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This title in other editionsScorsese by Ebertby Roger Ebert
Synopses & ReviewsPublisher Comments:Roger Ebert wrote the first film review that director Martin Scorsese ever received—for 1967s I Call First, later renamed Whos That Knocking at My Door—creating a lasting bond that made him one of Scorseses most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of Americas most respected film critics engagement with the works of Americas greatest living director, chronicling every single feature film in Scorseses considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary Shine a Light.
In the course of eleven interviews done over almost forty years, the book also includes Scorseses own insights on both his accomplishments and disappointments. Ebert has also written and included six new reconsiderations of the directors less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema.
"Given their career-long back-and-forth, this collection makes perfect sense. . . . In these reconsiderations, Ebert invites us into his thought processes, letting us see not just what he thinks, but how he forms his opinions. Eberts insights into Scorsese are terrific, but this book offers the bonus of further insights into Ebert himself."—Time Out Chicago
"Ebert, film critic for the Chicago Sun-Times, is an unabashed fan of Scorsese, whom he considers ‘the most gifted director of his generation. . . . Of special note are interviews with Scorsese over a 25-year period, in which the director candidly discusses his body of work."—Publishers Weekly
About the AuthorRoger Ebert is the Pulitzer Prize-winning film critic of the Chicago Sun-Times. Starting in 1975, he cohosted a long-running weekly movie review program on television, first with Gene Siskel and then with Richard Roeper. He is the author of numerous books on film, including The Great Movies, The Great Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the University of Chicago Press.
Table of ContentsForeword, by Martin Scorsese Introduction Part 1: Beginning Introduction I Call First Whos That Knocking at My Door Reconsideration Woodstock: An Interview with Martin Scorsese & Company Boxcar Bertha Mean Streets Alice Doesnt Live Here Anymore Taxi Driver An Interview with Martin Scorsese and Paul Schrader New York, New York Reconsideration The Last Waltz Part 2: Achieving Introduction Raging Bull The King of Comedy Scorsese: King of Romantic Pain Reconsideration After Hours Reconsideration The Color of Money The Last Temptation of Christ Scorseses Last Temptation Reconsideration New York Stories: “Life Lessons” Martin Scorsese and His “New York” Story Part 3: Establishing Introduction GoodFellas Why GoodFellas was the Best Film of 1990 Cape Fear The Age of Innocence The Innocence of Martin Scorsese Casino De Niro, Pesci, Scorsese Tell a Shocking Mob Story in Casino Part 4: Reflecting Introduction Wexner Center for the Arts Interview Part 5: Venturing Introduction Kundun Scorsese Learns from Those Who Went before Him Reconsideration Bringing Out the Dead Bringing Out Scorsese Gangs of New York Gangs All Here for Scorsese The Aviator Howard's End: Scorsese and the Aviator No Direction Home: Bob Dylan The Departed Shine a Light Part 6: Masterpieces Introduction Mean Streets Taxi Driver Raging Bull GoodFellas The Age of Innocence Index What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
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