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Other titles in the Global Music series:

Music in Japan: Experiencing Music, Expressing Culture with CDROM (Global Music)

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Music in Japan: Experiencing Music, Expressing Culture with CDROM (Global Music) Cover

 

Synopses & Reviews

Publisher Comments:

Music in Japan is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study.

Music in Japan offers a vivid introduction to the music of contemporary Japan, a nation in which traditional, Western, and popular music thrive side by side. Drawing on more than forty years of experience, author Bonnie C. Wade focuses on three themes throughout the book and in the musical selections on the accompanying CD. She begins by exploring how music in Japan has been profoundly affected by interface with both the Western (Europe and the Americas) and Asian (continental and island) cultural spheres. Wade then shows how Japan's thriving popular music industry is also a modern form of a historically important facet of Japanese musical culture: the process of gradual popularization, in which a local or a group's music eventually becomes accessible to a broader range of people. She goes on to consider the intertextuality of Japanese music: how familiar themes, musical sounds, and structures have been maintained and transformed across the various traditions of Japanese performing arts over time.

Music in Japan is enhanced by eyewitness accounts of performances, interviews with key performers, and vivid illustrations. Packaged with an 80-minute CD containing examples of the music discussed in the book, it features guided listening and hands-on activities that encourage readers to engage actively and critically with the music.

Synopsis:

When we think of composers, we usually envision an isolated artist separate from the orchestraandmdash;someone alone in a study, surround by staff paperandmdash;and in Europe and America this image generally has been accurate. For most of Japanandrsquo;s musical history, however, no such role existedandmdash;composition and performance were deeply intertwined. and#160;Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. Inand#160;Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture.
and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;

Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around themandmdash;or that they forgedandmdash;during Japanandrsquo;s astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.and#160;

About the Author

Bonnie Wade is professor of music at the University of California, Berkeley. She is the author of many books, including Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India, also published by the University of Chicago Press, and most recently Music in Japan: Experiencing Music, Expressing Culture.and#160;

Table of Contents

Foreword

Preface

CD Track List

1. International Interface: Looking Westward

Setting the Scene

"The West" Goes to Japan

Meiji-Period Modernization

World War I and Immediately Following

2. International Interface: Looking Eastward

Tradition in a Time of Change

Interface in the First Millennium

The Gagaku Ensemble as We Hear It

Aerophones

Chordophones

Membranophones and an Idiophone

Percussion Parts in Gagaku Music

Strokes and Stroke Sequences

Coordinated Percussion Patterns

Gagaku through Time

3. Focusing Inward and Across Boundaries

Beyond Classical Music Training

Beyond the Palace

Beyond the Temple

Fuzzing of Folk and Popular

Tsugaru syamisen

The Syamisen

Drumming Ensembles

Matsuri bayashi

Within the World of Koto

Keiko Nosaka and the Twenty-stringed Koto

Tsukushi-goto

Yatsuhashi Ryu and "Rokudan"

Ikuta Kengyo and Yamada Kengyd=o

Michio Migyai and Shin nihon ongaku

Traditional Music for Koto

Contemporary Composition for Koto

From Theater to Film

4. Intertextuality in the Theatrical Arts

The No Drama and Ataka

The Staging

The Plays and Musical Setting

The Acting Forces

Movement

The Musicians and Instruments

The Kabuki Theater

From No to Kabuki

Kanjincho

The Musicians

The Music

The Film Men Who Step on the Tiger's Tail

5. Managing International Interface

Continuing Interface

Looking to the East

Niche Musics from Around the World

Jazz and the Authenticity Issue

Hip-hop in Japan

Continuing the Inward Look

National Cultural Policies

The Choral Phenomenon

Music and the Media

Film Music

Enka

J-pop

Theme Songs

The New York Nexus

Noise

6. From Japan Outward

Japanese Diasporas

Karaoke

Jazz and "Japaneseness"

Kurasiku ongaku

Sharing the concern about "Japaneseness"

Expressing "Japaneseness" Aesthetically

The Seasons in Japanese Music

Keiko Abe and the Marimba

Conclusion

Glossary

References

Resources

Index

Product Details

ISBN:
9780195144888
Author:
Wade, Bonnie C.
Publisher:
Oxford University Press, USA
Author:
null, Bonnie C.
Location:
New York
Subject:
Ethnic
Subject:
History and criticism
Subject:
Ethnomusicology
Subject:
Music
Subject:
History & Criticism - General
Subject:
Music | World Music, Ethnomusicology
Subject:
Music -- Japan -- History and criticism.
Subject:
Music - Japan - Foreign influences
Subject:
Music -- History and criticism.
Edition Description:
Paperback
Series:
Chicago Studies in Ethnomusicology
Series Volume:
LTR-FR-183
Publication Date:
20040931
Binding:
TRADE PAPER
Grade Level:
College/higher education:
Language:
English
Illustrations:
1 halftone
Pages:
272
Dimensions:
9 x 6 x 0.9 in

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Related Subjects

Arts and Entertainment » Music » Asia and Indonesia
Arts and Entertainment » Music » Ethnomusicology
Arts and Entertainment » Music » General
Arts and Entertainment » Music » Genres and Styles » Folk » Folk and Ethnic
Arts and Entertainment » Music » History and Criticism
Arts and Entertainment » Music » Instruction and Study » General
Religion » Comparative Religion » General

Music in Japan: Experiencing Music, Expressing Culture with CDROM (Global Music) New Trade Paper
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$44.50 In Stock
Product details 272 pages Oxford University Press - English 9780195144888 Reviews:
"Synopsis" by ,
When we think of composers, we usually envision an isolated artist separate from the orchestraandmdash;someone alone in a study, surround by staff paperandmdash;and in Europe and America this image generally has been accurate. For most of Japanandrsquo;s musical history, however, no such role existedandmdash;composition and performance were deeply intertwined. and#160;Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. Inand#160;Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture.
and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;

Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around themandmdash;or that they forgedandmdash;during Japanandrsquo;s astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.and#160;

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