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Selected Lyrics (Margellos World Republic of Letters)

by

Selected Lyrics (Margellos World Republic of Letters) Cover

 

Synopses & Reviews

Publisher Comments:

In his ABC of Reading, Ezra Pound begins his short list of nineteenth-century French poets to be studied with Théophile Gautier.  Widely esteemed by figures as diverse as Charles Baudelaire, the Goncourt brothers, Gustave Flaubert, Oscar Wilde, Henry James, and T. S. Eliot, Gautier was one of the nineteenth centurys most prominent French writers, famous for his virtuosity, his inventive textures, and his motto “Art for arts sake.”  His work is often considered a crucial hinge between High Romanticism—idealistic, sentimental, grandiloquent—and the beginnings of “Parnasse,” with its emotional detachment, plasticity, and irresistible surfaces.

His large body of verse, however, is little known outside France.  This generous sampling, anchored by the complete Émaux et Camées, perhaps Gautiers supreme poetic achievement, and including poems from the vigorously exotic España and several early collections, not only succeeds in bringing these poems into English but also rediscovers them, renewing them in the process of translation.  Norman Shapiros translations have been widely praised for their formal integrity, sonic acuity, tonal sensitivities, and overall poetic qualities, and he employs all these gifts in this collection.  Mining one of the crucial treasures of the French tradition, Shapiro makes a major contribution to world letters.

Synopsis:

This collection of deeply felt and powerfully moving Haitian poetry dating back to the first decades of the Caribbean island’s independence from French colonial rule sheds a much needed light on an important and often neglected period in Haiti’s literary history. Editors Kadish and Jenson have made a significant corpus of largely unknown poetry accessible to a wide audience for the first time with this essential bilingual volume of early-nineteenth-century verse that celebrates the authors’ African origins, freedom from oppression, equality for all, and the legitimacy of the only modern country born from a slave revolt.

About the Author

Théophile Gautier [1811–1872] was a prominent French poet, novelist, critic, and journalist. Norman R. Shapiro is professor of Romance languages and literatures at Wesleyan University.  His many translations include the award-winning volumes The Complete Fables of Jean de La Fontaine and French Women Poets of Nine Centuries: The Distaff and the Pen.  He divides his time between Middletown, Connecticut, and Cambridge, Massachusetts.

Product Details

ISBN:
9780300164336
Author:
Gautier, Theophile
Publisher:
Yale University Press
Translator:
Shapiro, Norman R.
Author:
&
Author:
Danticat, Edwidge
Author:
Gautier, Th
Author:
ophile
Author:
Th
Author:
Kadish, Doris Y.
Author:
Shapiro, Norman R.
Author:
eacute
Author:
Jenson, Deborah
Author:
ophile Gautier
Subject:
Continental european
Subject:
Single Author - Continental European
Subject:
Anthologies-Miscellaneous International Poetry
Edition Description:
Trade Cloth
Series:
Margellos World Republic of Letters
Publication Date:
20110131
Binding:
HARDCOVER
Language:
English
Pages:
360
Dimensions:
8.25 x 5.5 in

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Related Subjects

Fiction and Poetry » Anthologies » Miscellaneous International Poetry
Fiction and Poetry » Poetry » A to Z

Selected Lyrics (Margellos World Republic of Letters) Used Hardcover
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Product details 360 pages Yale University Press - English 9780300164336 Reviews:
"Synopsis" by ,
This collection of deeply felt and powerfully moving Haitian poetry dating back to the first decades of the Caribbean island’s independence from French colonial rule sheds a much needed light on an important and often neglected period in Haiti’s literary history. Editors Kadish and Jenson have made a significant corpus of largely unknown poetry accessible to a wide audience for the first time with this essential bilingual volume of early-nineteenth-century verse that celebrates the authors’ African origins, freedom from oppression, equality for all, and the legitimacy of the only modern country born from a slave revolt.
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