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Mimesis : Representation of Reality in Western Literature - 50TH Anniv. (03 Edition)

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Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

"To describe Mimesis as a classic is to offer something of a dismissive understatement, which conveys nothing of the excitement of this book, as fresh and direct, as untechnical, as when it first appeared. To say that it constitutes virtually a history of Western literature is to omit adding that it writes that history in a way that is still new and stimulating, with nothing of the manual about it, a synchronic kind of history with which we are only just now catching up. It is also important to stress the novel relationship Auerbach establishes between sentence or syntax and narrative form; and the world-wide democratic perspective in which he framed his work which has only become visible since globalization. Mimesis is certainly one of the half dozen most important literary-critical works of the twentieth century."--Fredric R. Jameson

"Written in exile, from what Auerbach called with grave irony his 'incomparable historical vantage point,' Mimesis is a magnificent achievement. For me, as for many others, this hugely ambitious, wise account of the representation of reality in Western literature, at once a celebration and a lament, is one of the essential works of literary criticism."--Stephen Greenblatt

"Every student of literature should know Mimesis, arguably the single greatest work of 20th-century criticism. How do writers--from Homer and Dante to Stendhal and Virginia Woolf--depict the world? To explore this question, Erich Auerbach brings to bear the authority of truly encyclopedic learning and the persuasiveness of a supple, humane literary intelligence. Yes, Mimesis is magisterial, but it is also thrilling to read, inspiring, and more relevant than ever: A masterpiece."--Michael Dirda

Review:

?Princeton's reissue of the Mimesis is both timely and symbolic.? Guy Davenport, The Los Angeles Times Book Review

Review:

?It deserves a wider audience?the widest possible, I would say, because it offers not just an eminent reading of the Western canon, but a mighty lesson in how to write.? Jim Lewis, Slate

Synopsis:

"To describe Mimesis as a classic is to offer something of a dismissive understatement, which conveys nothing of the excitement of this book, as fresh and direct, as untechnical, as when it first appeared. To say that it constitutes virtually a history of Western literature is to omit adding that it writes that history in a way that is still new and stimulating, with nothing of the manual about it, a synchronic kind of history with which we are only just now catching up. It is also important to stress the novel relationship Auerbach establishes between sentence or syntax and narrative form; and the world-wide democratic perspective in which he framed his work which has only become visible since globalization. Mimesis is certainly one of the half dozen most important literary-critical works of the twentieth century."--Fredric R. Jameson

"Written in exile, from what Auerbach called with grave irony his 'incomparable historical vantage point,' Mimesis is a magnificent achievement. For me, as for many others, this hugely ambitious, wise account of the representation of reality in Western literature, at once a celebration and a lament, is one of the essential works of literary criticism."--Stephen Greenblatt

"Every student of literature should know Mimesis, arguably the single greatest work of 20th-century criticism. How do writers--from Homer and Dante to Stendhal and Virginia Woolf--depict the world? To explore this question, Erich Auerbach brings to bear the authority of truly encyclopedic learning and the persuasiveness of a supple, humane literary intelligence. Yes, Mimesis is magisterial, but it is also thrilling to read, inspiring, and more relevant than ever: A masterpiece."--Michael Dirda

Synopsis:

A half-century after its translation into English, Erich Auerbach's Mimesis still stands as a monumental achievement in literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.

A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours.

For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written.

About the Author

Erich Auerbach, before his death in 1957, was Sterling Professor of Romance Languages at Yale University.

Table of Contents

Introduction to the Fiftieth-Anniversary Edition ix

1. Odysseus' Scar 3

2. Fortunata 24

3. The Arrest of Peter Valvomeres 50

4. Sicharius and Chramnesindus 77

5. Roland Against Ganelon 96

6. The Knight Sets Forth 123

7. Adam and Eve 143

8. Farinata and Cavalcante 174

9. Frate Alberto 203

10. Madame Du Chastel 232

11. The World in Pantagruel's Mouth 262

12. L'Humaine Condition 285

13. The Weary Prince 312

14. The Enchanted Dulcinea 334

15. The Faux Dévot 359

16. The Interrupted Supper 395

17. Miller the Musician 434

18. In the Hôtel de la Mole 454

19. Germinie Lacerteux 493

20. The Brown Stocking 525

Epilogue 554

Appendix 559

Index 575

Product Details

ISBN:
9780691113364
Translator:
Trask, Willard R.
Introduction:
Said, Edward W.
Translator:
Trask, Willard R.
Introduction by:
Said, Edward W.
Introduction:
Said, Edward W.
Author:
Trask, Willard
Author:
Auerbach, Erich
Author:
Trask, Willard R.
Publisher:
Princeton University Press
Location:
Princeton, N.J.
Subject:
General
Subject:
Literature
Subject:
Mimesis in literature
Subject:
Reality in literature.
Subject:
Regional, Ethnic, Genre, Specific Subject
Subject:
Theory
Subject:
British literature.
Subject:
Comparative Literature
Subject:
Religion
Subject:
History & Criticism *
Subject:
Literature -- History and criticism.
Subject:
Literary Criticism : General
Copyright:
Edition Number:
25
Edition Description:
Trade paper
Series Volume:
4425-4426
Publication Date:
April 2003
Binding:
TRADE PAPER
Grade Level:
College/higher education:
Language:
English
Illustrations:
1 halftone
Pages:
616
Dimensions:
9 x 6 in 29 oz

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Related Subjects

History and Social Science » Economics » General
History and Social Science » Sociology » General
Humanities » Literary Criticism » General
Humanities » Literary Criticism » Literary and Cultural Studies

Mimesis : Representation of Reality in Western Literature - 50TH Anniv. (03 Edition) Used Trade Paper
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$23.00 In Stock
Product details 616 pages Princeton University Press - English 9780691113364 Reviews:
"Review" by , ?Princeton's reissue of the Mimesis is both timely and symbolic.?
"Review" by , ?It deserves a wider audience?the widest possible, I would say, because it offers not just an eminent reading of the Western canon, but a mighty lesson in how to write.?
"Synopsis" by ,

"To describe Mimesis as a classic is to offer something of a dismissive understatement, which conveys nothing of the excitement of this book, as fresh and direct, as untechnical, as when it first appeared. To say that it constitutes virtually a history of Western literature is to omit adding that it writes that history in a way that is still new and stimulating, with nothing of the manual about it, a synchronic kind of history with which we are only just now catching up. It is also important to stress the novel relationship Auerbach establishes between sentence or syntax and narrative form; and the world-wide democratic perspective in which he framed his work which has only become visible since globalization. Mimesis is certainly one of the half dozen most important literary-critical works of the twentieth century."--Fredric R. Jameson

"Written in exile, from what Auerbach called with grave irony his 'incomparable historical vantage point,' Mimesis is a magnificent achievement. For me, as for many others, this hugely ambitious, wise account of the representation of reality in Western literature, at once a celebration and a lament, is one of the essential works of literary criticism."--Stephen Greenblatt

"Every student of literature should know Mimesis, arguably the single greatest work of 20th-century criticism. How do writers--from Homer and Dante to Stendhal and Virginia Woolf--depict the world? To explore this question, Erich Auerbach brings to bear the authority of truly encyclopedic learning and the persuasiveness of a supple, humane literary intelligence. Yes, Mimesis is magisterial, but it is also thrilling to read, inspiring, and more relevant than ever: A masterpiece."--Michael Dirda

"Synopsis" by ,

A half-century after its translation into English, Erich Auerbach's Mimesis still stands as a monumental achievement in literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.

A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours.

For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written.

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