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Edward Hopper: 1882-1967 Transformation of the Real (Basic Art)by Rolf Gunter Renner
Synopses & Reviews
Edward Hopper (1882-1967) is considered the first important American painter in twentieth-century art. After decades of patient work, Hopper enjoyed a success and popularity that since the 1950s has continually grown.
In canvas after canvas he painted the loneliness of big-city people. Many of Hopper’s pictures represent views of streets and roads, rooftops, and abandoned houses, depicted in a brilliant light that strangely belies the melancholy mood of the scenes.
Hopper’s paintings are marked by striking juxtapositions of color, and by the clear contours with which the figures are demarcated from their surroundings. His extremely precise focus on the theme of modern men and women in the natural and man-made environment sometimes lends his pictures a mood of eerie disquiet. On the other hand, Hopper’s renderings of rocky landscapes in warm brown hues, or his depictions of the seacoast, exude an unusual tranquillity that reveals another, more optimistic side of his character.
Describes the work of Edward Hopper (1882-1967), who is considered the first significant American painter in 20th-century art. In canvas after canvas he painted the loneliness of big-city people, often imbuing his paintings with a mood of eerie disquiet.
About the Author
Rolf G. Renner, born in 1945, earned his doctorate in 1976, and has taught at the universities of Göttingen and Munich (Germany), Charlottesville (Virginia), and Columbia (New York). Since 1988, he has served as professor at the University of Freiburg in Germany. Numerous of his articles have appeared in various magazines and journals.
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