Running the Rift is the most recent winner of the PEN/Bellwether Prize for Socially Engaged Fiction, as awarded by Barbara Kingsolver. It's also an...
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The most successful African-American playwright of his time, August Wilson is a dominant presence on Broadway and in regional theaters throughout the country. Herrington traces the roots of Wilson's drama back to the visual artists and jazz musicians who inspired award-winning plays like Ma Rainey's Come and Gone, Fences and The Piano Lesson. From careful analysis of evolving playscripts and from interviews with Wilson and theater professionals who have worked closely with him, Herrington offers a portrait of the playwright as thinker and craftsman.
Synopsis:
A probing and provocative look at the work of the most successful African-American playwright of our time, indeed of any time.
Description:
Includes bibliographical references (p. 167-172) and index.
Consequence of tolerance: the development of "Ma Rainey's black bottom" --Problematic practice: August Wilson at the Eugene O'Neill Theater Center's National Playwrights Conference
Complexity of conflict: the development of "Fences" --Cultural connection: the development of "Joe Turner's come and gone" --Final knockout: August Wilson at the Yale Repertory Theatre and on the road to Broadway
Jitney: August Wilson's round trip --"I ain't sorry for nothin' I done": conclusion.
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