There is no woman with a worse reputation than Jezebel, the ancient queen who corrupted a nation and met one of the most gruesome fates in the Bible. Her name alone speaks of sexual decadence and promiscuity. But what if this version of her story, handed down to us through the ages, is merely the one her enemies wanted us to believe? What if Jezebel, far from being a conniving harlot, was, in fact, framed?

In this remarkable new biography, Lesley Hazleton shows exactly how the proud and courageous queen of Israel was vilified and made into the very embodiment of wanton wickedness by her political and religious enemies. Jezebel brings readers back to the source of the biblical story, a rich and dramatic saga featuring evil schemes and underhanded plots, war and treason, false gods and falser humans, and all with the fate of entire nations at stake. At its center are just one woman and one man—the sophisticated Queen Jezebel and the stark prophet Elijah. Their epic and ultimately tragic confrontation pits tolerance against righteousness, pragmatism against divine dictates, and liberalism against conservatism. It is, in other words, the original story of the unholy marriage of sex, politics, and religion, and it ends in one of the most chillingly brutal scenes in the entire Bible.

Here at last is the real story of the rise and fall of this legendary woman—a radically different portrait with startling contemporary resonance in a world mired once again in religious wars.

"'Like other villains of the Bible, Jezebel, it turns out, may have been gravely mischaracterized throughout history. Unlike Judas, of whom there are alternative, rehabilitative stories, the only historical account of Jezebel's life exists in the Books of Kings. What Hazleton argues, however, is that this account is self-subverting and has been misconstrued throughout history. Interlacing fictional narrative with engaging commentary, Hazleton points out that Jezebel was never sexually promiscuous or even accused of being so; the word 'harlot' only ever referred to her unfaithfulness to Yahweh. And while Elijah is a universally loved biblical figure (Hazleton gives examples of Jewish, Christian and Muslim reverence for him), her reading of Kings reveals him to be the worst sort of fundamentalist — the kind who thinks that all who oppose the true faith should be killed. Hazleton draws from a deep, impressive well of scholarship and includes a fascinating travelogue of her journeys to the places described in Kings. In addition, she provides her own rich, nuanced translation and uses it to highlight the wordplay in which the biblical authors frequently engage. Replete with apt comparisons to modern Middle Eastern conflicts, this revisionist portrait is equal parts fun and sobering — a colorful history lesson that's sorely needed.' Publishers Weekly (Copyright Reed Business Information, Inc.)" Publishers Weekly (Copyright Reed Business Information, Inc.)

"Some incredibly interesting books have been written about God in recent years. Jack Miles''God: A Biography,' Gregg Easterbrook's 'Beside Still Waters' and Jonathan Kirsch's 'God Against the Gods' all attempt, in one way or another, to figure out how the God so many of us worship turned out the way 'He' is. These books are less works of devotion than of curiosity. Although each is very different,... Washington Post Book Review (read the entire Washington Post review) the authors seem to be peering through a window blurred by glare, shielding their eyes with their hands, trying to see into a cosmic darkened room.

Miles' dazzling scholarship chronicles how God, the curmudgeon of the Old Testament, turned into the radical peacemaker of the New. Easterbrook, in a marvelous chapter on the Sermon on the Mount, lays out how Jesus really was the divine mind-blower of his time and perhaps eternity. Kirsch's work takes another tack — how the crowded, comparatively easygoing panoply of pagan gods was attacked and overcome by the wrathful, jealous Hebrew One-God, soon to be followed by the One-God religions of Christianity and Islam, each of them claiming to be the one true faith, which — as we know — has led to no end of bickering, bloodshed and sorrow. (And this conflict, in the beginning at least, was by no means universal. It took place among humans in Europe and the Middle East who clustered around the Mediterranean Sea. Most of Africa and Asia and certainly North and South America with their separate civilizations weren't even part of the pageant.)

Please — nobody send me irate e-mails! I'm just talking about books and the fact that, for instance, as late as the 9th century B.C., there were still plenty of folks who worshiped Baal and Astarte and any number of other divinities, and who were fairly tolerant of whatever gods might be around. Which is where Lesley Hazleton's provocative 'Jezebel' comes in. Although this volume sports a deliciously seductive cover, it is, in fact, a work both academic and speculative, taking as its underlying material the war between paganism and the God Yahweh, and how Yahweh won.

'Jezebel' consists of a close reading of the Book of Kings in the Old Testament, which, among other things, tells the story of how King Ahab of Israel (as opposed to its poorer southern neighbor, Judea) took it upon himself to marry the 15-year-old Princess Jezebel from the city-state of Tyre, just a stone's throw away in geography (an island off the shore of what is Lebanon today) but a universe apart in terms of belief systems. Tyre was a great seaport, bursting with people from everywhere in the known world, and still a pagan society, worshiping many gods; Tyre was tolerant, learned, sophisticated. Over in Israel, Ahab ruled only at the approval of the One-God Yahweh, and His word was handed down by Elijah, a dour prophet. When Ahab married Jezebel and when he later spared an enemy army in battle, Elijah became filled with rage, accusing Ahab, and particularly Jezebel, of harlotry, which meant not physical adultery but 'selling out,' much as we say that talented writers 'prostitute' their art to Hollywood today. 'Israel was selling its soul, not its body,' Hazleton writes. 'This was abomination. This was treason. This was harlotry.' And Ahab's God was jealous.

Because of Ahab's misdeeds and the bad influence of Jezebel, who had brought with her a retinue of priests devoted to Baal and Astarte, Elijah prophesied three years of drought. But prophesying drought in Israel is like doing so in Southern California. The odds are certainly with you. Chaos and high drama ensued.

Rereading the Book of Kings, you see that most of the miracles have to do with people simply getting enough to eat. This was a society under tremendous stress. Despite this book's title and the jacket copy, there isn't much about Jezebel in Kings, but the author manages, with a good deal of success, to get inside her mind. Hazleton pours common-sense feminine scorn on Elijah, who — as she sees it — engineered the destruction of Israel, plotting the deaths of Ahab and his sons and managing it so that Jezebel was murdered, too, and thrown to the dogs, unburied, her reputation so bruised that even now she stands for 'bad girls' everywhere. Elijah, at least in Kings, does seem like a nut job, but in the years since he's — ironically — been seen as a caring soul in each of the three 'one, true' religions. The overall impression left by 'Jezebel' is disheartening. They're still at it, over there at the far end of the Mediterranean, and this volume helps explain why those warring factions can't seem to ever find peace.

" Reviewed by Carolyn See, who can be reached at www.carolynsee.com, Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group)
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Advance Praise for Jezebel:

“This riveting biography breaks through all our preconceptions about Jezebel. In Hazleton’s hands, the real story of the ‘harlot queen’ is a vivid and magnificent drama with direct relevance to our own time. You’ll never read the Hebrew bible the same way again.”

—Naomi Wolf, author of The Beauty Myth and Misconceptions

“I read Jezebel in a single enthralled sitting. In her wonderfully spirited retelling of the Books of Kings, Lesley Hazleton makes Jezebel our contemporary, and turns the ninth century B.C. into a prophetic mirror of our twenty-first-century religiopolitical wars. In a feat of nonfiction magical realism, she brilliantly collapses the worlds of now and then into one realm, where Jezebel and Elijah effortlessly rub shoulders with Ehud Olmert and Sheik Hassan Nasrallah. The book is endlessly informative (and Hazleton’s knowledge of Hebrew serves her well here); it is also great fun.”

—Jonathan Raban, author of Surveillance

“This riveting book tells the story of the real-life, flesh-and-blood-and-brain female whose name has been, for the last three thousand years, shorthand for Bad Girl. Was Jezebel really ‘bad’? Or was she, like so many forward-thinking women after her, simply feared as a foreigner, reviled as an infidel, destroyed as a deviant? Read this book and find out.”

—Rebecca Brown, author of The Gifts of the Body

“Lesley Hazleton is a terrific, charismatic writer, and this book is an eloquent, smart, and thought-provoking reinterpretation of the biblical tale of Jezebel.”

—Neil Asher Silberman, author of David and Solomon

Praise for Mary: A Flesh-and-Blood Biography of the Virgin Mother:

“Thoughtful, evocative, and eminently readable...Dazzling to read and weighty to ponder.”

—Booklist

“Readers who loved the phenomenally popular fictional chronicle of Jacob’s daughter Dina in Anita Diamant’s The Red Tent will find this book about Mary, the mother of Jesus, just as enthralling....She also knows how to write a page-turner.”

—Publishers Weekly

“Weaves historical facts with empathy and imagination to construct a plausible, visceral version of this celebrated woman.”

—Los Angeles Times Book Review

For nearly 3,000 years, Jezebel has been invoked as the ultimate femme fatale, the embodiment of wanton wickedness. But Hazletons stunning retelling of her story creates a radically different portrait, one with startling contemporary resonance.

LESLEY HAZLETON is the author of three acclaimed books about the Middle East—Israeli Women, Where Mountains Roar, and Jerusalem, Jerusalem. Her most recent book is Mary: A Flesh-and-Blood Biography of the Virgin Mother. A former psychologist, she reported from Israel for Time magazine, and has written on Middle Eastern politics for The New York Times, Esquire, Vanity Fair, The Nation, The New Republic, The New York Review of Books, and other publications. She lives in Seattle, Washington.