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Nazi Literature in the Americas

by

Nazi Literature in the Americas Cover

 

Synopses & Reviews

Publisher Comments:

A playful and entirely original novel masquerading as a mini-encyclopedia of nonexistent Nazi literature in our hemisphere by Roberto Bolano: his generation's premier Latin-American writer (The New York Times).

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries.

Composed of short biographies about imaginary writers from Argentina, Brazil, Chile, Cuba, Columbia, Peru, Uruguay, Venezuela, and the USA, Nazi Literature in the Americas includes descriptions of the writers' works, cross references, a bibliography, and also an epilogue (For Monsters). All the writers are carefully and credibly situated in real literary worlds. There are fourteen thematic sections with titles such as "Forerunners and Figures of the Anti-Enlightenment", "Magicians", "Mercenaries and Miserable Individuals", and "North American Poets".

Brisk and pseudo-academic, Nazi Literature in the Americas delicately balances irony and pathos. Bolano does not simply use his writers for target practice: in the space of a few pages he manages to sketch character portraits that are often pathetically funny, sometimes surprisingly moving, and, on occasion, authentically chilling.

A remarkably inventive, funny, and disquieting sui generis novel, Nazi Literature in the Americas offers a clear view into the workings of one of the most extraordinarily fecund literary imaginations of our time.

Review:

"Cross-referenced, complete with bibliography and a biographical list of secondary figures, Nazi Literature is composed of a series of sketches, the compressed life stories of writers in North and South America who never existed, but all too easily could have." New York Times

Review:

"Despite the layers of protective irony, despite the fact that the writers never seem as grotesque as we imagine fascist writers will be, the humor remains tense, even disorienting." San Francisco Chronicle

Review:

"Nazi Literature in the Americas is not a typical novel....[T]hat all-too-rare book that will read you just as much as you read it." Miami Herald

Synopsis:

Nazi Literature in the Americas was the first of Roberto Bolano's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.

Synopsis:

A "biographical dictionary" gathering 30 brief accounts of poets, novelists and editors (all fictional) who espouse fascist or extremely right-wing political views.

Synopsis:

Nazi Literature in the Americas was the first of Roberto Bolaño's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.

Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers' works, plus an epilogue ("for Monsters"), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Pérez Masón, for example, in the sample included here, is an imaginary member of the real Orígenes group in Cuba, and his farcical clashes with José Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Piñera, as recounted in Guillermo Cabrera Infante's Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina (8) and the USA (7).

About the Author

Roberto Bolano (1953-2003) was born in Santiago, Chile, and later lived in Mexico, Paris, and Spain: he wrote nine novels, two story collections, and five books of poetry. Among his many prizes are the extremely prestigious Herralde de Novela Award and the Premio R"mulo Gallegos.

Product Details

ISBN:
9780811217941
Author:
Bolano, Roberto
Publisher:
New Directions Publishing Corporation
Translator:
Andrews, Chris
Author:
Andrews, Chris
Author:
Bolao, Roberto
Subject:
General
Subject:
General Fiction
Subject:
Literary
Subject:
Satire
Subject:
National socialism
Subject:
Literature-A to Z
Publication Date:
20090531
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
240
Dimensions:
8 x 5.2 x 0.7 in 0.555 lb

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Related Subjects

Fiction and Poetry » Literature » A to Z

Nazi Literature in the Americas New Trade Paper
0 stars - 0 reviews
$14.95 In Stock
Product details 240 pages New Directions Publishing Corporation - English 9780811217941 Reviews:
"Review" by , "Cross-referenced, complete with bibliography and a biographical list of secondary figures, Nazi Literature is composed of a series of sketches, the compressed life stories of writers in North and South America who never existed, but all too easily could have."
"Review" by , "Despite the layers of protective irony, despite the fact that the writers never seem as grotesque as we imagine fascist writers will be, the humor remains tense, even disorienting."
"Review" by , "Nazi Literature in the Americas is not a typical novel....[T]hat all-too-rare book that will read you just as much as you read it."
"Synopsis" by , Nazi Literature in the Americas was the first of Roberto Bolano's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.

"Synopsis" by , A "biographical dictionary" gathering 30 brief accounts of poets, novelists and editors (all fictional) who espouse fascist or extremely right-wing political views.
"Synopsis" by , Nazi Literature in the Americas was the first of Roberto Bolaño's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.

Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers' works, plus an epilogue ("for Monsters"), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Pérez Masón, for example, in the sample included here, is an imaginary member of the real Orígenes group in Cuba, and his farcical clashes with José Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Piñera, as recounted in Guillermo Cabrera Infante's Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina (8) and the USA (7).
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