Ben Marcus's books The Age of Wire and String and Notable American Women were considered "experimental" fiction because of his unconventional use of...
Continue »
The year of the marriage proposal, Sivakami is ten. She is neither tall nor short for her age, but she will not grow much more. Her shoulders are narrow but appear solid, as though the blades are fused to protect her heart from the back. She carries herself with an attractive stiffness: her shoulders straight and always aligned. She looks capable of bearing great burdens, not as though born to yoke but perhaps as though born with a yoke within her.
Spanning the lifetime of one woman (1896–1962), The Toss of a Lemon brings us intimately into a Brahmin household, into an India weve never before seen. Married at ten, widowed at eighteen, left with two children, Sivakami must wear widows whites, shave her head, and touch no one from dawn to dusk. She is not allowed to remarry, and in the next sixty years she ventures outside her family compound only three times. She is extremely orthodox in her behavior except for one defiant act: She moves back to her dead husbands house and village to raise her children. That decision sets the course of her childrens and grandchildrens lives, twisting their fates in surprising, sometimes heartbreaking ways.
Inspired by her grandmother's stories, Padma Viswanathan masterfully brings to life a profoundly exotic yet utterly recognizable family in the midst of social and political upheaval. The Toss of a Lemon is the debut of a major new writer.
Review:
"Journalist, playwright and short-story writer Viswanathan's absorbing first novel, based on her grandmother's life, goes deep into the world of southern India village life. Starting in 1896, the story follows Sivakami, a Tamil Brahmin girl, from her marriage at the age of 10 through her long widowhood, while Indian political and social life lumbers through immense changes. Before he dies, Sivakami's astrologer husband, Hanumarathnam, foresees his death in the malignant interactions between his stars and his son Vairum's. Though he trains a trustworthy servant to assist Sivakami until their son comes of age, the world that Hanumarathnam leaves behind is rapidly changing, and the family is not entirely fit to survive it; Vairum, especially, suffers the pain of a father's disaffection and, later, a widowed mother forbidden to touch any human being during daylight hours. Irreconcilable conflicts between tradition — especially the strict caste rules of Brahmin life — and the modernizing world lead predictably to alienation and tragedy, but on an epic scale. Viswanathan is especially adept at unobtrusively explaining foreign customs and worldviews to Westerners while wholly respecting the power and significance they hold for practitioners. (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
Review:
A novel set in the Indian subcontinent and published in the West bears the burdens of our preconceptions. It is easy to assume that a book about a high-caste child bride who becomes a widow will fix its sights only on the girl's woes and the deep injustices of caste. But while Padma Viswanathan's first novel, "The Toss of a Lemon," has at its heart a 10-year-old Brahmin girl who marries an ill-fated... Washington Post Book Review (read the entire Washington Post review) man, its ambitions transcend culture and country to reach for the nature of fate itself. The book opens in 1896, in the Indian state of Tamil Nadu, as a village healer and astrologer seeks young Sivakami's hand in marriage. Hanumarathnam's proposal bears a strange caveat: His horoscope hints at his own premature death. But her parents need not fret, he insists: "As that prediction is contained in the weakest quadrant, it holds no weight, as you know, though ignorant people let it scare them." So Sivakami becomes a child bride, and her background assures her top rank in the social and religious order, but horoscopes drive the book's plot. The titular toss refers to Hanumarathnam's strategy for determining his children's astrological charts. Sitting outside the birthing room, he marks the moment when a midwife tosses a lemon through a window, signaling the appearance of the infant's head. Then he calculates its future. All seems well with the couple's first baby, a daughter called Thangam for her golden color. But then Sivakami bears a boy, dubbed Vairum for his diamond-like eyes. Families normally celebrate sons, but this unattractive, intelligent child's horoscope foretells his father's death within three years. Resigned, Hanumarathnam begins to prepare Sivakami for widowhood and trains a servant boy named Muchami to be her aide in the management of her household and property. When Hanumarathnam does die, Sivakami finds that Muchami is the only person who will selflessly help her. When she sees that her brothers will not act in Vairum's interest, she defies tradition by raising her family in her husband's village instead of her own. That choice shapes the divergent lives of her children. Literally luminous, Thangam attracts the reverence of her fellow villagers. In one of the story's several notes of magical realism, Thangam sheds a kind of gold dust, which her admirers collect and use as they would holy ash. But despite her near-sacred status, Thangam's horoscope presents an obstacle to betrothal because it prophesies her husband's death. The only willing suitor is a shiftless man whose stars predict his wife's death even more strongly. It's a match of dueling destinies. Thangam eventually bears 10 children. When Sivakami sees that her daughter is failing to manage her unreliable husband and their offspring, she assumes responsibility for the older children. Over the years, as Thangam bears more and more children to be raised in Sivakami's strict home, Vairum's resentment grows. A college-educated social progressive who disapproves of caste tradition and astrology, he watches as his mother raises his sister's children under Brahmin traditions he believes to be wrong. Although Vairum is now Muchami's employer, the servant remains loyal to Sivakami and tries to serve as a bridge between mother and son. This servant's fascinating inner life may deserve a novel of its own. Even in such a sprawling story, we don't get far enough into his head. All this takes place against the backdrop of considerable change in India, as the book spans more than 60 years. Viswanathan renders these developments — changes in marriage laws, for example — in simple, often beautiful language, with details that intersect subtly with the enormous cast of Sivakami's extended family and their friends. Viswanathan prefaces "The Toss of a Lemon" with an epigraph from the great Indian novel "Midnight's Children," by Salman Rushdie. Viswanathan's book, like Rushdie's work, aims for epic status. But it actually achieves something that is in many ways more nuanced than the broad brushstrokes of an epic: a meditation on fate's workings in a family dominated by the quiet rule of one woman — and the struggle of her son against the strictures of her belief. V.V. Ganeshananthan is the author of the novel "Love Marriage." Reviewed by V.V. Ganeshananthan, Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group)
(hide most of this review)
Synopsis:
Spanning the lifetime of one woman, this debut novel offers an intimate look into a Brahmin household. Inspired by her grandmother's stories, Viswanathan masterfully brings to life a profoundly exotic yet utterly recognizable family in the midst of social and political upheaval.
Synopsis:
The year of the marriage proposal, Sivakami is ten. She is neither tall nor short for her age, but she will not grow much more. Her shoulders are narrow but appear solid, as though the blades are fused to protect her heart from the back. She carries herself with an attractive stiffness: her shoulders straight and always aligned. She looks capable of bearing great burdens, not as though born to yoke but perhaps as though born with a yoke within her.
Spanning the lifetime of one woman (1896–1962), The Toss of a Lemon brings us intimately into a Brahmin household, into an India weve never before seen.Married at ten, widowed at eighteen, left with two children, Sivakami must wear widows whites, shave her head, and touch no one from dawn to dusk. She is not allowed to remarry, and in the next sixty years she ventures outside her family compound only three times. She is extremely orthodox in her behavior except for one defiant act: She moves back to her dead husbands house and village to raise her children. That decision sets the course of her childrens and grandchildrens lives, twisting their fates in surprising, sometimes heartbreaking ways.
Inspired by her grandmother's stories, Padma Viswanathan masterfully brings to life a profoundly exotic yet utterly recognizable family in the midst of social and political upheaval. The Toss of a Lemon is the debut of a major new writer.
PADMA VISWANATHAN is a fiction writer, playwright, and journalist. She was awarded first place in the 2006 Boston Review Short Story Contest. She lives with the poet and translator Geoffrey Brock and their children in Fayetteville, Arkansas.
Gypsi, June 5, 2010 (view all comments by Gypsi)
The Toss of a Lemon is the beautifully written, gently told lifetime story of Sivakami, a Brahmin woman, and her household. The reader follows Sivakami from her marriage ceremony in 1896 at ten, through her widowhood at eighteen, her establishment of her own household (against custom) and then watches the paths taken by Sivakami and her children and grandchildren until death in 1962. The focus easily changes between Sivakami and other family members, presenting a full and fascinating picture of a Brahmin household and of life in India at that time. This was a book I read slowly, not because it was tedious or difficult to read, but because I wanted to savor it, and not miss any, even minor, detail.
Unlike many historical novels, The Toss of a Lemon is very realistic in that, though there are many major historical events happening, they are not generally immediately effecting Sivakami and her family. This was quite refreshing and gave this novel the feel of real life.
In a way, I was reminded of the novels of Jane Austen, in which not a whole lot happens that might be considered earth shaking and yet, one must keep reading. Sivakami and her family were so well fleshed out, their lives so fully drawn, that I grew to know them, and their domestic concerns were of great importance to me, as well. And while it is a family epic, so to speak, I was not overwhelmed by length of the story or by many changes in characters.
The one discordant note in this lovely work is that Ms. Viswanathan tended to switch back and forth between present tense and past tense verbs. I found that to be distracting and as a result, could not give The Toss of a Lemon a full five stars.
Despite that, The Toss of a Lemon is truly a wonderful book that brought alive a time and place and culture of which I had no previous knowledge. I most certainly recommend this!
"Publishers Weekly Review"
by Publishers Weekly,
"Journalist, playwright and short-story writer Viswanathan's absorbing first novel, based on her grandmother's life, goes deep into the world of southern India village life. Starting in 1896, the story follows Sivakami, a Tamil Brahmin girl, from her marriage at the age of 10 through her long widowhood, while Indian political and social life lumbers through immense changes. Before he dies, Sivakami's astrologer husband, Hanumarathnam, foresees his death in the malignant interactions between his stars and his son Vairum's. Though he trains a trustworthy servant to assist Sivakami until their son comes of age, the world that Hanumarathnam leaves behind is rapidly changing, and the family is not entirely fit to survive it; Vairum, especially, suffers the pain of a father's disaffection and, later, a widowed mother forbidden to touch any human being during daylight hours. Irreconcilable conflicts between tradition — especially the strict caste rules of Brahmin life — and the modernizing world lead predictably to alienation and tragedy, but on an epic scale. Viswanathan is especially adept at unobtrusively explaining foreign customs and worldviews to Westerners while wholly respecting the power and significance they hold for practitioners. (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis"
by Ingram,
Spanning the lifetime of one woman, this debut novel offers an intimate look into a Brahmin household. Inspired by her grandmother's stories, Viswanathan masterfully brings to life a profoundly exotic yet utterly recognizable family in the midst of social and political upheaval.
"Synopsis"
by Firebrand,
The year of the marriage proposal, Sivakami is ten. She is neither tall nor short for her age, but she will not grow much more. Her shoulders are narrow but appear solid, as though the blades are fused to protect her heart from the back. She carries herself with an attractive stiffness: her shoulders straight and always aligned. She looks capable of bearing great burdens, not as though born to yoke but perhaps as though born with a yoke within her.
Spanning the lifetime of one woman (1896–1962), The Toss of a Lemon brings us intimately into a Brahmin household, into an India weve never before seen.Married at ten, widowed at eighteen, left with two children, Sivakami must wear widows whites, shave her head, and touch no one from dawn to dusk. She is not allowed to remarry, and in the next sixty years she ventures outside her family compound only three times. She is extremely orthodox in her behavior except for one defiant act: She moves back to her dead husbands house and village to raise her children. That decision sets the course of her childrens and grandchildrens lives, twisting their fates in surprising, sometimes heartbreaking ways.
Inspired by her grandmother's stories, Padma Viswanathan masterfully brings to life a profoundly exotic yet utterly recognizable family in the midst of social and political upheaval. The Toss of a Lemon is the debut of a major new writer.
Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and eBooks — here at Powells.com.
Don't Miss
