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The Garlic Ballads

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The Garlic Ballads Cover

 

Synopses & Reviews

Publisher Comments:

The farmers of Paradise County have been leading a hardscrabble life unchanged for generations. The Communist government has encouraged them to plant garlic, but selling the crop is not as simple as they believed. Warehouses fill up, taxes skyrocket, and government officials maltreat even those who have traveled for days to sell their harvest. A surplus on the garlic market ensues, and the farmers must watch in horror as their crops wither and rot in the fields. Families are destroyed by the random imprisonment of young and old for supposed crimes against the state.   

The prisoners languish in horrifying conditions in their cells, with only their strength of character and thoughts of their loved ones to save them from madness. Meanwhile, a blind minstrel incites the masses to take the law into their own hands, and a riot of apocalyptic proportions follows with savage and unforgettable consequences. The Garlic Ballads is a powerful vision of life under the heel of an inflexible and uncaring government. It is also a delicate story of love between man and woman, father and child, friend and friend—and the struggle to maintain that love despite overwhelming obstacles.

Synopsis:

WINNER OF THE 2012 NOBEL PRIZE IN LITERATURE

Synopsis:

In Change, Mo Yan, the 2012 Nobel Laureate in Literature, personalizes the political and social changes in his country over the past few decades in this novella disguised as autobiography—or vice-versa. Unlike most historical narratives from China, which are pegged to political events, Change is a representative of “people’s history,” a bottom-up rather than top-down view of a country in flux. By moving back and forth in time and focusing on small events and everyday people, Mo Yan breathes life into history by describing the effects of larger-than-life events on the average citizen.

“Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition.”— Nobel Committee for Literature

About the Author

Mo Yan was born in 1955 to a peasant family in Shandong. He is the author of Red Sorghum, The Republic of Wine, Shifu, and You'll Do Anything for a Laugh. He and his family live in Beijing.Howard Goldblatt has taught modern Chinese literature and culture for more than a quarter of a century. He is the foremost translator of modern and contemporary Chinese literature in the West and a former Guggenheim Fellow.

Table of Contents

A novella in eight chapters by Mo Yan

Translated by Howard Goldblatt

Volume 5 in the What Was Communism? Series edited by Tariq Ali

Product Details

ISBN:
9781611457070
Author:
Yan, Mo
Publisher:
Arcade Publishing
Author:
Goldblatt, Howard
Subject:
Literary
Subject:
Literature-A to Z
Subject:
Political
Edition Description:
Paperback
Series:
Seagull Books - What Was Communism?
Publication Date:
20121131
Binding:
TRADE PAPER
Language:
English
Pages:
117
Dimensions:
8.25 x 5.25 in

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Featured Titles » Nobel Prize Winners
Fiction and Poetry » Literature » A to Z
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The Garlic Ballads New Trade Paper
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Product details 117 pages Arcade Publishing - English 9781611457070 Reviews:
"Synopsis" by , WINNER OF THE 2012 NOBEL PRIZE IN LITERATURE
"Synopsis" by , In Change, Mo Yan, the 2012 Nobel Laureate in Literature, personalizes the political and social changes in his country over the past few decades in this novella disguised as autobiography—or vice-versa. Unlike most historical narratives from China, which are pegged to political events, Change is a representative of “people’s history,” a bottom-up rather than top-down view of a country in flux. By moving back and forth in time and focusing on small events and everyday people, Mo Yan breathes life into history by describing the effects of larger-than-life events on the average citizen.

“Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition.”— Nobel Committee for Literature

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