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The Making of the Modern Canon: Genesis and Crisis of a Literary Idea (Ann Arbor Paperbacks)

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The Making of the Modern Canon: Genesis and Crisis of a Literary Idea (Ann Arbor Paperbacks) Cover

 

Synopses & Reviews

Synopsis:

This important contribution to the canon debate is remarkable in examining the actual process of canon formation from threee unusual and complementary angles. The first two chapters discuss historical attitudes to canons from antiquity onwards, showing the religious, aesthetic, cultural and political interests which have shaped our modern critical canons. Each of the four succeeding chapters examines an exemplary defendant, interpreter, or critic of canons; Ernst Gomrich, Northrop Frye, Frank Kermode and Edward Said. A final chapter considers the origins and rationale of the contemporary debate, emphasising the disciplinary and aesthetic problems we must confront if our cultural institutions are to meet the challenging needs of the next century. Professor Gorak teaches at the University of Denver. His publications include God the Artist (1987), Critic of Crisis (1987)and The Alien Mind of Raymond Williams (1988)

Description:

Includes bibliographical references (p. 277-298) and index.

Product Details

ISBN:
9780485113884
Author:
Gorak, Jan
Publisher:
Continuum
Location:
London ;
Subject:
History
Subject:
Criticism
Subject:
Canon (literature)
Subject:
Literature, Modern
Subject:
Canon
Subject:
Christian Church - Canon & Ecclesiastical Law
Subject:
Christianity-Pastoral Ministry and Church Leadership
Subject:
General Literary Criticism & Collections
Series:
Ann Arbor Paperbacks
Series Volume:
no. 25
Publication Date:
19901231
Binding:
HARDCOVER
Language:
English
Illustrations:
Yes
Pages:
324
Dimensions:
8.5 x 5.5 x 0.75 in

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The Making of the Modern Canon: Genesis and Crisis of a Literary Idea (Ann Arbor Paperbacks) New Hardcover
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Product details 324 pages Athlone Press - English 9780485113884 Reviews:
"Synopsis" by , This important contribution to the canon debate is remarkable in examining the actual process of canon formation from threee unusual and complementary angles. The first two chapters discuss historical attitudes to canons from antiquity onwards, showing the religious, aesthetic, cultural and political interests which have shaped our modern critical canons. Each of the four succeeding chapters examines an exemplary defendant, interpreter, or critic of canons; Ernst Gomrich, Northrop Frye, Frank Kermode and Edward Said. A final chapter considers the origins and rationale of the contemporary debate, emphasising the disciplinary and aesthetic problems we must confront if our cultural institutions are to meet the challenging needs of the next century. Professor Gorak teaches at the University of Denver. His publications include God the Artist (1987), Critic of Crisis (1987)and The Alien Mind of Raymond Williams (1988)
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