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This title in other formats:Maps of the Imaginationby Peter Turchi
Synopses & ReviewsPublisher Comments: What can German globe makers, British cartographers, the Marx brothers, and Roadrunner cartoons tell us about writers from Sappho to Italo Calvino? According to fiction writer Peter Turchi, both cartographers and writers draw from the same well of creativity, curiosity, and adventuresome spirit. "To ask for a map," says Turchi, "is to say, 'Tell me a story.'"
In Maps of the Imagination: The Writer as Cartographer, Turchi takes readers on a delightful journey that explores cartography's and writing's many parallels. For example, Turchi explores the challenges of blank space and the blank page, the role of geometry in maps and of formal devices in writing, the goals of exploration and challenges of presentation, and the balance of intuition with intention. Each idea is richly illustrated with maps, drawings and other illustrations Review:"With a knowing and often witty voice, Turchi, who directs the MFA Program for Writers at Warren Wilson College near Asheville, has brought together wide-ranging sources to create an inspiring book of writing instruction. Avoiding the pedantic prescription of many writing how-to's, he shows through analogy and example." The Charlotte Observer Review:"It's not uncommon to compare the writing of a story to the mapping of a world, but no one has so fully, or so seductively and rewardingly, performed as extended a meditation on this illuminating metaphor as Turchi." Booklist Review:"Illustrations of all imaginable types of maps, plus entertaining epigraphs to each section, add to the collage of textures in this extensive (yet, considering its contents, surprisingly compact) volume. My favorite set of epigraphs, by the way, Saul Bellow's 'perhaps, being lost, one should get loster,' follwoed by Dean Young's 'perhaps, being lost, one should get lobster.'" Speakeasy Synopsis:Drawing on texts as varied as poetry, novels, and cartoons, Turchi explores how writers and cartographers use many of the same devices for plotting and executing their work. Tracing the history of maps, he then relates what writers do in projecting a literary work from the imagination onto the page.
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