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New Philosophy for New Media

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New Philosophy for New Media Cover

 

Synopses & Reviews

Publisher Comments:

andlt;Pandgt;In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position — as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era.Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure — that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms. This framing function yields what Hansen calls the "digital image." He argues that this new "embodied" status of the frame corresponds directly to the digital revolution: a digitized image is not a fixed representation of reality, but is defined by its complete flexibility and accessibility. It is not just that the interactivity of new media turns viewers into users; the image itself has become the body's process of perceiving it.To illustrate his account of how the body filters information in order to create images, Hansen focuses on new media artists who follow a "Bergsonist vocation"; through concrete engagement with the work of artists like Jeffrey Shaw, Douglas Gordon, and Bill Viola, Hansen explores the contemporary aesthetic investment in the affective, bodily basis of vision. The book includes over 70 illustrations (in both black and white and color) from the works of these and many other new media artists.andlt;/Pandgt;

Synopsis:

A philosophy of new media that defines the digital image as the process by which the body filters information to create images.

Synopsis:

In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position — as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era.Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure — that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms. This framing function yields what Hansen calls the "digital image." He argues that this new "embodied" status of the frame corresponds directly to the digital revolution: a digitized image is not a fixed representation of reality, but is defined by its complete flexibility and accessibility. It is not just that the interactivity of new media turns viewers into users; the image itself has become the body's process of perceiving it. To illustrate his account of how the body filters information in order to create images, Hansen focuses on new media artists who follow a "Bergsonist vocation"; through concrete engagement with the work of artists like Jeffrey Shaw, Douglas Gordon, and Bill Viola, Hansen explores the contemporary aesthetic investment in the affective, bodily basis of vision. The book includes over 70 illustrations (in both black and white and color) from the works of these and many other new media artists.

About the Author

Mark B. N. Hansen is Professor of English and Cinema/Media Studies at the University of Chicago.

Product Details

ISBN:
9780262582667
Author:
Hansen, Mark B. N.
Publisher:
MIT Press (MA)
Author:
Lenoir, Timothy
Location:
Cambridge
Subject:
Aesthetics
Subject:
Digital video
Subject:
Media Studies
Subject:
Digital
Subject:
Philosophy-Aesthetics
Edition Description:
Trade paper
Series:
New Philosophy for New Media
Publication Date:
20060231
Binding:
TRADE PAPER
Grade Level:
from 17
Language:
English
Illustrations:
54 b, &, w illus., 11 color plates
Pages:
361
Dimensions:
9 x 7 in

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Related Subjects

Arts and Entertainment » Art » General
Computers and Internet » Networking » General
History and Social Science » Journalism » General
History and Social Science » Sociology » Media
Humanities » Philosophy » Aesthetics

New Philosophy for New Media New Trade Paper
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Product details 361 pages MIT Press - English 9780262582667 Reviews:
"Synopsis" by , A philosophy of new media that defines the digital image as the process by which the body filters information to create images.
"Synopsis" by , In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position — as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era.Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure — that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms. This framing function yields what Hansen calls the "digital image." He argues that this new "embodied" status of the frame corresponds directly to the digital revolution: a digitized image is not a fixed representation of reality, but is defined by its complete flexibility and accessibility. It is not just that the interactivity of new media turns viewers into users; the image itself has become the body's process of perceiving it. To illustrate his account of how the body filters information in order to create images, Hansen focuses on new media artists who follow a "Bergsonist vocation"; through concrete engagement with the work of artists like Jeffrey Shaw, Douglas Gordon, and Bill Viola, Hansen explores the contemporary aesthetic investment in the affective, bodily basis of vision. The book includes over 70 illustrations (in both black and white and color) from the works of these and many other new media artists.
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