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Digital Color Management (X.Media.Publishing)

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Digital Color Management (X.Media.Publishing) Cover

 

Synopses & Reviews

Publisher Comments:

The book describes color management for the print production with a focus on implementing standards for separation, soft proof, contract proof, data delivery and printing. The basics and strategies are targeted at setting up vendor-independent color management workflows which can easily be realized with leading applications from e.g. Adobe, AGFA, GMG, Heidelberg, Kodak and X-Rite. The author explains with a unique graphical concept how different standards such as ISO 12647, SWOP, GRACoL, G7, ICC profile format and PDF/X fit together. He describes the main points for setting up color management and quality control from the print buyer over photography, agency and pre-press to the printer. The book has a strong focus on communication between print buyer, photographer, agency, pre-press and printers. Based on the best practice in communication it explains the important steps for quality control for digital data, contract proofs and prints. "This excellent book, now available in English for the first time, offers an insight and practical advice on all areas of ICC color management. As well as offering details on the application of graphic arts workflows, it provides a background to color theory that even the most experienced in this area will find useful." Paul Sherfield, The Missing Horse Consultancy

Synopsis:

This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard.

Synopsis:

The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.

Table of Contents

Theory of ideal colors.- Theory of real world colors.- Principles of color management.- The ISO 12647-2 for separation, proof and print.- Use of ICC-profiles.- How to avoid pitfalls.- PDF/X-1a and devicelink color servers.- Main points of a color management strategy.

Product Details

ISBN:
9783642086427
Author:
Homann, Jan-peter
Publisher:
Springer
Author:
Homann, Jan-Peter
Location:
Berlin, Heidelberg
Subject:
Interactive Media
Subject:
Desktop publishing
Subject:
ICC-profiles
Subject:
Photoshop
Subject:
color management
Subject:
color metrics
Subject:
digital pre-press
Subject:
image editing
Subject:
scanning
Subject:
theory of color
Subject:
Media Design
Subject:
Document Preparation and Text Processing
Subject:
Computer Graphics <P>The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. The theoretical principle
Subject:
Computers-Reference - General
Subject:
Computer graphics
Subject:
Computer Science
Subject:
B
Subject:
Text processing (Computer scienc
Copyright:
Edition Description:
Softcover reprint of hardcover 1st ed. 2009
Series:
X.media.publishing
Publication Date:
20101123
Binding:
TRADE PAPER
Language:
English
Pages:
212
Dimensions:
277 x 210 mm 523 gr

Related Subjects

Computers and Internet » Computers Reference » Document Management
Computers and Internet » Computers Reference » General
Computers and Internet » Graphics » General
Computers and Internet » Internet » Marketing

Digital Color Management (X.Media.Publishing) New Trade Paper
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$140.25 In Stock
Product details 212 pages Springer - English 9783642086427 Reviews:
"Synopsis" by , This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard.
"Synopsis" by , The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.
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