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The Black Atlantic: Modernity and Double-Consciousness

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The Black Atlantic: Modernity and Double-Consciousness Cover

 

Synopses & Reviews

Publisher Comments:

Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is,Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism.

Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison.

In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

Synopsis:

There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality.

Synopsis:

1994 American Book Award, Before Columbus Foundation

Synopsis:

Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is,Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlanticalso complicates and enriches our understanding of modernism.

Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison.

In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

About the Author

Paul Gilroy holds the Anthony Giddens Professorship in Social Theory at the London School of Economics.

Paul Gilroy holds the the Anthony Giddens Professorship in Social Theory at the London School of Economics

Table of Contents

Preface

1. The Black Atlantic as a Counterculture of Modernity

2. Masters, Mistresses, Slaves, and the Antinomies of Modernity

3. "Jewels Brought from Bondage"; Black Music and the Politics of Authenticity

4. "Cheer the Weary Traveller": W. E. B. Du Bois, Germany, and the Politics of (Dis)placement

5. "Without the Consolation of Tears": Richard Wright, France, and the Ambivalence of Community

6. "Not a Story to Pass On": Living Memory and the Slave Sublime

Notes

Acknowledgments

Index

Product Details

ISBN:
9780674076068
Author:
Gilroy, Paul
Publisher:
Harvard University Press
Author:
Gilroy, Paul
Location:
Cambridge
Subject:
General
Subject:
People of Color
Subject:
Afro-americans
Subject:
Sociology - General
Subject:
African American Studies
Subject:
American - African American & Black
Subject:
Blacks
Subject:
African-American & Black
Subject:
American - African American
Subject:
cultural heritage
Subject:
Literary Criticism : General
Subject:
Social Science : General
Subject:
SOCIAL SCIENCE / Ethnic Studies/African-American Studies
Copyright:
Edition Description:
Trade paper
Publication Date:
January 1993
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
None
Pages:
280
Dimensions:
9 x 6 in 11 oz

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Related Subjects

Biography » General
History and Social Science » African American Studies » General
History and Social Science » Geography » General
History and Social Science » Sociology » General
History and Social Science » Western Civilization » Historical Reference
Humanities » Literary Criticism » General
Science and Mathematics » History of Science » General

The Black Atlantic: Modernity and Double-Consciousness New Trade Paper
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$30.50 In Stock
Product details 280 pages Harvard University Press - English 9780674076068 Reviews:
"Synopsis" by , There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality.
"Synopsis" by , 1994 American Book Award, Before Columbus Foundation
"Synopsis" by , Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is,Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlanticalso complicates and enriches our understanding of modernism.

Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison.

In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

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