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25 Remote Warehouse Film and Television- History and Criticism

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Italian Film in the Light of Neorealism

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Italian Film in the Light of Neorealism Cover

 

Synopses & Reviews

Publisher Comments:

The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression.

Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.

Synopsis:

"This is unquestionably one of the best works on Italian cinema I have read in any language. . . . an exceptional work that will become an instant classic on publication. It will be must reading for anyone interested in Italian culture in any way."--Ben Lawton, Purdue University

Synopsis:

The author does close readings of seventeen films that tell the story of realism's evolving influence on Italian postwar cinematic expression.

Product Details

ISBN:
9780691102085
Author:
Marcus, Milicent
Author:
Marcus, Millicent
Publisher:
Princeton University Press
Location:
Princeton, N.J. :
Subject:
Italy
Subject:
Film - General
Subject:
Film - History & Criticism
Subject:
Motion pictures
Subject:
Realism in motion pictures.
Subject:
Film & Video - History & Criticism
Subject:
Film Studies
Subject:
Motion pictures -- Italy.
Subject:
Film and Television-History and Criticism
Copyright:
Edition Description:
Trade paper
Series Volume:
99-201
Publication Date:
March 1987
Binding:
TRADE PAPER
Grade Level:
College/higher education:
Language:
English
Illustrations:
Yes
Pages:
464
Dimensions:
8.49x5.49x1.16 in. 1.19 lbs.

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Italian Film in the Light of Neorealism New Trade Paper
0 stars - 0 reviews
$74.95 In Stock
Product details 464 pages Princeton University Press - English 9780691102085 Reviews:
"Synopsis" by , "This is unquestionably one of the best works on Italian cinema I have read in any language. . . . an exceptional work that will become an instant classic on publication. It will be must reading for anyone interested in Italian culture in any way."--Ben Lawton, Purdue University
"Synopsis" by , The author does close readings of seventeen films that tell the story of realism's evolving influence on Italian postwar cinematic expression.
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