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The Tattoo History Source Book

by

The Tattoo History Source Book Cover

 

Synopses & Reviews

Publisher Comments:

The Tattoo History Source Book is an exhaustingly thorough, lavishly illustrated collection of historical records of tattooing throughout the world, from ancient times to the present. Collected together in one place, for the first time, are texts by explorers, journalists, physicians, psychiatrists, anthropologists, scholars, novelists, criminologists, and tattoo artists.

A brief essay by Gilbert sets each chapter in an historical context. Topics covered include the first written records of tattooing by Greek and Roman authors; the dispersal of tattoo designs and techniques throughout Polynesia; the discovery of Polynesian tattooing by European explorers; Japanese tattooing; the first 19th-century European and American tattoo artists; tattooed British royalty; the invention of the tattooing machine; and tattooing in the circus.

The anthology concludes with essays by four prominent contemporary tattoo artists: Tricia Allen, Chuck Eldridge, Lyle Tuttle, and Don Ed Hardy. The references at the end of each section will provide an introduction to the extensive literature that has been inspired by the ancient-but-neglected art of tattooing. Because of its broad historical context, The Tattoo History Source Book will be of interest to the general reader as well as art historians, tattoo fans, neurasthenics, hebephrenics, and cyclothemics.

Book News Annotation:

Following his "confessions of a tattoo addict," a Toronto medical illustrator and tattoo artist presents 21 eclectic narratives on tattooing in diverse eras and cultures from ancient Polynesia to modern Western punk. The numerous b&w and color depictions of illustrated men and women are fascinating.
Annotation c. Book News, Inc., Portland, OR (booknews.com)

Synopsis:

Following his "confessions of a tattoo addict," a Toronto medical illustrator and tattoo artist presents 21 eclectic narratives on tattooing in diverse eras and cultures from ancient Polynesia to modern Western punk. The numerous b&w and color depictions of illustrated men and women are fascinating.

Synopsis:

The popularity of tattoos today is a revival of a practice begun in the late eighteenth century, when Westerners first made contact with the native peoples of the Pacific. The term and#8220;tattooand#8221; entered Europe with the publication of Captain Cookand#8217;s voyages in the 1770s, and Pacific tattoos became fashionable in the West as sailors, whalers, and explorers brought home tattoos from Tahiti, the Marquesas, New Zealand, and Polynesia. In recent years these early contacts have been revived, as native tattooists from Oceania have begun tattooing non-Polynesians in Europe, the USA, and elsewhere.

Tattoo is both a fascinating book about these early Oceanic-European exchanges, which also documents developments up to the present day. Documenting these complex cultural interactions in the first part of the book, the authors move from issues of encounter, representation, and exchange to the interventions of missionaries and the colonial state in local tattoo practices. Highly illustrated with many previously unseen images, for example the original voyage sketches of the first Russian circumnavigation of 1803and#8211;6, this is a fascinating account of early tattooing and cultural exchange in Oceania.

Synopsis:

Whether fully adorning a bikerandrsquo;s arms or nestled cutely, and discretely, above oneandrsquo;s ankle, tattoos are a commonplace part of modern fashion and expression. But as modern as this permanent accessory can seem, the tattoo, in fact, has ancient and distant roots in Oceana, where it had been practiced for centuries before being taught to Western seafarers. This collection offers both a fascinating look at the early exchanges between European and Pacific cultures surrounding the tattoo and the tattooandrsquo;s rising popularity in the West up to the modern day. It is also the first book to thoroughly document the history of tattoos in Oceana itself.

and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;

The essays here first document the complex cultural interactions between Oceana and Europe that had sailors, whalers, and explorers bringing tattoos home from their voyages. They then move on to issues surrounding encounter, representation, and exchange, exploring the ways missionaries and the colonial state influenced local tattoo practices, and the ways tattoo culture has since developed, both in the West and the Pacific. Stunningly illustrated, this unique and fascinating history will appeal to anyone interested in the history of tattoos, the culture of Oceania, or native arts.and#160;

Synopsis:

This thorough, lavishly illustrated collection of historical records traces tattooing throughout the world, from the ancient times to the present. Includes texts from explorers, physicians, journalists, and others. Photos & illustrations.

Description:

Includes bibliographical references (p. 208-214) and index.

About the Author

Nicholas Thomas is director and curator of the Museum of Archaeology and Anthropology in Cambridge, UK. Anna Cole is research coordinator of the Tatau/Tatoo project at Goldsmiths College, London. Bronwen Douglas is adjunct associate professor in the Department of Pacific and Asian History at the Australian National University.and#160;

Table of Contents

Introduction

Nicholas Thomas

and#160;

Part One: Histories and Encounters

1. andlsquo;Cureous Figuresandrsquo;: European Voyagers and Tatau/Tattoo in Polynesia, 1595-1800

Bronwen Douglas

2. andlsquo;Speckled Bodiesandrsquo;: Russian Voyagers and Nuku Hivans, 1804

Elena Govor

3. Marks of Transgression: The Tattooing of Europeans in the Pacific Islands

Joanna White

4. Christian Skins: Tatau and the Evangelization of the Society Islands and Samoa

Anne Dandrsquo;Alleva

5. Governing Tattoo: Reflections on a Colonial Trial

Anna Cole

and#160;

Part Two: Contemporary Exchanges

6. The Temptation of Brother Anthony: Decolonization and the Tattooing of Tony Fomison

Peter Brunt

7. Samoan Tatau as Global Practice

Sean Mallon

8. Multiple Skins: Space, Time and Tattooing in Tahiti

Makiko Kuwahara

9. Wearing Moko: Maori Facial Marking in Todayandrsquo;s World

Linda Waimarie Nikora, Mohi Rua and Ngahuia Te Awekotuku

10. Beyond Modern Primitivism

Cyril Siorat

Epilogue: Embodied Exchanges and their Limits

Nicholas Thomas

and#160;

References

Select Bibliography

Notes on the Editors and Contributors

Acknowledgements

Photographic Acknowledgements

Index

and#160;

Product Details

ISBN:
9781890451066
Other:
Gilbert, Steve
Publisher:
Juno Books
Author:
Thomas, Nicholas
Author:
Cole, Anna
Author:
Gilbert, Steve
Author:
Douglas, Bronwen
Location:
New York :
Subject:
General
Subject:
History - General
Subject:
History
Subject:
Anthropology - Cultural
Subject:
Tattoos, Mehndi, & Body Painting
Subject:
Tattooing
Subject:
Tattoos, Mehndi, & Body Painting, Etc.
Subject:
History : General
Subject:
Body Art & Tattooing
Subject:
General-General
Edition Description:
Paperback
Series Volume:
1509
Publication Date:
20001231
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
40 color plates, 87 halftones
Pages:
256
Dimensions:
9.75 x 7.5 in

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Related Subjects

Arts and Entertainment » Art » Body Art and Tattooing
Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » Tattooing
History and Social Science » Anthropology » Cultural Anthropology
Hobbies, Crafts, and Leisure » Crafts » Body Art

The Tattoo History Source Book New Trade Paper
0 stars - 0 reviews
$29.99 In Stock
Product details 256 pages Juno Books - English 9781890451066 Reviews:
"Synopsis" by , Following his "confessions of a tattoo addict," a Toronto medical illustrator and tattoo artist presents 21 eclectic narratives on tattooing in diverse eras and cultures from ancient Polynesia to modern Western punk. The numerous b&w and color depictions of illustrated men and women are fascinating.
"Synopsis" by ,

The popularity of tattoos today is a revival of a practice begun in the late eighteenth century, when Westerners first made contact with the native peoples of the Pacific. The term and#8220;tattooand#8221; entered Europe with the publication of Captain Cookand#8217;s voyages in the 1770s, and Pacific tattoos became fashionable in the West as sailors, whalers, and explorers brought home tattoos from Tahiti, the Marquesas, New Zealand, and Polynesia. In recent years these early contacts have been revived, as native tattooists from Oceania have begun tattooing non-Polynesians in Europe, the USA, and elsewhere.

Tattoo is both a fascinating book about these early Oceanic-European exchanges, which also documents developments up to the present day. Documenting these complex cultural interactions in the first part of the book, the authors move from issues of encounter, representation, and exchange to the interventions of missionaries and the colonial state in local tattoo practices. Highly illustrated with many previously unseen images, for example the original voyage sketches of the first Russian circumnavigation of 1803and#8211;6, this is a fascinating account of early tattooing and cultural exchange in Oceania.

"Synopsis" by ,
Whether fully adorning a bikerandrsquo;s arms or nestled cutely, and discretely, above oneandrsquo;s ankle, tattoos are a commonplace part of modern fashion and expression. But as modern as this permanent accessory can seem, the tattoo, in fact, has ancient and distant roots in Oceana, where it had been practiced for centuries before being taught to Western seafarers. This collection offers both a fascinating look at the early exchanges between European and Pacific cultures surrounding the tattoo and the tattooandrsquo;s rising popularity in the West up to the modern day. It is also the first book to thoroughly document the history of tattoos in Oceana itself.

and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;

The essays here first document the complex cultural interactions between Oceana and Europe that had sailors, whalers, and explorers bringing tattoos home from their voyages. They then move on to issues surrounding encounter, representation, and exchange, exploring the ways missionaries and the colonial state influenced local tattoo practices, and the ways tattoo culture has since developed, both in the West and the Pacific. Stunningly illustrated, this unique and fascinating history will appeal to anyone interested in the history of tattoos, the culture of Oceania, or native arts.and#160;

"Synopsis" by , This thorough, lavishly illustrated collection of historical records traces tattooing throughout the world, from the ancient times to the present. Includes texts from explorers, physicians, journalists, and others. Photos & illustrations.
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