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The Mill on the Floss: An Authoritative Text, Backgrounds, and Contemporary Reactions Criticism (Norton Critical Edition)by George Eliot
Synopses & Reviews
Rebellious and affectionate, Maggie Tulliver is always in trouble. Recalling her own experiences as a girl, George Eliot describes Maggie's turbulent childhood with a sympathetic engagement that makes the early chapters of The Mill on the Floss among the most immediately attractive she ever wrote. As Maggie approaches adulthood, her spirited temperament brings her into conflict with her family, her community, and her much-loved brother Tom. Still more painfully, she finds her own nature divided between the claims of moral responsibility and her passionate hunger for self-fulfillment. George Eliot's searching exploration of Maggie's complex dilemma has made this one of the most enduringly popular of her works.
The best-known and most autobiographical of George Eliot's novels is now available as a Norton Critical Edition.
The text of , that of the 1862 third edition for which Eliot made her last revisions, has been annotated in order to assist the reader with obscure references and allusions. "Backgrounds" includes fifteen letters from the 1859-69 period centering on the novel's content and composition; "Brother and Sister" (1869), a little-known sonnet sequence; and eight Victorian reviews and responses, both published and unpublished, on the novel, including those by Henry James, Algernon Charles Swinurne, and John Ruskin. Judiciously chosen from the wealth of essays on published in this century,
About the Author
Born Mary Ann Evans, Victorian novelist George Eliot (1819-1880) is the author of a number of remarkable works, including the masterpiece Middlemarch.Carol T. Christ (Ph.D. Yale) is Professor Emeritus of English at the University of California, Berkeley, and President of Smith College. She is the author of The Finer Optic: The Aesthetic of Particularity and Victorian Poetry and Victorian and Modern Poetics and editor of the Norton Critical Edition of The Mill on the Floss and, with John Jordan, Victorian Literature and the Victorian Visual Imagination. She is the recipient of an NEH Fellowship and a member of the American Academy of Arts and Sciences.
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