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Bart K and His World (Bard Music Festival)

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Bart K and His World (Bard Music Festival) Cover

 

Synopses & Reviews

Publisher Comments:

Béla Bartók, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartók was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary.

Part I begins with an essay by Leon Botstein that places Bartók in a large historical and cultural context. László Somfai reports on the catalog of Bartók's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallián surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Béla Balázs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartók and Stravinsky.

Most of the letters and interviews in Part II concern Bartók's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartók's work as well as literary and poetic responses to his music and personality.

Synopsis:

Béla Bartók, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartók was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary.

Part I begins with an essay by Leon Botstein that places Bartók in a large historical and cultural context. László Somfai reports on the catalog of Bartók's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallián surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Béla Balázs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartók and Stravinsky.

Most of the letters and interviews in Part II concern Bartók's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartók's work as well as literary and poetic responses to his music and personality.

Table of Contents

Preface
Acknowledgments
Out of Hungary: Bartok, Modernism, and the Cultural Politics of Twentieth-Century Music3
Why Is a Bartok Thematic Catalog Sorely Needed?64
The Gallows and the Altar: Poetic Criticism and Critical Poetry about Bartok in Hungary79
Bartok's Reception in America, 1940-1945101
Bluebeard as Theater: The Influence of Maeterlinck and Hebbel on Balazs's Bluebeard Drama119
The Miraculous Mandarin: Melchior Lengyel, His Pantomime, and His Connections to Bela Bartok149
Bartok and Stravinsky: Respect, Competition, Influence, and the Hungarian Reaction to Modernism in the 1920s172
Travel Reports from Three Continents: A Selection of Letters from Bela Bartok203
Bela Bartok: An Interview by Dezso Kosztolanyi228
A Conversation with Bela Bartok235
Recollections of Bela Bartok243
A Change in Style276
Bartok's Third String Quartet278
Bartok's Foreign Tour282
Two Bartok Obituaries290
A Selection of Poems Inspired by Bela Bartok296
Index of Names and Compositions307
List of Contributors313

Product Details

ISBN:
9780691006338
Editor:
Laki, Peter
Publisher:
Princeton University Press
Editor:
Laki, Peter
Author:
Laki, Peter
Location:
Princeton, NJ :
Subject:
General
Subject:
Classical
Subject:
History & Criticism - By Composer
Subject:
Composers & Musicians - Classical Composers
Subject:
Bartok, bela, 1881-1945
Subject:
Bartok, Bela
Subject:
History & Criticism - General
Subject:
Individual Composer & Musician
Subject:
History & Criticism *
Subject:
Comparative Literature
Subject:
Music
Subject:
Music-Individual Composer and Musician
Subject:
Date.
Copyright:
Edition Description:
Trade paper
Series:
Bard Music Festival series
Series Volume:
no. 1456
Publication Date:
August 1995
Binding:
TRADE PAPER
Grade Level:
College/higher education:
Language:
English
Illustrations:
6 halftones, 13 music exs.
Pages:
250
Dimensions:
9 x 6 in 17 oz

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Related Subjects

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Arts and Entertainment » Music » Individual Composer and Musician
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Science and Mathematics » Mathematics » General

Bart K and His World (Bard Music Festival) New Trade Paper
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Product details 250 pages Princeton University Press - English 9780691006338 Reviews:
"Synopsis" by , Béla Bartók, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartók was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary.

Part I begins with an essay by Leon Botstein that places Bartók in a large historical and cultural context. László Somfai reports on the catalog of Bartók's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallián surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Béla Balázs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartók and Stravinsky.

Most of the letters and interviews in Part II concern Bartók's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartók's work as well as literary and poetic responses to his music and personality.

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