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Original Essays | September 15, 2014

Lois Leveen: IMG Forsooth Me Not: Shakespeare, Juliet, Her Nurse, and a Novel



There's this writer, William Shakespeare. Perhaps you've heard of him. He wrote this play, Romeo and Juliet. Maybe you've heard of it as well. It's... Continue »
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Earth-Mapping: Artists Reshaping Landscaping

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Earth-Mapping: Artists Reshaping Landscaping Cover

 

Synopses & Reviews

Publisher Comments:

Dutch world maps of the sixteenth and seventeenth centuries, with their decorative pictures and elaborate typography, stand in sharp contrast to the wholly practical maps of today, which emphasize precise detail and consistent scale. Art, since the Impressionist period, has seemingly moved in the opposite direction, toward a less realistic interpretation of the world around us.
 
Edward S. Casey demonstrates that the disciplines of mapping and painting, long thought to have diverged, are again intersecting. Earth-Mapping describes the ways in which artists of the last half century have incorporated ingenious mapping techniques into their art works.  Beginning with a reassessment of the pioneering earth art of Robert Smithson in the 1960s and 1970s, Casey follows Smithson's legacy in the works of Sandy Gellis, Margot McLean, and Michelle Stuart.  He also explores the visions of the earth found in the abstract paintings of Richard Diebenkorn, Jasper Johns, Willem de Kooning, Eve Ingalls, and Dan Rice.
 
Focusing on forms of mapping that depart radically from conventional cartography - particularly "mapping with/in," being with or in a place, and "mapping out," communicating that experience of connection with others - Casey shows how earth art and abstract painting respectively reshape our landscape and our view of it, drawing us in from our bird's-eye view of the grid of highways and roads.
 
In these works, we come to see the earth as it is sensed, remembered, and reshaped by artists as they explore the effect of the landscape on humans and the human effect on the landscape, and as they demand a response to the changing world around us.

Book News Annotation:

Philosopher Casey (State U. of New York, Stony Brook) describes the way artists of the past half-century have incorporated ingenious mapping techniques into their work, showing how earth art and painting reshape the landscape and our view of it. Beginning with a reassessment of the pioneering earth art of Robert Smithson in the 1960s and 1970s, he seeks out Smithson's legacy in the work of Sandy Gellis, Margot McLean, and Michelle Stuart. The study also explores visions of the earth found in abstract paintings by Richard Diebenkorn, Jasper Johns, Willem de Kooning, Eve Ingalls, and Dan Rice. The volume contains many b&w illustrations and 32 color plates.
Annotation 2004 Book News, Inc., Portland, OR (booknews.com)

Synopsis:

Dutch world maps of the sixteenth and seventeenth centuries, with their decorative pictures and elaborate typography, stand in sharp contrast to the wholly practical maps of today, which emphasize precise detail and consistent scale. Art, since the Impressionist period, has seemingly moved in the opposite direction, toward a less realistic interpretation of the world around us. Edward S. Casey demonstrates that the disciplines of mapping and painting, long thought to have diverged, are again intersecting. Earth-Mapping describes the ways in which artists of the last half century have incorporated ingenious mapping techniques into their art works. Beginning with a reassessment of the pioneering earth art of Robert Smithson in the 1960s and 1970s, Casey follows Smithson's legacy in the works of Sandy Gellis, Margot McLean, and Michelle Stuart. He also explores the visions of the earth found in the abstract paintings of Richard Diebenkorn, Jasper Johns, Willem de Kooning, Eve Ingalls, and Dan Rice. Focusing on forms of mapping that depart radically from conventional cartography - particularly "mapping with/in," being with or in a place, and "mapping out," communicating that experience of connection with others - Casey shows how earth art and abstract painting respectively reshape our landscape and our view of it, drawing us in from our bird's-eye view of the grid of highways and roads. In these works, we come to see the earth as it is sensed, remembered, and reshaped by artists as they explore the effect of the landscape on humans and the human effect on the landscape, and as they demand a response to the changing world around us.

Synopsis:

Shows how contemporary artists re-envision the earth in innovative painterly, sculptural, and architectural ways.

About the Author

Edward S. Casey is leading professor in the philosophy department at SUNY-Stony Brook. He is author of numerous books on the importance of place in human lives, including Getting Back into Place: Toward a Renewed Understanding of the Place-World (1993), The Fate of Place: A Philosophical History (1997), and Representing Place: Landscape Painting and Maps (2002).

Table of Contents

Contents Introduction: Mapping It Out With/In the Earth Part I. Mapping the Earth Outright1.Mapping with Earth Works: Robert Smithson on the Site2. Memorial Mapping of the Land: Materiality in Margot McLean3. Mapping-Down In Space and Time: Sandy Gellis Recording Traces 4. Plotting and Charting the Path: Voyaging to the End of the Earth with Michelle StuartConcluding Reflections Part II. Mapping the Landscape in Paintings5. Getting Oriented to the Earth: Eve Ingalls Bringing Line and Paint To Bear6. Maps and Fields: Jasper Johns and Richard Diebenkorn on Icons and the Land7. Absorptive vs. Cartographic Mapping: Willem de Kooning on Bodies Moving in the Landscape8. Reflecting the General in The Serene Sublimity of Earth: Dan Rice on Biding Time in Place Last Thoughts Epilogue: Wherefore Earth-Mapping?NotesPermissionsIndex

Product Details

ISBN:
9780816643332
Author:
Casey, Edward S.
Publisher:
University of Minnesota Press
Subject:
Philosophy
Subject:
History
Subject:
Criticism
Subject:
History - Contemporary (1945- )
Subject:
Subjects & Themes - Landscapes
Subject:
ART050020
Subject:
Criticism -- Theory.
Subject:
Cartography -- History.
Subject:
Cartography -- Philosophy.
Subject:
Art - General
Edition Description:
1
Publication Date:
20050331
Binding:
TRADE PAPER
Language:
English
Illustrations:
31 halftones, 32 color photos
Pages:
272
Dimensions:
10 x 7 x 0.6 in

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Related Subjects

» Arts and Entertainment » Art » General
» Arts and Entertainment » Art » Theory and Criticism
» History and Social Science » Geography » General
» History and Social Science » Politics » General

Earth-Mapping: Artists Reshaping Landscaping New Trade Paper
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$27.95 In Stock
Product details 272 pages Univ of Minnesota Press - English 9780816643332 Reviews:
"Synopsis" by ,
Dutch world maps of the sixteenth and seventeenth centuries, with their decorative pictures and elaborate typography, stand in sharp contrast to the wholly practical maps of today, which emphasize precise detail and consistent scale. Art, since the Impressionist period, has seemingly moved in the opposite direction, toward a less realistic interpretation of the world around us. Edward S. Casey demonstrates that the disciplines of mapping and painting, long thought to have diverged, are again intersecting. Earth-Mapping describes the ways in which artists of the last half century have incorporated ingenious mapping techniques into their art works. Beginning with a reassessment of the pioneering earth art of Robert Smithson in the 1960s and 1970s, Casey follows Smithson's legacy in the works of Sandy Gellis, Margot McLean, and Michelle Stuart. He also explores the visions of the earth found in the abstract paintings of Richard Diebenkorn, Jasper Johns, Willem de Kooning, Eve Ingalls, and Dan Rice. Focusing on forms of mapping that depart radically from conventional cartography - particularly "mapping with/in," being with or in a place, and "mapping out," communicating that experience of connection with others - Casey shows how earth art and abstract painting respectively reshape our landscape and our view of it, drawing us in from our bird's-eye view of the grid of highways and roads. In these works, we come to see the earth as it is sensed, remembered, and reshaped by artists as they explore the effect of the landscape on humans and the human effect on the landscape, and as they demand a response to the changing world around us.
"Synopsis" by ,
Shows how contemporary artists re-envision the earth in innovative painterly, sculptural, and architectural ways.
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