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More copies of this ISBN:This title in other formats:Other titles in the Theories of Representation & Difference series:
The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Theories of Representation & Difference)by Kaja Silverman
Synopses & ReviewsPublisher Comments:... a vitally new understanding that takes us from the terms of the representation of sexual difference to an anatomy of female subjectivity which will be widely influential. — Stephen Heath An original work likely to have significant impact on all those with an interest in the vibrant intersection of feminism, film theory, and psychoanalysis... — Naomi Schor ... powerfully argued study... impressive... — Choice ... important because of its innovative work on Hollywood's ideologically-charged construction of subjectivity.... what is exciting about The Acoustic Mirror is that it inspires one to reevaluate a number of now classical theoretical texts, and to see films with an eye to how authorship is constructed and subjectivity is generated. — Literature and Psychology As evocative as it is shrewdly systematic, the pioneering theory of female subjectivity formulated in the final three chapters will have wide impact as a major contribution to feminist theory. — SubStance The Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track — to locate the points at which it is productive of sexual difference. The specific focus is the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship. Synopsis:The Acoustic Mirror combines an extended reflection on sound and voice in cinema with a critical examination of the possibilities and impossibilities of current theoretical approaches as they listen, or not, to questions of sexual difference. What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
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