- Used Books
- Staff Picks
- Gifts & Gift Cards
- Sell Books
- Stores & Events
- Let's Talk Books
Special Offers see all
More at Powell's
Recently Viewed clear list
New Trade Paper
Currently out of stock.
available for shipping or prepaid pickup only
Other titles in the History of the American Cinema series:
History of the American Cinema #04: Talkies: American Cinema's Transition to Sound, 1926-1931by Donald Crafton
Synopses & Reviews
The Talkies offers readers a rare look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. Donald Crafton presents a panoramic view of the talkies' reception as well as in-depth looks at sound design in selected films, filmmaking practices, censorship, issues of race, and the furious debate over cinema aesthetics that erupted once the movies began to speak.
The Talkies addresses the impact of sound cinema on viewers and the role of the audience in shaping the development of film style and patterns of exhibition.
Offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. Donald Crafton presents a panoramic view of the talkies' reception as well as an in-depth look at sound design in selected films, amongst other issues.
"The Talkies is a valuable addition to a distinguished series—especially important because it deals with one of the most eventful periods in motion picture history. Crafton's scholarship is impressive, and he has produced a readable book that's sure to become a standard reference."—James Naremore, author of More than Night
Includes bibliographical references (p. -609) and indexes.
About the Author
Donald Crafton is Chair of the Department of Film, Television, and Theatre at the University of Notre Dame. He is the author of Before Mickey: The Animated Film, 1898-1928 (1993) and Emile Cohl, Caricature, and Film (1990).
What Our Readers Are Saying
Other books you might like
Arts and Entertainment » Film and Television » Film History and Theory