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This title in other editions

Situation Aesthetics: The Work of Michael Asher

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Situation Aesthetics: The Work of Michael Asher Cover

 

Synopses & Reviews

Publisher Comments:

andlt;Pandgt;Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it. In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery directors, curators, and other museum staff members). Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomäki offers a comprehensive account of Asher's work over the past four decades. Because of the intensely site-specific nature of Asher's work, as well as the artist's refusal to reconstruct past works or mount retrospectives, many of the projects Peltomäki discusses are described here for the first time. Asher's work has commonly been associated with minimalism, conceptual art, and, most frequently, institutional critique. Peltomäki takes a different perspective, focusing on the work's social dimension. Because Asher's installations typically address the given context--the situation--of their exhibition directly and exclusively, they cease to exist after the exhibitions end, leaving behind few material traces. By emphasizing the social and psychological sites of art rather than the production of autonomous art objects, Peltomäki argues, Asher constructs experientially complex situations that profoundly affect those who encounter them, bringing about both personal and institutional transformation.andlt;/Pandgt;

Synopsis:

The first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object.

Synopsis:

andlt;Pandgt;The first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object.andlt;/Pandgt;

Synopsis:

Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it.

In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery directors, curators, and other museum staff members). Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomäki offers a comprehensive account of Asher's work over the past four decades. Because of the intensely site-specific nature of this work, as well as the artist's refusal to reconstruct past works or mount retrospectives, many of the projects Peltomäki discusses are described here for the first time. By emphasizing the social and psychological sites of art rather than the production of autonomous art objects, Peltomäki argues, Asher constructs experientially complex situations that profoundly affect those who encounter them, bringing about both personal and institutional transformation.

About the Author

Kirsi Peltomäki is Associate Professor of Art History at Oregon State University.

Product Details

ISBN:
9780262013680
Author:
Peltomaki, Kirsi
Publisher:
MIT Press (MA)
Author:
Peltom'aki, Kirsi
Author:
auml
Author:
Peltom
Author:
Massachusetts Institute of Technology
Author:
ki, Kirsi
Author:
Peltom�ki, Kirsi
Author:
&
Location:
Cambridge
Subject:
Asher, Michael - Criticism and interpretation
Subject:
Conceptual
Subject:
Individual Artists - Monographs
Subject:
History - Contemporary (1945- )
Subject:
Criticism -- Theory.
Subject:
Art - General
Copyright:
Series:
Situation Aesthetics
Publication Date:
20100305
Binding:
HARDCOVER
Grade Level:
from 17
Language:
English
Illustrations:
48 band#38;w illus.
Pages:
240
Dimensions:
9 x 7 x 0.43 in

Related Subjects

Arts and Entertainment » Art » Artists
Arts and Entertainment » Art » General
Arts and Entertainment » Art » Sculpture » General
Arts and Entertainment » Art » Sculpture » Technique
Arts and Entertainment » Art » Theory and Criticism
History and Social Science » Politics » General
Humanities » Philosophy » General

Situation Aesthetics: The Work of Michael Asher New Hardcover
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Product details 240 pages MIT Press (MA) - English 9780262013680 Reviews:
"Synopsis" by , The first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object.
"Synopsis" by , andlt;Pandgt;The first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object.andlt;/Pandgt;
"Synopsis" by , Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it.

In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery directors, curators, and other museum staff members). Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomäki offers a comprehensive account of Asher's work over the past four decades. Because of the intensely site-specific nature of this work, as well as the artist's refusal to reconstruct past works or mount retrospectives, many of the projects Peltomäki discusses are described here for the first time. By emphasizing the social and psychological sites of art rather than the production of autonomous art objects, Peltomäki argues, Asher constructs experientially complex situations that profoundly affect those who encounter them, bringing about both personal and institutional transformation.

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