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The Riots (Association of Writers and Writing Programs Award for Creative Nonfiction)

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The Riots (Association of Writers and Writing Programs Award for Creative Nonfiction) Cover

 

Awards

Staff Pick

The Riots is one of the most beautiful collections of personal essays I've found. Stories of confused youth, racial identity, love, abuse, and mental illness are punctuated by evocative vignettes and still lifes. Her prose is crisp and deliberate, and the nonlinear, sometimes experimental, style challenges my inner writer to defy conventions. Deulen, raised here in the Pacific Northwest, bares herself completely, the fierce and the vulnerable. This is a book I recommend to fiction and nonfiction readers alike, but particularly to those with an interest in creative memoir.
Recommended by Ariel B., Powells.com

Synopses & Reviews

Publisher Comments:

Constantly surprising, these personal essays explore the attractions and dangers of intimacy and the violence that often arises in close relationships. Deulen’s artful storytelling and dialogue also draw the reader into complicated questions about class, race, and gender.

In “Aperture,” she considers how she has contributed to her autistic brother’s isolation from family and from the world. “Theft” investigates her mother’s romantic stories about conquistadors in the context of the Mexican heritage of her biracial family. Throughout the collection Deulen experiments formally, alternating traditional narrative with “still life” essays and collages that characterize a particular time, place, and sensibility.

Deulen is remarkable in her ability to present her own confusion and culpability, and she also writes with compassion for others, such as her own suicidal and unpredictable father or a boy in her class who sets the teacher’s hair on fire. In part because she herself so poorly fits the identities she might be assigned — white in appearance, she is in fact half Latina; raised in a poor neighborhood, she has acquired an education associated with the middle class — Deulen sees “otherness” as a useless category and the enemy of intimacy, which she embraces despite its risks.

The Riots seeks to create what Frost called “a momentary stay against confusion,” and Deulen investigates her own act of creation even as she uses the craft of writing to put parentheses around the chaos of continuous living.

Review:

"There are moments of transcendent prose in this manuscript that elevate it far beyond what we might expect of it at first blush. It manages to become more profound, and more beautiful, the more desperate and tragic its trajectory. Finally, it is a triumph of wisdom and great art." Luis Alberto Urrea, author of Into the Beautiful North

Review:

"There is general agreement that adverse childhood experiences leave permanent scars, but with a person as gifted as Danielle Cadena Deulen, the result is transformative for writer and reader alike....Deulen poignantly and poetically relates the effects such experiences had on her, her family, and those around her. It is a sad, but beautiful, and, ultimately uplifting compilation." ForeWord Reviews

Review:

"Fierce, tender, explosively honest, Danielle Cadena Deulen's radiant debut sings like a prose poem and lingers like a fever dream. In the liminal world of The Riots, the face of a dead girl under the bridge worries a hole in your mind though you never see her, mercy shatters trust, and a boy's stuttering confession of love exposes his sister's crimes against him. Through the grace and devastation of shared memory, Deulen dares to know the dispossessed, to re-invent her father's life and try to save him as a child. She remembers what cannot be, transfiguring herself through the passion of desire." Melanie Rae Thon, author of In This Light

Review:

"The Riots is rooted firmly in that world of hurt, mired in the struggle to understand and accept the past, and to do so — crucially — without being defeated by the onslaught of negative memory." Diagram

Review:

"Danielle Cadena Deulen has hit her stride and shows no signs of slowing. In a one-two punch, she has demonstrated her strength in prose and verse with recent successes in the awards circle....One might think Deulen was born with a lucky streak, yet the linked essays in The Riots prove otherwise....Throughout, Deulen seems both in charge of her determination yet powerless to change what life has allotted her. The result is a collection that encapsulates the awkwardness and discomfort of the author's past, present, and future." Lori A. May, Iowa Review

Table of Contents

Still Life with Flashing Lights

Theft

Aperture

Mercy

Early Adulthood

Soliloquies with Strangers

Still Life with Oaks

Intervention

Summer Pageant

Muse

Tornado

Still Life with Sparrow

After the Flood

Adolescence

Fainting

Still Life with Summer Wasps

The Riots

Cadena

Childhood

Still Life with Doldrums

Prodigal Daughter

Hindsight

Still Life with Unfinished House

A Momentary Stay Against Confusion

Acknowledgments

Product Details

ISBN:
9780820344386
Author:
Deulen, Danielle Cadena
Publisher:
University of Georgia Press
Subject:
Anthologies-Essays
Edition Description:
Trade Paper
Series:
Association of Writers and Writing Programs Award for Creative Nonfiction
Publication Date:
20130131
Binding:
TRADE PAPER
Language:
English
Pages:
192
Dimensions:
8.5 x 5.5 in

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Related Subjects

Biography » General
Fiction and Poetry » Anthologies » Essays
History and Social Science » Ethnic Studies » Latin American

The Riots (Association of Writers and Writing Programs Award for Creative Nonfiction) New Trade Paper
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$18.95 In Stock
Product details 192 pages University of Georgia Press - English 9780820344386 Reviews:
"Staff Pick" by ,

The Riots is one of the most beautiful collections of personal essays I've found. Stories of confused youth, racial identity, love, abuse, and mental illness are punctuated by evocative vignettes and still lifes. Her prose is crisp and deliberate, and the nonlinear, sometimes experimental, style challenges my inner writer to defy conventions. Deulen, raised here in the Pacific Northwest, bares herself completely, the fierce and the vulnerable. This is a book I recommend to fiction and nonfiction readers alike, but particularly to those with an interest in creative memoir.

"Review" by , "There are moments of transcendent prose in this manuscript that elevate it far beyond what we might expect of it at first blush. It manages to become more profound, and more beautiful, the more desperate and tragic its trajectory. Finally, it is a triumph of wisdom and great art."
"Review" by , "There is general agreement that adverse childhood experiences leave permanent scars, but with a person as gifted as Danielle Cadena Deulen, the result is transformative for writer and reader alike....Deulen poignantly and poetically relates the effects such experiences had on her, her family, and those around her. It is a sad, but beautiful, and, ultimately uplifting compilation."
"Review" by , "Fierce, tender, explosively honest, Danielle Cadena Deulen's radiant debut sings like a prose poem and lingers like a fever dream. In the liminal world of The Riots, the face of a dead girl under the bridge worries a hole in your mind though you never see her, mercy shatters trust, and a boy's stuttering confession of love exposes his sister's crimes against him. Through the grace and devastation of shared memory, Deulen dares to know the dispossessed, to re-invent her father's life and try to save him as a child. She remembers what cannot be, transfiguring herself through the passion of desire."
"Review" by , "The Riots is rooted firmly in that world of hurt, mired in the struggle to understand and accept the past, and to do so — crucially — without being defeated by the onslaught of negative memory."
"Review" by , "Danielle Cadena Deulen has hit her stride and shows no signs of slowing. In a one-two punch, she has demonstrated her strength in prose and verse with recent successes in the awards circle....One might think Deulen was born with a lucky streak, yet the linked essays in The Riots prove otherwise....Throughout, Deulen seems both in charge of her determination yet powerless to change what life has allotted her. The result is a collection that encapsulates the awkwardness and discomfort of the author's past, present, and future."
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