besetting his own life — object poverty, incessant gambling, the death of his firstborn child — Dostoevsky produced a second masterpiece, The Idiot, just two years after completing Crime and Punishment. In it, a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power and sexual conquest than with the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal and murder follow, testing Myshkin's moral feelings as Dostoevsky searches through the wreckage left by human misery to find "man in man." The Idiot is a quintessentially Russian novel, one that penetrates the complex psyche of the Russian people. "They call me a psychologist," wrote Dostoevsky. "That is not true. I'm only a realist in the higher sense; that is, I portray all the depths of the human soul."

Synopsis:

US

Synopsis:

'The chief thing is that they all need him' -thus Dostoyevsky described Prince Myshkin, the hero of perhaps his most remarkable novel. As the still, radiant center of a plot whose turbulent action is extraordinary even for Dostoyevsky, Myshkin succeeds in dominating through sheer force a personality a cast of characters who vividly and violently embody the passions and conflicts of the 19th century Russia.

About the Author

Fyodor Mikailovich Dostoevskys life was a dark and dramatic as the great novels he wrote. He was born in Moscow in 1821, the son of a former army surgeon whose drunken brutality led his own serfs to murder him by pouring vodka down his throat until he strangled. A short first novel, Poor Folk (1846) brought him instant success, but his writing career was cut short by his arrest for alleged subversion against Tsar Nicholas I in 1849. In prison he was given the “silent treatment” for eight months (guards even wore velvet soled boots) before he was led in front a firing squad. Dressed in death shroud, he faced an open grave and awaited execution, when suddenly, an order arrived commuting his sentence. He then spent four years at hard labor in a Siberian prison, where he began to suffer from epilepsy, and he only returned to St. Petersburg a full ten years after he had left in chains.

His prison experiences coupled with his conversion to a conservative and profoundly religious philosophy formed the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoevsky the emotional stability to complete Crime and Punishment (1866), The Idiot (1868-69), The Possessed (1871-72), and The Brothers Karamazov (1879-80). When Dostoevsky died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world and immortalized him as a giant among writers of world literature.

Product Details

ISBN:
9780553213522
Translator:
Garnett, Constance
Author:
Garnett, Constance
Introduction by:
Hruska, Anne
Introduction:
Hruska, Anne
Author:
Dostoevsky, Fyodor Mikhailovich
Author:
Hruska, Anne
Author:
Dostoevsky, Fyodor M.
Author:
Fyodor Dostoevsky
Author:
Garnett, Constance
Publisher:
Bantam Classics
Location:
New York
Subject:
General
Subject:
Classics
Subject:
Russian & Former Soviet Union
Subject:
Russian literature
Subject:
Literature-A to Z
Copyright:
Edition Description:
Mass market paperback
Series:
Bantam Classic
Series Volume:
no. 135
Publication Date:
19830731
Binding:
MASS MARKET
Grade Level:
General/trade
Language:
English
Pages:
720
Dimensions:
6.96x4.22x1.21 in. .72 lbs.

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Related Subjects

Fiction and Poetry » Literature » A to Z

The Idiot (Bantam Classic) Used Mass Market
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Product details 720 pages Bantam Classics - English 9780553213522 Reviews:
"Synopsis" by , US
"Synopsis" by , 'The chief thing is that they all need him' -thus Dostoyevsky described Prince Myshkin, the hero of perhaps his most remarkable novel. As the still, radiant center of a plot whose turbulent action is extraordinary even for Dostoyevsky, Myshkin succeeds in dominating through sheer force a personality a cast of characters who vividly and violently embody the passions and conflicts of the 19th century Russia.
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