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Rome in Caravaggio's Day 1600-1630

Rome in Caravaggio's Day 1600-1630 Cover

 

Synopses & Reviews

Publisher Comments:

Caravaggio was an unquestioned genius who eclipsed all other artists of his time. But just who were these fellow travellers? Bringing together 200 works from world collections, Rome at the Time of Caravaggio is the first work to reconstruct the connective tissue of the Eternal City where the great genius lived and worked.

In the vibrant and exhilarating years of the reassertion of Catholic Papacy after the Lutheran scare, celebrated in the Holy Year 1600, Rome became the cultural capital of Europe, drawing in thousands of artists from Italy (Caravaggio among them) and also from other great European nations: Spain, France, Germany, the Netherlands.

In the period 1595-1635, Rome was characterised by a creative ferment which may be considered to mark the beginning of truly European art. Yet to be studied in sufficient depth, the city at the time was a crucible in which artists of different backgrounds, cultures and tongues worked side by side exchanging techniques, stimuli, experiences, styles and iconographies. In the space of a few years, they swept away the late Mannerist stereotypes and ushered in the most extraordinary artistic rebirth ever witnessed in Rome. The results would be felt all over Europe throughout the 17th century. The catalogue relates this poorly known story to a broad audience, rendering justice and visibility to talented artists who had the 'misfortune' of living in Rome in the early decades of the sixteen hundreds and have languished into modern times in the shadow of the incredibly popular Caravaggio.

Synopsis:

The works of Caravaggio and his followers and contemporaries in early 17th-century Rome. Caravaggio eclipsed all other artists of his time. But just who were these fellow travellers? Bringing together 200 paintings from world collections, Rome in Caravaggios Day is the first work to reconstruct the connective tissue of the Eternal City where the great genius lived and worked. In the period between 1595 and 1635, Rome was a crucible in which artists of different backgrounds, cultures, and tongues worked side by side exchanging techniques, experiences, styles, and iconographies. In the space of a few years, they swept away the late mannerist stereotypes and ushered in the most extraordinary artistic renewal ever witnessed in Rome. The results would be felt all over Europe throughout the seventeenth century. The catalog relates this poorly known story to a broad audience, rendering justice and visibility to talented artists who had the "misfortune" of living in Rome in the early decades of the 1600s and have languished into modern times in the shadow of the incredibly popular Caravaggio.

About the Author

Rossella Vodret is director of the Polo Museale of Rome.

Product Details

ISBN:
9788857213873
Publisher:
Skira - Berenice
Subject:
Art - General
Author:
Vodret, Rossella
Edition Description:
Trade paper
Publication Date:
20121131
Binding:
TRADE PAPER
Language:
English
Illustrations:
562 COLOR ILLUSTRATIONS
Pages:
854
Dimensions:
11.22 x 9.71 x 2.86 in 10.34 lb

Related Subjects

Arts and Entertainment » Art » General
Travel » General

Rome in Caravaggio's Day 1600-1630
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Product details 854 pages Skira - Berenice - English 9788857213873 Reviews:
"Synopsis" by , The works of Caravaggio and his followers and contemporaries in early 17th-century Rome. Caravaggio eclipsed all other artists of his time. But just who were these fellow travellers? Bringing together 200 paintings from world collections, Rome in Caravaggios Day is the first work to reconstruct the connective tissue of the Eternal City where the great genius lived and worked. In the period between 1595 and 1635, Rome was a crucible in which artists of different backgrounds, cultures, and tongues worked side by side exchanging techniques, experiences, styles, and iconographies. In the space of a few years, they swept away the late mannerist stereotypes and ushered in the most extraordinary artistic renewal ever witnessed in Rome. The results would be felt all over Europe throughout the seventeenth century. The catalog relates this poorly known story to a broad audience, rendering justice and visibility to talented artists who had the "misfortune" of living in Rome in the early decades of the 1600s and have languished into modern times in the shadow of the incredibly popular Caravaggio.
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