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Interviews By Mike Kelley, 1986-2004

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Interviews By Mike Kelley, 1986-2004 Cover

 

Synopses & Reviews

Synopsis:

What do Mike Kelley and his cronies and sometime collaborators Jim Shaw, Paul McCarthy, and Tony Oursler talk about when they talk about art? You'll have to crack this book to find out, but expect a heady mix of pop culture, sex, violence, politics, and, as always, a strong dose of humor. This volume brings together for the first time Kelley's major interviews with those artists and others over the past 18 years. Kelley is naturally a provocative commentator on his own work and the work of others, but he's also an informed and serious student of his interviewees' oeuvres and asks questions that explore the soul of artistic imagination. Surrealism, the 60s, and institutional cowardice provide fodder for these fascinating conversations.

Product Details

ISBN:
9783905701005
Editor:
Welchman, John C.
Publisher:
Jrp Ringier
With:
Clark, Larry
With:
Bronson, A. A.
Other:
Kelley, Mike
Editor:
Welchman, John C.
Author:
McCarthy, Paul
Author:
Welchman, John C.
Subject:
General
Subject:
Criticism
Subject:
Criticism -- Theory.
Subject:
Art-Theory and Criticism
Publication Date:
20050831
Binding:
TRADE PAPER
Language:
English
Illustrations:
Y
Pages:
279
Dimensions:
8.36x6.04x.99 in. .94 lbs.

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Related Subjects

Arts and Entertainment » Art » Artists
Arts and Entertainment » Art » Theory and Criticism
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Travel » General

Interviews By Mike Kelley, 1986-2004 New Trade Paper
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Product details 279 pages Jrp/Ringier - English 9783905701005 Reviews:
"Synopsis" by , What do Mike Kelley and his cronies and sometime collaborators Jim Shaw, Paul McCarthy, and Tony Oursler talk about when they talk about art? You'll have to crack this book to find out, but expect a heady mix of pop culture, sex, violence, politics, and, as always, a strong dose of humor. This volume brings together for the first time Kelley's major interviews with those artists and others over the past 18 years. Kelley is naturally a provocative commentator on his own work and the work of others, but he's also an informed and serious student of his interviewees' oeuvres and asks questions that explore the soul of artistic imagination. Surrealism, the 60s, and institutional cowardice provide fodder for these fascinating conversations.
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