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Other titles in the Norton Anthology of Western Music series:
Norton Anthology of Western Music #02: Norton Anthology of Western Music, Volume 2: Classic to Romanticby J. Peter Burkholder
Synopses & Reviews
The newly expanded recorded anthology features fourteen audio CDs with updated recordings from some of the best performers and ensembles working today alongside classic recordings by great artists, including:
This comprehensive collection of 205 scoresillustrates every significanttrend and genre ofWestern musicfrom antiquity to modern times.
The newly expanded recorded anthology features updated recordings from some of the best performers and ensembles working today alongside classic recordings by great artists.
This comprehensive collection of 205 scores illustrates every significant trend and genre of Western music from antiquity to modern times. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades, and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli"s In ecclesiis, Lully"s Te Deum, Haydn"s Creation, and Prokofiev"s Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvork, and Tchaikovsky; and new twentieth-century works by Satie, Bart"k, Milhaud, Prokofiev, Varimp;quest;se, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty.
About the Author
J. Peter Burkholder is Distinguished Professor of Musicology at Indiana University. He is the author of previous editions of A History of Western Music, the Norton Anthology of Western Music, and the Study and Listening Guide. In addition, he has written or edited four books on Charles Ives and has written numerous articles on topics spanning from the Middle Ages to the twentieth century for The New Grove Dictionary of Music and Musicians, Journal of the American Musicological Society, Journal of Musicology, Musical Quarterly, 19th-Century Music, Music Theory Spectrum, and other journals. He has served as President, Vice President, and Director-at-Large of the American Musicological Society and on the board of the College Music Society, and his writings have received awards from the American Musicological Society, Society for American Music, and ASCAP.Claude V. Palisca, late professor of music at Yale University, began his collaboration on A History of Western Music with the Third Edition. Among his many publications are a history of Baroque music and a collection of scholarly essays on Italian Renaissance music.
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