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4 Local Warehouse Mystery- A to Z

Death is a Lonely Business

by Ray Bradbury

Death is a Lonely Business Cover

 

Synopses & Reviews

Publisher Comments:

Chapter One

Venice, California, in the old days had much to recommend it to people who liked to be sad. It had fog almost every night and along the shore the moaning of the oil well machinery and the slap of dark water in the canals and the hiss of sand against the windows of your house when the wind came up and sang among the open places and along the empty walks.

Those were the days when the Venice pier was falling apart and dying in the sea and you could find there the bones of a vast dinosaur, the rollercoaster, being covered by the shifting tides.

At the end of one long canal you could find old circus wagons that had been rolled and dumped, and in the cages, at midnight, if you looked, things lived-fish and crayfish moving with the tide; and it was all the circuses of time somehow gone to doom and rusting away.

And there was a loud avalanche of big red trolley car that rushed toward the sea every half-hour and at midnight skirled the curve and threw sparks on the high wires and rolled away with a moan which was like the dead turning in their sleep, as if the trolleys and the lonely men who swayed steering them knew that in another year they would be gone, the tracks covered with concrete and tar and the high spider-wire collected on rolls and spirited away.

And it was in that time, in one of those lonely years when the fogs never ended and the winds never stopped their laments, that riding the old red trolley, the high-bucketing thunder, one night I met up with Death's friend and didn't know it.

It was a raining night, with me reading a book in the back of the old, whining, roaring railcar on its way from one empty confettitossed transfer station to the next. just meand the big, aching wooden car and the conductor up front slamming the brass controls and easing the brakes and letting out the hell-steam when needed.

And the man down the aisle who somehow had got there without my noticing."Oh" the man moaned."Oh," he moaned, even louder. It was like someone falling off a cliff, asking to be saved, or someone swimming far out in the storm, wanting to be seen.

"Ah!"

It was raining hard now as the big red trolley bucketed across a midnight stretch of meadow-grass and the rain banged the windows, drenching away the sight of open fields. We sailed through Culver City without seeing the film studio and ran on, the great car heaving, the floorboard whining underfoot, the empty seats creaking, the train whistle screaming.

And a blast of terrible air from behind me as the unseen man cried, "Death!"

The train whistle cut across his voice so he had to start over.

"Death --"

Another whistle.

"Death," said the voice behind me,"is a lonely business.""Oh, death!"

The train braked to a halt.

Go on, I thought, "finish" it!

"Is a lonely business!" he said, in a dreadful whisper, and moved away.The car was empty. The man had gone, taking his funeral with him. I heard gravel crunching on the path outside the train.

The unseen man was muttering out there to himself as the doors banged shut. I could still hear him through the window. Something about the grave. Something about the grave. Something about the lonely.

The train jerked and roared-away through the long grass and the storm.If there was a city back there, and people, or one man and his terrible sadness, I could not see, nor hear.

The train was headed for the ocean.Here at this far lost end of the continent, where the trail wagons had stopped and the people with them, I found a laststand saloon, empty save for a bartender in love with Hopalong Cassidy on late night TV.

"One double vodka,please,"

Synopsis:

Ray Bradbury, the undisputed Dean of American storytelling, dips his accomplished pen into the cryptic inkwell of noir and creates a stylish and slightly fantastical tale of mayhem and murder set among the shadows and the murky canals of Venice, California, in the early 1950s.

Toiling away amid the looming palm trees and decaying bungalows, a struggling young writer (who bears a resemblance to the author) spins fantastic stories from his fertile imagination upon his clacking typewriter. Trying not to miss his girlfriend (away studying in Mexico), the nameless writer steadily crafts his literary effort--until strange things begin happening around him.

Starting with a series of peculiar phone calls, the writer then finds clumps of seaweed on his doorstep. But as the incidents escalate, his friends fall victim to a series of mysterious "accidents"--some of them fatal. Aided by Elmo Crumley, a savvy, street-smart detective, and a reclusive actress of yesteryear with an intense hunger for life, the wordsmith sets out to find the connection between the bizarre events, and in doing so, uncovers the truth about his own creative abilities.

About the Author

Ray Bradbury, American novelist, short story writer, essayist, playwright, screenwriter and poet, was born August 22, 1920 in Waukegan, Illinois. He graduated from a Los Angeles high school in 1938.Although his formal education ended there, he became a "student of life," selling newspapers on L.A. street corners from 1938 to 1942, spending his nights in the public library and his days at the typewriter. He became a full-time writer in 1943, and contributed numerous short stories to periodicals before publishing a collection of them, Dark Carnival, in 1947.

His reputation as a writer of courage and vision was established with the publication of The Martian Chronicles in 1950, which describes the first attempts of Earth people to conquer and colonize Mars, and the unintended consequences. Next came The Illustrated Man and then, in 1953, Fahrenheit 451, which many consider to be Bradbury?s masterpiece, a scathing indictment of censorship set in a future world where the written word is forbidden. In an attempt to salvage their history and culture, a group of rebels memorize entire works of literature and philosophy as their books are burned by the totalitarian state. Other works include The October Country, Dandelion Wine, A Medicine for Melancholy, Something Wicked This Way Comes, I Sing the Body Electric!, Quicker Than the Eye, and Driving Blind. In all, Bradbury has published more than thirty books, close to 600 short stories, and numerous poems, essays, and plays. His short stories have appeared in more than 1,000 school curriculum "recommended reading" anthologies. Mr. Bradbury?s eagerly awaited new novel, From the Dust Returned, will be published by William Morrow at Halloween 2001. Morrow will release One More For the Road, a new collection Bradbury stories, at Christmas 2001.

Ray Bradbury?s work has been included in four Best American Short Story collections. He has been awarded the O. Henry Memorial Award, the Benjamin Franklin Award, the World Fantasy Award for Lifetime Achievement, the Grand Master Award from the Science Fiction Writers of America, the PEN Center USA West Lifetime Achievement Award, among others. In November 2000, the National Book Foundation Medal for Distinguished Contribution to American Letters was conferred upon Mr. Bradbury at the 2000 National Book Awards Ceremony in New York City.

Ray Bradbury has never confined his vision to the purely literary. He has been nominated for an Academy Award (for his animated film Icarus Montgolfier Wright), and has won an Emmy Award (for his teleplay of The Halloween Tree). He adapted sixty-five of his stories for television?s Ray Bradbury Theater. He was the creative consultant on the United States Pavilion at the 1964 New York World?s Fair. In 1982 he created the interior metaphors for the Spaceship Earth display at Epcot Center, Disney World, and later contributed to the conception of the Orbitron space ride at Euro-Disney, France.

Married since 1947, Mr. Bradbury and his wife Maggie live in Los Angeles with their four beloved cats. They have four daughters and eight grandchildren.

On the occasion of his 80th birthday in August 2000, Bradbury said, "The great fun in my life has been getting up every morning and rushing to the typewriter because some new idea has hit me. The feeling I have every day is very much the same as it was when I was twelve. In any event, here I am, eighty years old, feeling no different, full of a great sense of joy, and glad for the long life that has been allowed me. I have good plans for the next ten or twenty years, and I hope you?ll come along."

Product Details

ISBN:
9780380789658
Author:
Bradbury, Ray
Publisher:
Harper Perennial
Author:
by Ray Bradbury
Author:
by Ray Bradbury
Location:
New York :
Subject:
Literary
Subject:
Fiction
Subject:
Science Fiction - General
Subject:
Mystery & Detective - General
Subject:
Detective and mystery stories
Subject:
Mystery & detective
Subject:
Authors, American
Subject:
Private investigators
Subject:
Serial murders
Subject:
Hard-boiled
Subject:
Venice
Subject:
Screenwriters
Subject:
Mystery fiction
Subject:
Private investigators - California -
Subject:
Mystery-A to Z
Edition Description:
Trade PB
Publication Date:
19990331
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
240
Dimensions:
8 x 5.25 x 0.6 in 7.04 oz

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Death is a Lonely Business New Trade Paper
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Product details 240 pages Harper Perennial - English 9780380789658 Reviews:
"Synopsis" by , Ray Bradbury, the undisputed Dean of American storytelling, dips his accomplished pen into the cryptic inkwell of noir and creates a stylish and slightly fantastical tale of mayhem and murder set among the shadows and the murky canals of Venice, California, in the early 1950s.

Toiling away amid the looming palm trees and decaying bungalows, a struggling young writer (who bears a resemblance to the author) spins fantastic stories from his fertile imagination upon his clacking typewriter. Trying not to miss his girlfriend (away studying in Mexico), the nameless writer steadily crafts his literary effort--until strange things begin happening around him.

Starting with a series of peculiar phone calls, the writer then finds clumps of seaweed on his doorstep. But as the incidents escalate, his friends fall victim to a series of mysterious "accidents"--some of them fatal. Aided by Elmo Crumley, a savvy, street-smart detective, and a reclusive actress of yesteryear with an intense hunger for life, the wordsmith sets out to find the connection between the bizarre events, and in doing so, uncovers the truth about his own creative abilities.

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