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Life Among the Indians: First Fieldwork Among the Sioux and Omahas (Studies in the Anthropology of North American Indians)

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Life Among the Indians: First Fieldwork Among the Sioux and Omahas (Studies in the Anthropology of North American Indians) Cover

 

Synopses & Reviews

Publisher Comments:

At its height the Creek Nation comprised a collection of multiethnic towns and villages stretching across large parts of Alabama, Georgia, and Florida. By the 1830s, however, the Creeks had lost almost all this territory through treaties and by the unchecked intrusion of white settlers who illegally expropriated Native soil. With the Jackson administration unwilling to aid the Creeks in removing the squatters, the Creek people suffered from dispossession, starvation, and indebtedness. Between the 1825 Treaty of Indian Springs and the forced migrations beginning in 1836, nearly twenty-three thousand Creek Indians were relocatedand#8212;voluntarily or involuntarilyand#8212;to Indian Territory. Rivers of Sand fills a substantial gap in scholarship by capturing, for the first time, the full breadth and depth of the Creeksand#8217; collective tragedy during the marches westward, on the Creek home front, and during the first years of resettlement.
and#160;

Unlike the Cherokee Trail of Tears, which was conducted largely at the end of a bayonet, most Creeks were removed through a combination of coercion and negotiation. Hopelessly outnumbered military personnel were forced to make concessions in order to gain the compliance of the headmen and their people. Christopher D. Havemanand#8217;s meticulous study uses previously unexamined documents to weave narratives of resistance and survival, making Rivers of Sand an essential addition to the ethnohistory of American Indian removal.

Synopsis:

New Voices for Old Words is a collection of previously unpublished Algonquian oral traditions featuring historical narratives, traditional stories, and legends that were gathered during the late nineteenth and early twentieth centuries. The collection presents them here in their original languages with new English-language translations. Accompanying essays explain the importance of the original texts and their relationships to the early researchers who gathered and, in some cases, actively influenced these texts.

and#160;
Covering the northeast United States, eastern Canada, the Great Lakes region, and the Great Plains, the Algonquian languages represented in New Voices for Old Words include Gros Ventre, Peoria, Arapaho, Meskwaki, Munsee-Delaware, Potawatomi, and Sauk. All of these languages are either endangered or have lost their last speakers; for several of them no Native text has ever been published. This volume presents case studies in examining and applying such principles as ethnopoetics to the analysis of traditional texts in several languages of the Algic language family. These studies show how much valuable linguistic and folkloric information can be recovered from older texts, much of it information that is no longer obtainable from living sources. The result is a groundbreaking exploration of Algonquian oral traditions that are given a new voice for a new generation.

Synopsis:

In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywoodand#8217;s representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate.
and#160;
Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples thatand#160;films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators,and#160;reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities.

About the Author

Joanna C. Scherer is an emeritus anthropologist at the Smithsonian Institutionand#8217;s National Museum of Natural History. She is the author of the award-winning book, A Danish Photographer of Idaho Indians: Benedicte Wrensted. Raymond J. DeMallie is Chancellorsand#8217; Professor of Anthropology, codirector of the American Indian Studies Research Institute, and curator of North American Ethnology at the Mathers Museum at Indiana University. He is the editor of The Sixth Grandfather: Black Elkand#8217;s Teachings Given to John G. Neihardt, available in a Bison Books edition.

Product Details

ISBN:
9780803241152
Author:
Fletcher, Alice C.
Publisher:
University of Nebraska Press
Author:
Scherer, Joanna C.
Author:
Raheja, Michelle H.
Author:
Myers, Helen
Author:
Costa, David J.
Author:
Walker, James R.
Author:
Haveman, Christopher D.
Author:
Demallie, Raymond J.
Author:
Jahner, Elaine A.
Subject:
Native American Studies
Subject:
Native American-General Native American Studies
Subject:
Biography-Social Scientists and Psychologists
Edition Description:
Trade Cloth
Series:
Studies in the Anthropology of North Ame
Publication Date:
20131231
Binding:
HARDCOVER
Language:
English
Illustrations:
41 illustrations
Pages:
558
Dimensions:
9 x 6 in

Related Subjects

Biography » General
Biography » Social Scientists and Psychologists
History and Social Science » Anthropology » Cultural Anthropology
History and Social Science » Native American » General Native American Studies
History and Social Science » World History » General

Life Among the Indians: First Fieldwork Among the Sioux and Omahas (Studies in the Anthropology of North American Indians) New Hardcover
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$76.25 In Stock
Product details 558 pages University of Nebraska Press - English 9780803241152 Reviews:
"Synopsis" by ,
New Voices for Old Words is a collection of previously unpublished Algonquian oral traditions featuring historical narratives, traditional stories, and legends that were gathered during the late nineteenth and early twentieth centuries. The collection presents them here in their original languages with new English-language translations. Accompanying essays explain the importance of the original texts and their relationships to the early researchers who gathered and, in some cases, actively influenced these texts.

and#160;
Covering the northeast United States, eastern Canada, the Great Lakes region, and the Great Plains, the Algonquian languages represented in New Voices for Old Words include Gros Ventre, Peoria, Arapaho, Meskwaki, Munsee-Delaware, Potawatomi, and Sauk. All of these languages are either endangered or have lost their last speakers; for several of them no Native text has ever been published. This volume presents case studies in examining and applying such principles as ethnopoetics to the analysis of traditional texts in several languages of the Algic language family. These studies show how much valuable linguistic and folkloric information can be recovered from older texts, much of it information that is no longer obtainable from living sources. The result is a groundbreaking exploration of Algonquian oral traditions that are given a new voice for a new generation.

"Synopsis" by ,
In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywoodand#8217;s representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate.
and#160;
Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples thatand#160;films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators,and#160;reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities.
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