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Romantic Hand Knits: 26 Flirtatious Designs That Flatter Your Figure

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Romantic Hand Knits: 26 Flirtatious Designs That Flatter Your Figure Cover

ISBN13: 9780307346964
ISBN10: 030734696x
Condition: Standard
Dustjacket: Less Than Standard
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Synopses & Reviews

Publisher Comments:

Romance is alive and well in the sweet and sexy clothing and accessory designs you'll find in Romantic Hand Knits. Exquisite drape married with figure-hugging silhouettes show off a woman's curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal.

  • A lace camisole is lengthened and reinvented as a lovely summer slip dress
  • A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves
  • Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnation
With the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman's body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels. For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires.

An interview with Annie Modesitt

  • What's your philosophy on the "romantic look"?

There is a certain cultural shorthand that implies that "romantic" means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual — sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts' desires.

  • In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?

Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free — and powerful — the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.

  • You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble — and that this is perfectly demonstrated in the piece you've named Ninotchka. Can you elaborate?

It's hard to get away from the fact that the bust area — being the most important fit point on most women's bodies and also being so near to the face — can send very strong signals. Usually we want these to be good signals: "this is a woman in control of her life and her wardrobe", "I can trust what this woman tells me", or "I feel this person is sympathetic and kind".

In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. "Here's a woman confident in her femininity, but with a strong foundation."

  • Any stories to share from the development of Romantic Hand Knits?

One of my favorite pieces, Streetcar Named Desire, was briefly a disaster! It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred.

The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn't have been happier! It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.

With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect — a sexier, "floatier", more intriguing look.

  • Is there a particular type of yarn that works best for this look? Why?

I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn — this skill can only be honed with experience.

This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don't wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project's been in front of you all along — perhaps in this book — just waiting for you to see the true beauty in the fabric knit from your new skein.

Whenever possible I tried to use machine-washable yarns — especially for the skirts! I know that the idea of a hand knit skirt can be daunting — we're all worried about the stretchy butt-pouch — but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.

  • Is there a philosophy or attitude that each book shares? How is this book different from your other books?

If there's one philosophy that all of my books share, it's that we all have a bit of genius — of brilliance — in each of us, and if we choose to show it through our knitting, so much the better! We're all individuals, so we may do things in unusual or nonstandard ways, but that doesn't make us any less legitimate when we're knitting (or cooking or sailing).

This book is different in that it focuses specifically on clothes for women, and clothes that are intended to be flattering and a little body-conscious at that. My heart is most definitely in this book, which has been in me for a long time. I'm so happy to see it out and looking so beautiful!

  • Do you have a favorite pattern in Romantic Hand Knits, or one that has a special meaning to you?

I would have to say the cover skirt is very special to me. I've shown that photo to many knitters, and I've heard some women say, "I'd make that skirt, if I had that butt!"

I really want folks to understand that it's not so much about having a tiny butt, or the "perfect" butt, as much as it's about liking the butt you have. There are a lot of ways to get to this Zen place, but if you have the greatest looking figure in the world and you're not liking it, you may as well wear a sack.

Likewise, if you have a less than perfect shape, but you love all the amazing things your body can do and have a fondness for your shape, you'll look good in an amazing number of things. Confidence is a terrific butt-lift. Plus, the skirt is designed to help trick the eye into seeing the derriere in the most flattering light . . .

Synopsis:

Romance is alive and well in the sweet and sexy clothing and accessory designs you'll find in Romantic Hand Knits. Exquisite drape married with figure-hugging silhouettes show off a woman's curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal.

- A lace camisole is lengthened and reinvented as a lovely summer slip dress

- A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves

- Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnation

With the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman's body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.

For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires.

An interview with Annie Modesitt

What's your philosophy on the romantic look?

There is a certain cultural shorthand that implies that romantic means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual-sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts' desires.

In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?

Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free-and powerful-the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.

You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble-and that this is perfectly demonstrated in the piece you've named Ninotchka. Can you elaborate?

It's hard to get away from the fact that the bust area-being the most important fit point on most women's bodies and also being so near to the face-can send very strong signals. Usually we want these to be good signals: this is a woman in control of her life and her wardrobe, I can trust what this woman tells me, or I feel this person is sympathetic and kind.

In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. Here's a woman confident in her femininity, but with a strong foundation.

Any stories to share from the development of Romantic Hand Knits?

One of my favorite pieces, Streetcar Named Desire, was briefly a disaster It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred.

The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn't have been happier It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.

With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect-a sexier, floatier, more intriguing look.

Is there a particular type of yarn that works best for this look? Why?

I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn-this skill can only be honed with experience.

This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don't wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project's been in front of you all along-perhaps in this book-just waiting for you to see the true beauty in the fabric knit from your new skein.

Whenever possible I tried to use machine-washable yarns-especially for the skirts I know that the idea of a hand knit skirt can be daunting-we're all worried about the stretchy butt-pouch-but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.

Is there a philosophy or attitude that each book shares? How is this book different from your other books?

If there's one philosophy that all of my books share, it's that we all have a bit of genius-of brilliance-in each of us, and if we choose to show it through our knitting, so much the better We're all individuals, so we may do things in unusual or nonstandard ways, but that doesn't make us any less legitimate when we're knitting

About the Author

Trained as a theatrical designer, Annie Modesitt turns her sharp eye for historical detail toward one of the great passions of her life, hand knitting. Known for creating unexpected and unusual knit items such as furniture and fine millinery, Annie's classes in combination knitting and more traditional knit techniques often sell out, and her designs can be seen in most major knitting magazines in North America. She is the author of Confessions of a Knitting Heretic, Twist and Loop, and Knitting Millinery. Visit Annie's website at www.anniemodesitt.com.

What Our Readers Are Saying

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Average customer rating based on 2 comments:

lauragais, April 21, 2009 (view all comments by lauragais)
I have been a knitter for 40 years. I think that one should mention that most patterns in this book are not for beginners and that it is helpful to have someone around for fitting, just because every butt and bust is different as Annie Modesitt so rightly states.
Was this comment helpful? | Yes | No
(3 of 5 readers found this comment helpful)
knitchic1994, April 13, 2009 (view all comments by knitchic1994)
This book is perfect for the knitter who wishes to graduate from dorky, bulky sweaters and scarves. I highly recommend it.
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(2 of 3 readers found this comment helpful)
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Product Details

ISBN:
9780307346964
Subtitle:
26 Flirtatious Designs That Flatter Your Figure
Author:
Modesitt, Annie
Photographer:
Gowdy, Thayer Allyson
Author:
Annie Modesitt
Publisher:
Potter Craft
Subject:
Fashion
Subject:
Needlework - Knitting
Subject:
Knitting
Subject:
Women's clothing
Copyright:
Publication Date:
20070807
Binding:
Hardback
Grade Level:
General/trade
Language:
English
Illustrations:
58 4-COLOR PHOTOS and 40 SCHEMATICS/CHAR
Pages:
144
Dimensions:
10.28x7.76x.60 in. 1.47 lbs.

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Romantic Hand Knits: 26 Flirtatious Designs That Flatter Your Figure Used Hardcover
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Product details 144 pages Potter Craft - English 9780307346964 Reviews:
"Synopsis" by , Romance is alive and well in the sweet and sexy clothing and accessory designs you'll find in Romantic Hand Knits. Exquisite drape married with figure-hugging silhouettes show off a woman's curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal.

- A lace camisole is lengthened and reinvented as a lovely summer slip dress

- A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves

- Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnation

With the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman's body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.

For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires.

An interview with Annie Modesitt

What's your philosophy on the romantic look?

There is a certain cultural shorthand that implies that romantic means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual-sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts' desires.

In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?

Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free-and powerful-the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.

You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble-and that this is perfectly demonstrated in the piece you've named Ninotchka. Can you elaborate?

It's hard to get away from the fact that the bust area-being the most important fit point on most women's bodies and also being so near to the face-can send very strong signals. Usually we want these to be good signals: this is a woman in control of her life and her wardrobe, I can trust what this woman tells me, or I feel this person is sympathetic and kind.

In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. Here's a woman confident in her femininity, but with a strong foundation.

Any stories to share from the development of Romantic Hand Knits?

One of my favorite pieces, Streetcar Named Desire, was briefly a disaster It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred.

The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn't have been happier It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.

With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect-a sexier, floatier, more intriguing look.

Is there a particular type of yarn that works best for this look? Why?

I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn-this skill can only be honed with experience.

This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don't wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project's been in front of you all along-perhaps in this book-just waiting for you to see the true beauty in the fabric knit from your new skein.

Whenever possible I tried to use machine-washable yarns-especially for the skirts I know that the idea of a hand knit skirt can be daunting-we're all worried about the stretchy butt-pouch-but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.

Is there a philosophy or attitude that each book shares? How is this book different from your other books?

If there's one philosophy that all of my books share, it's that we all have a bit of genius-of brilliance-in each of us, and if we choose to show it through our knitting, so much the better We're all individuals, so we may do things in unusual or nonstandard ways, but that doesn't make us any less legitimate when we're knitting

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