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The Chicagoan: A Lost Magazine of the Jazz Age

by Neil Harris

The Chicagoan: A Lost Magazine of the Jazz Age Cover

 

Synopses & Reviews

Publisher Comments:

While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name the Chicagoan.  Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles.  He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory.
 
Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the Chicagoan claimed to represent “a cultural, civilized, and vibrant” city “which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees.” Urbane in aspiration and first published just sixteen months after the 1925 appearance of the New Yorker, it sought passionately to redeem the Windy Citys unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest.  Harriss substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s.  The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features—and even one issue reprinted in its entirety.
 
Recalling a vivid moment in the life of the Windy City, the Chicagoan is a forgotten treasure, offered here for a whole new age to enjoy.
 

Synopsis:

While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name the Chicagoan.  Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles.  He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory. Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the Chicagoan claimed to represent “a cultural, civilized, and vibrant” city “which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees.” Urbane in aspiration and first published just sixteen months after the 1925 appearance of the New Yorker, it sought passionately to redeem the Windy Citys unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest.  Harriss substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s.  The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, featuresand even one issue reprinted in its entirety. Recalling a vivid moment in the life of the Windy City, the Chicagoan is a forgotten treasure, offered here for a whole new age to enjoy. 

About the Author

Neil Harris is the Preston and Sterling Morton Professor of History and Art History Emeritus at the University of Chicago. He is the author of several books, including The Artist in American Society; Humbug: The Art of P. T. Barnum; Cultural Excursions: Marketing Appetites and Cultural Tastes in Modern America; and  Chicago Apartments: A Century of Lakefront Luxury.

Table of Contents

Acknowledgments

Introduction

 
Issue of July 2, 1927

Covers

Self-Promotions

Editorials

Reviews

Profiles

Articles and Features

Cartoons and Caricatures

Photography

 
Appendix: Biographical Summaries

List of Illustrations

Index

Product Details

ISBN:
9780226317618
Author:
Harris, Neil
Publisher:
University of Chicago Press
With:
Edelstein, Teri J.
Author:
Edelstein, Teri J.
Subject:
Journalism
Subject:
Arts
Subject:
Civilization
Subject:
General
Subject:
United States - 20th Century
Subject:
Media Studies - Print Media
Subject:
United States - State & Local - Midwest
Subject:
United States - 20th Century (1900-1945)
Subject:
Arts - Illinois - Chicago - 20th century
Subject:
Chicago (Ill.) Civilization.
Subject:
Sociology-Media
Edition Description:
Hardcover
Publication Date:
20081131
Binding:
HARDCOVER
Grade Level:
General/trade
Language:
English
Illustrations:
81 color plates, 301 halftones
Pages:
400
Dimensions:
14 x 11 in

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The Chicagoan: A Lost Magazine of the Jazz Age New Hardcover
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Product details 400 pages University of Chicago Press - English 9780226317618 Reviews:
"Synopsis" by ,
While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name the Chicagoan.  Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles.  He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory. Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the Chicagoan claimed to represent “a cultural, civilized, and vibrant” city “which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees.” Urbane in aspiration and first published just sixteen months after the 1925 appearance of the New Yorker, it sought passionately to redeem the Windy Citys unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest.  Harriss substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s.  The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, featuresand even one issue reprinted in its entirety. Recalling a vivid moment in the life of the Windy City, the Chicagoan is a forgotten treasure, offered here for a whole new age to enjoy. 
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