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Museums and Memory (Cultural Sitings)

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Museums and Memory (Cultural Sitings) Cover

 

Synopses & Reviews

Publisher Comments:

Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars.

Representing a variety of fields—history, anthropology, art history, and museum scholarship—the contributors discuss museums across disciplinary boundaries that have separated art museums from natural history museums or local history museums from national galleries. The essays range widely over time (from the Renaissance to the second half of the twentieth century), and place (China, Japan, the United States, and Germany), in exhibitions explored (photography, Native American history, and “Jurassic technology”), and institution (the Chinese Imperial Collection, Renaissance curiosity cabinets, and modern art museums).

Memory operates thematically among the essays in diverse and provocative ways. The papers are organized according to three suggestive themes: experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory; discussions of personal encounters with historical exhibits; and the professional risks at stake for collectors and curators who shape the institutional presentation of history and memory.

The contributors are Susan A. Crane, Wolfgang Ernst, Michael Fehr, Paula Findlen, Tamara Hamlish, Alexis Joachimides, Suzanne Marchand, Julia A. Thomas, and Diana Drake Wilson.

Synopsis:

This volume considers museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields, the essays range widely over time and place, in exhibitions explored, and types of institutions.

Synopsis:

Contributors from the fields of history, anthropology, art history, and museum scholarship discuss experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory, personal encounters with historical exhibits, and the professional risks for collectors and curators shaping the institutional presentation of history and memory.

Synopsis:

Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields - history, anthropology, art history, and museum scholarship - the contributors discuss museums across disciplinary boundaries that have separated art museums from natural history museums or local history museums from national galleries. The essays range widely over time and place, in exhibitions and institution type. The papers are organized according to three suggestive themes: experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory; discussions of personal encounters with historical exhibits; and the professional risks at stake for collectors and curators who shape the institutional presentation of history and memory.

About the Author

Susan A. Crane is Assistant Professor of Modern European History at the University of Arizona. She is the author of the forthcoming Collecting and Historical Consciousness.

Table of Contents

1. Introduction: of museums and memory Susan A. Crane; Part I. Thinking Through the Museum: 2. Archi(ve)textures of museology Wolfgang Ernst; 3. A museum and its memory: the art of recovering history Michael Fehr; 4. Curious cabinets and imaginary museums Susan A. Crane; 5. Geoffrey Sonnabend's 'obliscence: theories of forgetting and the problem of matter' An encapsulation courtesy of the Museum of Jurassic Technology; Part II. Memories in the Museum: 6. History and anti-history: photography exhibitions and Japanese national identity Julia Adeney Thomas; 7. Realizing memory, transforming history: Euro/American/Indians Diana Drake Wilson; 8. Global culture, modern heritage: re-membering the Chinese Imperial collections Tamara Hamlish; Part III. Collectors and Institutions: 9. The modern muses: Renaissance collecting and the cult of remembrance Paula Findlen; 10. The quarrel of the ancients and moderns in the German museums Suzanne Marchand; 11. The museum's discourse on art: the formation of curatorial art history in turn-of-the-century Berlin Alexis Joachimides; Notes; Index.

Product Details

ISBN:
9780804735650
Editor:
Crane, Susan A.
Publisher:
Stanford University Press
Editor:
Crane, Susan A.
Editor:
Crane, Susan
Author:
Barkan, Elazar
Author:
Crane, Susan
Author:
Susan Crane
Author:
Crane, Susan A.
Location:
Cambridge
Subject:
Philosophy
Subject:
History
Subject:
Study & Teaching
Subject:
Museums
Subject:
Memory
Subject:
Culture
Subject:
Historiography
Subject:
Museum exhibits.
Subject:
General Art
Subject:
History -- Philosophy.
Subject:
Museums -- Philosophy.
Subject:
Education-Teaching Social Studies
Edition Number:
1
Edition Description:
1
Series:
Cultural Sitings (Paperback)
Series Volume:
no. 20
Publication Date:
20000731
Binding:
TRADE PAPER
Grade Level:
Professional and scholarly
Language:
English
Illustrations:
Y
Pages:
272
Dimensions:
9 x 6 in

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Related Subjects

Arts and Entertainment » Art » Museology
Education » Teaching » Social Studies
History and Social Science » World History » Historiography

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Product details 272 pages Stanford University Press - English 9780804735650 Reviews:
"Synopsis" by ,
This volume considers museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields, the essays range widely over time and place, in exhibitions explored, and types of institutions.
"Synopsis" by , Contributors from the fields of history, anthropology, art history, and museum scholarship discuss experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory, personal encounters with historical exhibits, and the professional risks for collectors and curators shaping the institutional presentation of history and memory.
"Synopsis" by , Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields - history, anthropology, art history, and museum scholarship - the contributors discuss museums across disciplinary boundaries that have separated art museums from natural history museums or local history museums from national galleries. The essays range widely over time and place, in exhibitions and institution type. The papers are organized according to three suggestive themes: experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory; discussions of personal encounters with historical exhibits; and the professional risks at stake for collectors and curators who shape the institutional presentation of history and memory.
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