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Walter Benjamin Selected Writings, Volume 1, 1913-1926

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Walter Benjamin Selected Writings, Volume 1, 1913-1926 Cover

 

Synopses & Reviews

Publisher Comments:

Walter Benjamin was one of the most original and important critical voices of the twentieth century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man and the many facets of his thought. (The magnum opus of Benjamin's Paris years, The Arcades Project, has been published in a separate volume.) Walter Benjamin emerged from the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined "to be considered as the principal critic of German literature." But the scene, as he found it, was dominated by "talented fakes," so--to use his words--"only a terrorist campaign would I suffice" to effect radical change. This book offers the record of the first phase of that campaign, culminating with "One Way Street," one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword. Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germany's most influential journals. The volume includes a number of his most important works, including "Two Poems by Friedrich Hölderlin," "Goethe's Elective Affinities," "The Concept of Criticism in German Romanticism," "The Task of the Translator," and "One Way Street." He is as compelling and insightful when musing on riddles or children's books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics. Benjamin's sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.

Synopsis:

This first volume shows that even as a young man Walter Benjamin possessed astonishing intellectual range and depth. His topics here include poetry and fiction, drama, philosophy, history, religion, love, violence, morality, mythology, painting, and much more. He is as compelling and insightful when musing on riddles or children's books as he is when dealing with weightier issues such as symbolic logic or epistemology.

About the Author

Walter Benjamin (1892-1940) was the author of many works of literary and cultural analysis.Marcus Bullock is Professor of German, University of Wisconsin at Milwaukee.Michael W. Jennings is Class of 1900 Professor of Modern Languages at Princeton University.

Table of Contents

  • Metaphysics of Youth, 1913–1919
    • “Experience”
    • The Metaphysics of Youth
    • Two Poems by Friedrich Hölderlin
    • The Life of Students
    • Aphorisms on Imagination and Color
    • A Child’s View of Color
    • Socrates
    • Trauerspiel and Tragedy
    • The Role of Language in Trauerspiel and Tragedy
    • On Language as Such and on the Language of Man
    • Theses on the Problem of Identity
    • Dostoevsky’s The Idiot
    • Painting and the Graphic Arts
    • Painting, or Signs and Marks
    • The Ground of Intentional Immediacy
    • The Object: Triangle
    • Perception Is Reading
    • On Perception
    • Comments on Gundolf’s Goethe
    • On the Program of the Coming Philosophy
    • Stifter
    • Every Unlimited Condition of the Will
    • Types of History
    • The Concept of Criticism in German Romanticism
    • Fate and Character
    • Analogy and Relationship
    • The Paradox of the Cretan
    • The Currently Effective Messianic Elements
  • Angelus Novus, 1920–1926
    • The Theory of Criticism
    • Categories of Aesthetics
    • On Semblance
    • World and Time
    • According to the Theory of Duns Scotus
    • On Love and Related Matters
    • The Right to Use Force
    • The Medium through Which Works of Art Continue to Influence Later Ages
    • Critique of Violence
    • The Task of the Translator
    • Notes for a Study of the Beauty of Colored Illustrations in Children’s Books
    • Riddle and Mystery
    • Outline for a Habilitation Thesis
    • Language and Logic (I–III)
    • Theory of Knowledge
    • Truth and Truths / Knowledge and Elements of Knowledge
    • Imagination
    • Beauty and Semblance
    • The Philosophy of History of the Late Romantics and the Historical School
    • The Meaning of Time in the Moral Universe
    • Capitalism as Religion
    • Announcement of the Journal Angelus Novus
    • Goethe’s Elective Affinities
    • Baudelaire (II, III)
    • Calderón’s El Mayor Monstruo, Los Celos and Hebbel’s Herades und Mariamne
    • Letter to Florens Christian Rang
    • Stages of Intention
    • Outline of the Psychophysical Problem
    • Even the Sacramental Migrates into Myth
    • On the Topic of Individual Disciplines and Philosophy
    • “Old Forgotten Children’s Books”
    • Naples
    • Curriculum Vitae (I)
    • Reflections on Humboldt
    • Review of Bernoulli’s Bachofen
    • Johann Peter Hehel (I): On the Centenary of His Death
    • Johann Peter Hebel (II): A Picture Puzzle for the Centenary of His Death
    • A Glimpse into the World of Children’s Books
    • One-Way Street
  • A Note on the Texts
  • Chronology, 1892–1926
  • Index

Product Details

ISBN:
9780674013551
Editor:
Bullock, Marcus
Editor:
Jennings, Michael William
Editor:
Bullock, Marcus
Editor:
Jennings, Michael William
Edited:
Bullock, Benjamin, Walter, Marcus
Edited:
Jennings, Bullock, Benjamin, Walter, Marcus, Michael W.
Author:
Benjamin, Walter
Author:
Jennings, Michael W.
Author:
Bullock, Marcus
Publisher:
Belknap Press
Location:
Cambridge, Massachusetts
Subject:
Books & Reading
Subject:
General Literary Criticism & Collections
Subject:
Aesthetics
Subject:
Literary Criticism : General
Subject:
Literary Criticism-Semiotics & Theory
Subject:
ART / Criticism & Theory
Copyright:
Edition Description:
Trade paper
Series:
Volume 1
Series Volume:
Volume 1, 1913-1926
Publication Date:
May 2004
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
7 halftones
Pages:
528
Dimensions:
9 x 6 in 24 oz

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Related Subjects

Arts and Entertainment » Music » General
Humanities » Literary Criticism » General
Humanities » Philosophy » Aesthetics
Humanities » Philosophy » General

Walter Benjamin Selected Writings, Volume 1, 1913-1926 New Trade Paper
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Product details 528 pages Belknap Press - English 9780674013551 Reviews:
"Synopsis" by , This first volume shows that even as a young man Walter Benjamin possessed astonishing intellectual range and depth. His topics here include poetry and fiction, drama, philosophy, history, religion, love, violence, morality, mythology, painting, and much more. He is as compelling and insightful when musing on riddles or children's books as he is when dealing with weightier issues such as symbolic logic or epistemology.
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