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Other titles in the Inspector Banks Novels series:
Wednesday's Childby Peter Robinson
Synopses & Reviews
Chapter OneThe room was a tip, the woman a slattern. On the floor, near the door to the kitchen, a child's doll with one eye missing lay naked on its back, right arm raised above its head. The carpet around it was so stained with ground-in mud and food, it was hard to tell what shade of brown it had been originally. High in one corner, by the front window, pale flowered wallpaper had peeled away from a damp patch. The windows were streaked with grime, and the flimsy orange curtains needed washing.When Detective Chief Inspector Alan Banks perched at the edge of the scuffed olive-green armchair, he felt a spring dig into the back of his left thigh. He noticed Detective Constable Susan Gay turn up her nose as she looked at a garish oil painting of Elvis Presley above the mantelpiece. The King was wearing a jeweled white cape with a high collar and held a microphone in his ringed hand.In contrast to the shabby decor, a compact music center in mint condition stood against one wall, a green-and-yellow budgie in a cage nonchalantly sharpened its bill on a cuttlefish, and an enormous matte black color television blared out from one corner. Blockbusters was on, and Banks heard Bob Holness ask, What B' is the name of an African country bordering on South Africa? Could you turn the sound down, please, Mrs. Scupham? Banks asked the woman.She looked at him blankly at first, as if she didn't understand his request, then she walked over and turned off the TV altogether. You can call me Brenda, she said when she sat down again.Banks took a closer look at her. In her late twenties, with long dirty-blonde hair showing dark roots,she possessed a kind of blowzy sexuality that hinted at concupiscent pleasure in bed. It was evident in the languor of her movements, the way she walked as if she were in a hot and humid climate.She was a few pounds overweight, and her pink poloneck sweater and black mini-skirt looked a size too small. Her full, pouty lips were liberally coated in scarlet lipstick, which matched her long, painted fingernails, and her vacuous, pale blue eyes, surrounded by matching eye-shadow, made Banks feel he had to repeat every question he asked.Seeing the ashtray on the scratched coffee-table in front of him, Banks took out his cigarettes and offered the woman one. She accepted, leaning forward and holding back her hair with one hand as he lit it for her. She blew the smoke out through her nose, emulating some star she had seen in a film. He lit a cigarette himself, mostly to mask the peculiar smell, redolent of boiled cabbage and nail-polish remover, that permeated the room. When did you first get the feeling something was wrong? he asked her.She paused and frowned, then answered in a low voice, husky from too many cigarettes. Just this afternoon. I phoned them, and they said they'd never heard of Mr. Brown and Miss Peterson. And you got worried? Yes. Why did you wait so long before checking up? Brenda paused to draw on her cigarette. I don't know, she said. I thought she'd be all right, you know.... But you could have called this morning. That's when they said they'd bring her back, isn't it? Yes. I don't know. I suppose so. I just...besides, I'd got things to do. Did thevisitors show you any identification? They had cards, like, all official. What did the cards say? Mrs. Scupham turned her head to one side, showing only her profile. I didn't really get a good look. It all happened so fast. Did the cards have photographs on them? No, I don't think so. I'm sure I would have noticed. What exactly did they say to you? Banks asked. They told me their names and said they was from the social, like, and then they showed their cards... This was at the door, before you let them in? Yes. And then they said they'd come to see me about my Gemma. Well, I had to let them in, didn't I? They were from the authorities. Her voice cracked a little when she mentioned her daughter's name, and she sucked her lower lip. Banks nodded. What happened next? When I let them in, they said they'd had reports of Gemma being...well, being abused... Did they say where they'd heard this? She shook her head. Didn't you ask them? I didn't think to. They seemed so...I mean, he was wearing a nice suit and his hair was all short and neatly brushed down, and she was dressed proper smart, too. They just seemed so sure of themselves. I didn't think to ask anything. Was there any truth in what they said? Mrs. Scupham flushed. Of course not. I love my Gemma. I wouldn't harm her. Go on, Banks said. What did they say next? That's about it really. They said they had to take her in, just overnight, for some tests and examinations, and if everything was allright they'd bring her back this morning, just like I told you on the phone. When they didn't come, I got so worried...I...How could anyone do something like that, steal someone else's child? Banks could see the tears forming in her eyes. He knew there was nothing he could say to console her. In fact, the best thing he could do was keep quiet about how bloody stupid she'd been, and not ask her if she hadn't heard about the cases, just a few years ago, when bogus social workers had visited homes all around England with stories just like the one they'd given her...
"This is the sixth in a mystery series featuring Detective Chief Inspector Alan Banks, and a fine series it is too. The abduction of a seven-year old girl lies at the heart of this story, and it unleashes an investigation that reaches surprising dimensions in the relative backwater town of Eastvale in Yorkshire. Banks and his finely-drawn cast of colleagues uncover all kinds of nasty crimes in their search for the girl. Robinson's smooth writing and gift for characterization often mask the grimness of these police procedurals, but there is no doubt this is serious and compelling storytelling." Reviewed by Andrew Witmer, Virginia Quarterly Review (Copyright 2006 Virginia Quarterly Review)
When two social workers, investigating reports of child abuse, appear at Brenda Scupham's door, her fear of authority leads her to comply meekly with their requests. Even when they say they must take her seven-year old daughter away for tests.
A chilling masterwork is back in print! When a seven-year-old girl is taken from her working class Yorkshire home by an attractive couple posing as social workers, Detective Chief Inspector Alan Banks feels the child is doomed, particularly when no ransom demand is made. When the body of a young man is discovered in an abandoned mine, the kidnapping case takes an even more sinister twist.
About the Author
Peter Robinson's award-winning Inspector Banks novels have been named a "Best Book of the Year" by Publishers Weekly, a "Notable Book" by the New York Times, and a "Page Turner of the Week" by People. Robinson was born and brought up in Yorkshire, and now divides his time between North America and the U.K.
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