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Critical Theory and Film: Rethinking Ideology Through Film Noir (Critical Theory and Contemporary Society)

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Critical Theory and Film: Rethinking Ideology Through Film Noir (Critical Theory and Contemporary Society) Cover

 

Synopses & Reviews

Publisher Comments:

Critical Theory and Film brings together critical theory and film to enhance the critical potential of both.

The book focuses on the Frankfurt School, most notably the works of Adorno and Horkheimer, as well as associated thinkers.
It seeks to demonstrate that cinema can help critical theory repoliticize culture and society and affirm the theoretical and political impact of cinematic knowledge. After discussing how the Frankfurt School saw cinema as an instrument of capitalism use to promote the cultural and political regimentation of the masses, Vighi then proceeds to demonstrate that critical theory can in fact suggest a different verdict on the progressive potential of cinema.

Each chapter focuses on a key critical theory concept that is explained and redefined through film analysis to unravel the hidden presuppositions and most radical consequences of critical theory.

A unique contribution to the literature, this volume in the Critical Theory and Contemporary Society series offer an innovative reading of film as a critical tool, drawing on the latest developments in Lacanian theory.

About the Author

Fabio Vighi is Senior Lecturer and co-director of the Zizek Centre for Ideology Critique at Cardiff University, UK. He is the author of Zizek: Beyond Foucault (2007, with Heiko Feldner), Sexual Difference in European Cinema (2008), and On Zizek's Dialectics: Surplus, Subtraction, Sublimation (2010).

Table of Contents

Introduction
1. The Dialectic's Narrow Margin: Film Noir between Adorno and Hegel
Self-limitation in film noir
The noir panorama beyond spectatorship
Adorno goes to Hollywood
The negative and the whole
Ontology of self-deception in film noir
The Narrow Margin and double visions
A detour on ideology

2. On Critical Theory's Dialectical Dilemma
Horkheimer's method
The Kantian subtext
Hegel: contradiction (not) resolved
From mimesis to utopia
Critical Theory's fetishistic disavowal

3. A Configuration Pregnant with Tension: Fritz Lang for Critical Theory
Beyond the doubt of appearances
On polaroids and truth
Framing the subject
Sublimation in The Blue Gardenia
From paranoia to repetition
The gaze in the frame
The art of excremental painting

Coda: the enjoyment of film in theory

References

Product Details

ISBN:
9781623567095
Author:
Vighi, Fabio
Publisher:
Bloomsbury Academic
Subject:
General Political Science
Subject:
Politics - General
Subject:
Political Ideologies - General
Edition Description:
Trade paper
Series:
Critical Theory and Contemporary Society
Publication Date:
20140131
Binding:
TRADE PAPER
Language:
English
Pages:
184
Dimensions:
9 x 6 x 0.391 in 1 lb

Related Subjects

Arts and Entertainment » Film and Television » History and Criticism
History and Social Science » Politics » General
History and Social Science » Politics » International Studies

Critical Theory and Film: Rethinking Ideology Through Film Noir (Critical Theory and Contemporary Society) New Trade Paper
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Product details 184 pages Bloomsbury Publishing PLC - English 9781623567095 Reviews:
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