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This title in other editions

Imaging Russia 2000: Film and Facts

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Imaging Russia 2000: Film and Facts Cover

 

Synopses & Reviews

Publisher Comments:

This book incorporates the realities of the 1990s in Russia, focusing on film production, the films themselves, and the socio-political-cultural context. It aims to provide a picture of Russia (with Moscow in the foreground) as the big stage on which the drama unfolded.

Synopsis:

This book incorporates into an organic whole the realities of the 1990s in Russia, focusing on film production, the films themselves, and the socio-political-cultural context. It aims to provide a picture of Russia (with Moscow in the foreground) as the big stage on which the drama unfolded. The author discusses some eighty films made between 1990 and 2000. Many reflect the reality of the present day, either in dramatic or grotesque form. Others reassess the past, placing different spins on various epochs and figures according to the director's ideological orientation. Still others offer escapism into imaginary worlds. The films selected may vary in technical quality and depth of thought; they may be mainstream pictures, or art films. But taken together, they provide an eloquent portrait of Russia, entering the new millennium still in search of its true identity.

Product Details

ISBN:
9780974493435
Author:
Lawton, Anna
Publisher:
New Academia Publishing, LLC
Subject:
World - General
Subject:
Film & Video - General
Subject:
World History-General
Publication Date:
20041131
Binding:
TRADE PAPER
Language:
English
Illustrations:
Y
Pages:
360
Dimensions:
9.04x6.14x.91 in. 1.21 lbs.

Related Subjects

Arts and Entertainment » Film and Television » Reference
Arts and Entertainment » Film and Television » World Cinema
Arts and Entertainment » Humor » General
History and Social Science » World History » General

Imaging Russia 2000: Film and Facts New Trade Paper
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Product details 360 pages New Academia Publishing, LLC - English 9780974493435 Reviews:
"Synopsis" by , This book incorporates into an organic whole the realities of the 1990s in Russia, focusing on film production, the films themselves, and the socio-political-cultural context. It aims to provide a picture of Russia (with Moscow in the foreground) as the big stage on which the drama unfolded. The author discusses some eighty films made between 1990 and 2000. Many reflect the reality of the present day, either in dramatic or grotesque form. Others reassess the past, placing different spins on various epochs and figures according to the director's ideological orientation. Still others offer escapism into imaginary worlds. The films selected may vary in technical quality and depth of thought; they may be mainstream pictures, or art films. But taken together, they provide an eloquent portrait of Russia, entering the new millennium still in search of its true identity.
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