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I Love Artists: New and Selected Poems

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I Love Artists: New and Selected Poems Cover

 

Synopses & Reviews

Publisher Comments:

Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugges poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great scenic imagination, and unusual degree of comfort with states of indetermination, contingency, and flux.

Review:

"Over the past quarter century, Berssenbrugge has released her work solely in small press editions, many of which are now out of print. This collection serves as a worthy introduction to her elegant oeuvre, but does not take the place of a collection, particularly because Berssenbrugge tends to work long, and some of what is here is excerpted. There are nine poems total from her first three books, of which the 10-part 'The Heat Bird,' from the book of the same title (1983), serves as a kind of turning point into Berssenbrugge's first major work, Empathy (1989), half of which is reprinted here. Berssenbrugge writes what might be called proofs, working sensuously off the language of science to find the divides between elements over which one has control and those over which one does not, 'a constant notation of parallel streams of thought and observation.' Though all three are represented, excerpts from two of her Kelsey Street Editions releases, Four Year Old Girl (1998) and Nest (2003), should send readers to those beautifully produced volumes. The four new poems are the book's weakest, but seem transitional. ('Even if a detail resists all significance or function, it's not useless, precisely,' notes the title work.) If the book brings new readers to the last three titles listed above, it will have done its job." Publishers Weekly (Copyright Reed Business Information, Inc.)

About the Author

Mei-mei Berssenbrugge was born in Beijing and lives in New Mexico. She is the author of nine volumes of poetry, including Nest, The Four Year Old Girl, and Empathy.

Table of Contents

From Summits Move with the Tide

From Random Possession

From The Heat Bird

From Empathy

From Sphericity

From Endocrinology

From Four Year Old Girl

From Nest

New Poems

Acknowledgements

Product Details

ISBN:
9780520246027
Author:
Berssenbrugge, Mei-mei
Publisher:
University of California Press
Author:
Bedient, Calvin
Author:
Hillman, Brenda
Author:
Berssenbrugge, Mei-Mei
Author:
Gander, Forrest
Author:
Hass, Robert
Subject:
American - General
Subject:
General Poetry
Subject:
Poetry-A to Z
Edition Description:
Trade Paper
Series:
New California Poetry
Series Volume:
18
Publication Date:
20060431
Binding:
TRADE PAPER
Grade Level:
Professional and scholarly
Language:
English
Pages:
154
Dimensions:
8 x 8 x 0.5 in 10 oz

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Related Subjects

Fiction and Poetry » Poetry » A to Z

I Love Artists: New and Selected Poems New Trade Paper
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$33.75 In Stock
Product details 154 pages University of California Press - English 9780520246027 Reviews:
"Publishers Weekly Review" by , "Over the past quarter century, Berssenbrugge has released her work solely in small press editions, many of which are now out of print. This collection serves as a worthy introduction to her elegant oeuvre, but does not take the place of a collection, particularly because Berssenbrugge tends to work long, and some of what is here is excerpted. There are nine poems total from her first three books, of which the 10-part 'The Heat Bird,' from the book of the same title (1983), serves as a kind of turning point into Berssenbrugge's first major work, Empathy (1989), half of which is reprinted here. Berssenbrugge writes what might be called proofs, working sensuously off the language of science to find the divides between elements over which one has control and those over which one does not, 'a constant notation of parallel streams of thought and observation.' Though all three are represented, excerpts from two of her Kelsey Street Editions releases, Four Year Old Girl (1998) and Nest (2003), should send readers to those beautifully produced volumes. The four new poems are the book's weakest, but seem transitional. ('Even if a detail resists all significance or function, it's not useless, precisely,' notes the title work.) If the book brings new readers to the last three titles listed above, it will have done its job." Publishers Weekly (Copyright Reed Business Information, Inc.)
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